scholarly journals Timothy Verhoeven, Transatlantic Anti-Catholicism: France and the United States in the Nineteenth Century (New York: Palgrave Macmillan Press, 2010).

1969 ◽  
Vol 16 (1) ◽  
Author(s):  
Lindsay Wilson
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
The United States

scholarly journals Collections, Compilations, and Convolutes of Medieval and Renaissance Manuscript Fragments in North America before ca. 1900

Fragmentology ◽  
10.24446/dlll ◽  
2020 ◽  
pp. 73-139
Author(s):  
Scott Gwara
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
North America ◽  
The United States ◽  
New York University ◽  
Historical Society ◽  
Cornell University ◽  
Private Collections ◽  
Public Exhibition

Using evidence drawn from S. de Ricci and W. J. Wilson’s Census of Medieval and Renaissance Manuscripts in the United States and Canada, American auction records, private library catalogues, public exhibition catalogues, and manuscript fragments surviving in American institutional libraries, this article documents nineteenth-century collections of medieval and Renaissance manuscript fragments in North America before ca. 1900. Surprisingly few fragments can be identified, and most of the private collections have disappeared. The manuscript constituents are found in multiple private libraries, two universities (New York University and Cornell University), and one Learned Society (Massachusetts Historical Society). The fragment collections reflect the collecting genres documented in England in the same period, including albums of discrete fragments, grangerized books, and individual miniatures or “cuttings” (sometimes framed). A distinction is drawn between undecorated text fragments and illuminated ones, explained by aesthetic and scholarly collecting motivations. An interest in text fragments, often from binding waste, can be documented from the 1880s.

The Changing Role of Foreign Money in the United States, 1782–1857

1977 ◽  
Vol 37 (4) ◽  
pp. 1009-1027 ◽  
Author(s):  
David A. Martin
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
The United States ◽  
National Currency ◽  
Legal Tender ◽  
Silver Standard ◽  
Changing Role ◽  
The U.S

Foreign money remained in widespread use in the United States until the middle of the nineteenth century. Several foreign coins were provided legal tender status in order to supplement the scanty American specie supply. A particular disadvantage was the perpetuation of non-decimal units of account, especially in New York. When the U.S. enacted a subsidiary silver standard in 1853, the expedient bases for the lawful status of foreign coin was removed. In 1857, the United States coinage was finally reformed to secure an exclusive national currency.

The Comic Grotesque

2020 ◽  
pp. 29-66
Author(s):  
Jean Lee Cole
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Social Order ◽  
The United States ◽  
Comic Strip ◽  
Melting Pot ◽  
Logical Basis ◽  
Ethnic Populations ◽  
The Social

A particularly grotesque form of the comic sensibility emerged in the closing years of the nineteenth century in the works of George Luks. Luks was called on to take over Richard Outcault’s phenomenally popular Yellow Kid comic strip at Joseph Pulitzer’s New York World in 1896; he soon made the Yellow Kid his own. As Outcault’s duplicate or twin, Luks capitalized on the grotesque potential of twinning, doubling, and replication to question the social order from below, laying bare—and then savagely mocking—fears of the rapidly growing immigrant and ethnic populations in the United States. In subsequent strips, including The Little Nippers and Mose’s Incubator, his representations of polyglot America become positively fantastical, even monstrous, reflecting the interchangeability and reproducibility of ethnic identity that formed the logical basis of the “melting pot.”

The Black Legend of Texas

PMLA ◽  
2016 ◽  
Vol 131 (3) ◽  
pp. 735-742 ◽  
Author(s):  
Anna Brickhouse
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Latin American ◽  
Print Culture ◽  
The United States ◽  
American Colonies ◽  
History Of ◽  
To Come ◽  
Foundational Work

Among The Many Significant Contributions of Raúl Coronado's A World Not to Come: A History Of Latino Writing and Print Culture is its vivid account of a lost Latino public sphere, a little-known milieu of hispanophone intellectual culture dating back to the early nineteenth century and formed in the historical interstices of Spanish American colonies, emergent Latin American nations, and the early imperial interests of the United States. In this respect, the book builds on the foundational work of Kirsten Silva Gruesz's Ambassadors of Culture: The Transamerican Origins of Latino Writing, which gave definitive shape to the field of early Latino studies by addressing what were then (and in some ways still are) the “methodological problems of proposing to locate the ‘origins’ of Latino writing in the nineteenth century.” Gruesz unfolded a vast panorama of forgotten Spanish-language print culture throughout the United States, from Philadelphia and New York to New Orleans and California, in which letters, stories, essays, and above all poetry bequeathed what she showed convincingly were “important, even crucial, ways of understanding the world” that had been largely lost to history (x). Coronado's book carries forward this project of recovery, exploring a particular scene of early Latino writing centered in Texas during its last revolutionary decades as one of the Interior Provinces of New Spain, its abrupt transition to an independent republic, and its eventual annexation by the United States. As a “history of textuality” rather than a study of literary culture per se (28), the book tells the story of the first printing presses in Texas but also evinces the importance of manuscript circulation as well as private and sometimes unfinished texts. A World Not to Come concerns both print culture and origins but refuses to fetishize either, attending to the past not to “the degree that it is a measure of the future,” as Rosaura Sánchez once put it, but for the very opposite reason: because it portended a future that was never realized (qtd. in Gruesz, Ambassadors xi).

The Aesthetic Conflict

2021 ◽  
pp. 39-52
Author(s):  
Douglas W. Shadle
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Instrumental Music ◽  
The United States ◽  
Program Music ◽  
Absolute Music ◽  
The Aesthetic ◽  
Open Question ◽  
World Premiere

An aesthetic conflict between advocates of abstract instrumental music (or “absolute music”) and advocates of instrumental music that tells stories (or “program music”) raged throughout Europe and the United States during the second half of the nineteenth century. American critics assessed Dvořák’s Sixth, Seventh, and Eighth Symphonies through the lens of this conflict as they premiered throughout the 1880s and 1890s. But listeners could not reach a consensus about where along the aesthetic spectrum his music fell. Which direction the composer’s new symphony might take therefore remained an open question until its 1893 world premiere in New York, when the results surprised everyone.

P. R. and Municipal Reform

1943 ◽  
Vol 5 (1) ◽  
pp. 82-102
Author(s):  
F.A. Hermens
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Historical Perspective ◽  
The United States ◽  
City Government ◽  
Political Machines ◽  
Municipal Reform ◽  
Dark Ages ◽  
Historical Basis

Treatises on political machines in the United States too often suffer from a lack of historical perspective. Machine government is due to factors peculiar to certain periods in American history, and it is doomed to disappear when its historical basis disintegrates. Since the details of this matter have been discussed previously, let us only review the important phases of the struggle for reform. Between the Civil War and the 1890s political machines—some of which had begun to develop early in the Nineteenth Century—reached the peak of their power; these were “the dark ages of city government”. During the 1890s the reform forces began to wrestle with the “bosses” on even terms; they developed organizations and adopted techniques which helped them to overcome the isolation and the haphazard character of their early efforts. During the 1920s and the 1930s the victories of reform became accentuated; resounding defeats of individual machines recurred, and it looked like the beginning of a rout of the institution. To mention but a few: the Cox-Hynicka machine in Cincinnati fell in 1924; the Maschke machine in Cleveland received blows in the 1920s to which it finally succumbed in the 1930s; in New York, Tammany went down in 1933, and whereas the five reform administrations which New York had witnessed since 1871 all enjoyed only one two-year term each, La Guardia was elected to three four-year terms in succession.

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