Dance and the Political: States of Exception

2006 ◽  
Vol 38 (1-2) ◽  
pp. 3-18 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Modern Dance ◽  
Third Reich ◽  
The Political ◽  
Original Research ◽  
Avant Garde ◽  
Authoritarian State ◽  
Political Perspective ◽  
The Third Reich ◽  
The Veil ◽  
Vexed Question

My first idea was to compareAusdruckstanzliterature to work in other fields on the theorization of fascist aesthetics. This would establish a critical framework for the vexed question of the fascistization of German modern dance. As the research of Susan Manning, Marion Kant, and Laure Guilbert has made patently evident,Ausdruckstanzbegs the question of dance and politics because of the easy and massive accommodation of German modern dance to the cultural policies of the Third Reich. The history ofAusdruckstanzhas long been veiled, but the original research of these scholars persuades us to reconsider dance modernism from the political perspective. An early twentieth-century avant-garde art movement and an authoritarian state apparatus encounter each other at a moment crucial in the development of each; something new is being created, both artistically and politically, that reveals contradictory forces and tendencies at work. Only when these dance scholars lifted the veil and rewrote history could we begin to perceive dance in the full light of the political. They have inaugurated an area of inquiry that requires further work. But any serious critical development of dance study methodology must also be tested against their re-evaluationAusdruckstanz.

Issues Surrounding the Development of the Neo-Nazi Scene in East Berlin

2000 ◽  
Vol 33 (2) ◽  
pp. 45-50 ◽  
Author(s):  
Eric Brothers
Keyword(s):  
New York ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
Third Reich ◽  
Communist Regime ◽  
The Political ◽  
Social Culture ◽  
East Berlin ◽  
The Third ◽  
The Third Reich

The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.

scholarly journals Neurosciences in the Third Reich: from Ivory Tower to Death Camps

1999 ◽  
Vol 26 (2) ◽  
pp. 132-138 ◽  
Author(s):  
Michael I. Shevell
Keyword(s):  
Medical Practice ◽  
Physical Disabilities ◽  
Third Reich ◽  
Slippery Slope ◽  
Concentration Camps ◽  
The Political ◽  
Racial Hygiene ◽  
The Third ◽  
Political Conditions ◽  
The Third Reich

Abstract: It is commonly thought that the horrific medical abuses occurring during the era of the Third Reich were limited to fringe physicians acting in extreme locales such as the concentration camps. However, it is becoming increasingly apparent that there was a widespread perversion of medical practice and science that extended to mainstream academic physicians. Scientific thought, specifically the theories of racial hygiene, and the political conditions of a totalitarian dictatorship, acted symbiotically to devalue the intrinsic worth to society of those individuals with mental and physical disabilities. This devaluation served to foster the medical abuses which occurred. Neurosciences in the Third Reich serves as a backdrop to highlight what was the slippery slope of medical practice during that era. Points on this slippery slope included the “dejudification” of medicine, unethical experimentation in university clinics, systematic attempts to sterilize and euthanasize targeted populations, the academic use of specimens obtained through such programs and the experimental atrocities within the camps.

Entartete Kunst

2018 ◽  
Author(s):  
Amy Kelly Hamlin
Keyword(s):  
Third Reich ◽  
Abstract Art ◽  
Paul Klee ◽  
Traditional Art ◽  
Avant Garde ◽  
The Third ◽  
Art Forms ◽  
Degenerate Art ◽  
The Third Reich

Entartete Kunst (Degenerate Art) is a term that was used by Nazi authorities to identify, censure, and confiscate art they considered inconsistent with their ideology. It was the cornerstone of an ambitious propaganda campaign that culminated in the exhibition Entartete Kunst, which took place in Munich in 1937. The majority of this so-called degenerate art was Avant-Garde in both form and subject. Abstract Art by German artists, including Max Beckmann, Max Eernst, Ernst Ludwig Kirchner, Paul Klee, and Franz Marc, was particularly vulnerable to Nazi attack; non-German artists such as Vasily Kandinsky and Piet Mondrian were also singled out. As a polarizing concept, Entartete Kunst stems from an essentially anti-modernist, xenophobic and anti-Semitic position. It was designed to legitimize the art of the Third Reich, which was rooted in traditional art forms and characterized by an idealized naturalism that promoted heroic virtues and racial purity.

Teaching in Vain

2014 ◽  
Author(s):  
John P. McCormick
Keyword(s):  
Political Philosophy ◽  
Weimar Republic ◽  
Thomas Hobbes ◽  
Third Reich ◽  
State Theory ◽  
The State ◽  
The Political ◽  
German State ◽  
The Third ◽  
The Third Reich

This chapter traces Carl Schmitt’s attempt, in his 1932 book The Concept of the Political, to quell the near civil war circumstances of the late Weimar Republic and to reinvigorate the sovereignty of the German state through a reappropriation of Thomas Hobbes’s political philosophy. The chapter then examines Schmitt’s reconsideration of the Hobbesian state, and his own recent reformulation of it, in light of the rise of the “Third Reich,” with particular reference to Schmitt’s 1938 book The Leviathan in the State Theory of Thomas Hobbes.

scholarly journals Von Südtirol nach Württemberg. Die «Umsiedlung» Südtiroler Psychiatriepatienten im Rahmen des deutsch-italienischen Optionsvertrages ab 1939

Gesnerus ◽  
2012 ◽  
Vol 69 (2) ◽  
pp. 297-329
Author(s):  
Maria Fiebrandt ◽  
Bodo Rüdenburg ◽  
Thomas Müller
Keyword(s):  
Third Reich ◽  
The Political ◽  
Medical Patients ◽  
National Socialist ◽  
European Continent ◽  
South Tyrol ◽  
History Of ◽  
New Material ◽  
The Third Reich ◽  
German Reich

Object of this article is the procedure of the transport of South Tyrol patients to the South Wuerttemberg asylums Zwiefalten und Schussenried as well as to some extent to the former asylum of Weissenau near Ravensburg in 1940 and 1942. Attention is focused on the pioneering state pre-negotiations, the so-called option treaties between the German Reich and Fascist Italy as part of the general aspect of National Socialist bio-Politics. The treatment of these South Tyrol patients in the asylums themselves, as well as their fate will be put into the context of the resettlement actions at the margins of the “Third Reich”, which started in 1939 and widely affected the European continent. By presenting the abuse of medical patients in the aim to solve the political problems having occurred after bio-political goals had been set into practice, this study offers new material to the history of National Socialist psychiatry, as well as to National Socialist Foreign Policy in the case of Italy.

scholarly journals Help of neutral countries in the return to life of the Women deportees from Ravensbrück camp. The Spanish Women case

2019 ◽  
Vol 8 (2) ◽  
pp. 024
Author(s):  
Rose Duroux
Keyword(s):  
Third Reich ◽  
Political Prisoners ◽  
Red Cross ◽  
The Political ◽  
The Third ◽  
Spanish Women ◽  
The Third Reich ◽  
French Resistance

Nothing more usual than to find Spanish refugees of 1939 in the French Resistance as they continued their fight against fascism. Therefore, hundreds of Spaniards where caught in the nets of the Vichy Government and the Gestapo. They are imprisoned in the French jails (Toulouse, Montluc, Fresnes, Compiègne, etc.) alongside the French Resistant women. Both will be piled up in wagons to the camps of the Third Reich. Many ended at the women’s camp in Ravensbrück. Usually, the Spaniards were labelled “F”, “French”, because they were arrested in France. This “F” was part of the “red triangle” of the “political prisoners”. Some were even classified NN (Nacht und Nebel), i.e. called to disappear without a trace. As they were recognized by nobody (neither the French nor the Spaniards), this means: no mail, no parcels. They held on for life thanks to the links they forged randomly across blocks, satellite camps, languages, affinities... However, many died. For some of them, the release arrived in April 1944, thanks to “neutral” countries initiatives: in fact, a few Spanish women were able to slip into the Red Cross convoys transiting through Switzerland, which were initially reserved for French women. Others returned by Sweden. Others, finally, faced the apocalyptic evacuation of the camps of 1945 and the “marches of death”. We propose to study “the return to life” helps through some cases – obviously return to France since there could be no possible repatriation for these Spanish anti-fascist survivors, as the victory of the Allies did not affect General Franco’s power. After returning to France, this help continued for two or three years, in particular thanks to convalescent stays in Switzerland, Sweden and somewhere else, and thanks to one-off material contributions from the Swiss Grant (“Don suisse”) or from various organizations.

Modern Dance in the Third Reich, Redux

2017 ◽  
Author(s):  
Susan Manning
Keyword(s):  
National Socialism ◽  
Cultural Policy ◽  
Modern Dance ◽  
Third Reich ◽  
The Third ◽  
The Great Depression ◽  
National Socialists ◽  
The Third Reich ◽  
Modern Dancers ◽  
New Research

This chapter reviews the literature on modern dance in Germany under National Socialism (1933–1945). In the current consensus, three interrelated explanations are advanced for why so many modern dancers collaborated with the National Socialists: shared roots in the life reform and physical culture movement at the turn of the twentieth century; crises during the Weimar Republic that culminated in the Great Depression; and the changing cultural policy of Goebbels’s Cultural Ministry. This chapter probes varied interpretations of how and why Mary Wigman, Rudolf Laban, and other modern dancers adapted their mode of Ausdruckstanz as Deutscher Tanz (“German dance”) and poses new research questions. The complex question of modern dance in the Third Reich is viewed in relation to changing historiographic models for understanding Germany between the two world wars.

RECEPCIJA I REPREZENTACIJA HOLOKAUSTA U ISTOČNOM BERLINU I BEOGRADU NAKON DRUGOG SVETSKOG RATA

Lipar ◽  
2021 ◽  
Vol 22 (75) ◽  
pp. 163-186
Author(s):  
Milena Nešić Pavković ◽  
Keyword(s):  
Third Reich ◽  
Second World War ◽  
The Political ◽  
World War ◽  
East Berlin ◽  
The Holocaust ◽  
The Third Reich ◽  
Post War ◽  
Communist Countries ◽  
Second World

The goal of this paper is to investigate the memory of the Holocaust, i.e. the reception and representation of the suffering of the Jewish population during the rule of the Third Reich (under Nazi rule and occupation) in the capitals of the states constituted after the Second World War - in East Berlin, GDR, and Belgrade, SFRY, during the period from 1945 to 1989/1991. Relying on the achievements of memory studies and analyzing the political moods of that time and the ways of constructing official narratives about Jewish suffering in selected post-war Communist countries, the similarities and differences in the policy of representing Jewish suffering in these two countries and the memory of Jewish victims in places of remembrance and in the practices of remembrance in their capitals will be pointed out.

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