Donors and the Global Sportive “Civilizing Mission”: Asian Athletics, American Philanthropy, and YMCA Media (1910s–1920s)

Itinerario ◽  
2016 ◽  
Vol 40 (1) ◽  
pp. 29-54
Author(s):  
Stefan Hübner

This article focuses on changes in American philanthropy during the Progressive Era and the Young Men’s Christian Association’s (YMCA) domestic promotion of its global sports program during the 1910s and 1920s. Since the American YMCA’s foreign department was entirely dependent on donations, philanthropists’ demands concerning efficient and scientific methods to fight the causes of social dysfunction needed to be addressed. YMCA and Christian progressive media thus presented clear-cut success stories about spreading Western sports. Oft-repeated topoi included the superiority vis-à-vis local practices of Western scientific and rational approaches to public health and leisure, and a knowledge transfer to local elites, meaning that indigenization would prevent a permanent “donation drain.” During the First World War, Asian sports events were communicated as a peaceful contrast to the European battlefields. Following the war, YMCA writers turned Asian athletes into a vanguard among non-Western athletes, now promoting the YMCA’s experience gained in this region as a guarantee to donors that an expensive expansion of its sportive “civilizing mission” would lead to similar achievements on a global level. By the late 1920s, the YMCA had completely “de-Orientalized” its earlier coverage of Asian social deficits to emphasize its own efficiency.

Author(s):  
Matthew G. Stanard

The period 1914–45 represents the height of European overseas empire even as seeds were sown hastening imperialism’s demise. Colonies were ‘unfinished empires’ in the process of becoming, although frequent resorts to violence in the colonies indicated the limits of Europe’s grasp. Although many emerged from the First World War dubious about European so-called civilization, the civilizing mission survived and flourished, suggesting Europe’s enduring self-confidence. Development became a dominant discourse while the Great Depression quickened colonial exploitation. Emigration and settlement on expropriated lands slowed relative to Europe’s rapid expansion in the 1800s, yet formal colonialism proceeded apace, with few exceptions. Development and exploitation led to forced or voluntary migration of colonial subjects on a large scale. Cold War ideological competition was ‘exported’ to much of the colonial world. Non-Europeans used networks to claim their rights and attack European colonial rule, and they and the colonies influenced Europe, which developed various ‘colonial cultures’.


2020 ◽  
pp. 19-46
Author(s):  
Kathryn Ciancia

As the First World War ended, new borderland conflicts erupted in Volhynia. At the Paris Peace Conference, Polish statesmen tapped into broader global ideas of civilization in order to show that the Polish nation had the right to rule Volhynia’s “backward” populations, particularly its Ukrainian-speaking majority. At the same time, Polish nationalist activists in the Borderland Guard (Straż Kresowa) attempted to implement their vision of anti-imperial democracy on the ground. This chapter explores how the Borderland Guard’s activists reconfigured “civilization” in Volhynia’s war-torn, resource-starved, and fractured local communities, where conflict played out along national, social, and economic lines. The contention that there were civilizational hierarchies both between Poles and non-Poles and within the ranks of “Poles” coexisted with rhetoric about national inclusivity. Indeed, hierarchy and exclusion directly emerged from attempts to import a Polish version of democracy into the borderlands.


2019 ◽  
Vol 54 (1) ◽  
pp. 210-236
Author(s):  
Emily Bartlett

Abstract This article explores popular understandings of disability, work, and gender in the context of charitable employment schemes for disabled ex-servicemen after the First World War. It offers a case study of the British Legion–funded poppy factories in Richmond and Edinburgh, which employed war-disabled men to manufacture artificial flowers from 1922 onward. In so doing, this article demonstrates that press reports and charitable publications surrounding the schemes rhetorically incorporated the factories into wider twentieth-century understandings of Taylorist/Fordist productivity and manufacturing and reimagined the sites as sprawling production lines that churned out millions of flowers per year. This discourse positioned flower making as a highly skilled, masculine occupation, and relatedly constructed war-disabled flower makers as successful, productive, and physically capable workers. As one of the most publicly visible employment schemes—which catered to the most severely disabled ex-servicemen—the factories symbolized the potential of all war-disabled men for employment and went some way to challenge widespread perceptions of disabled people as idle, dependent, and useless. Moreover, this discourse represented modern, scientific methods of manufacturing as a way to make disabled bodies efficient and useful. Charitable reports positioned Taylorist/Fordist production as a solution to the problem of mass disability and ultimately countered widespread British discontent with American manufacturing ideals.


Author(s):  
Michael J. Van der Kamp

Many things were changing in Britain after the First World War, yet militaristic ideals continued to hold sway. This paper examines the way that these ideals were ingrained in British youth. Organizations such as the Boy Scouts and Girl Guides engaged British youth in militaristic activities, while the children's literature of the day emphasized militaristic ideals by crafting glamorous depictions of Britons involved in the First World War. These same works commonly portrayed enemy combatants as monsters, creating the semblance of a clear-cut, good versus evil struggle. Furthermore, the desolate living conditions faced by many British youth made military life seem like an enviable escape, despite the horrors experienced by most British soldiers during the war.


1949 ◽  
Vol 95 (401) ◽  
pp. 960-967 ◽  
Author(s):  
H. Edelston

In my student days, after the first world war, teachers and text-books still used the term dementia praecox. It was looked upon as a disease sui generis, and descriptions were entirely in terms of clear-cut asylum cases with the usual classification into simple, hebephrenic, katatonic and paranoid. There was no psychopathology worth noting, and no anticipation of the immense gap waiting to be explored between “normality” and complete mental breakdown. In effect this meant that there was no half-way house in diagnosis: it was either dementia praecox or nothing. The revolutionary change in diagnostic approach began with Bleuler's highly original conception of the disorder as a progressive splitting of the psyche, indicated by the name schizophrenia which he gave to it, and which now holds the field. Added to this there are the researches of the psycho-analytical schools (the Jungians in particular) which have succeeded in opening up a huge and fascinating borderland on the fringe of normality, with a corresponding enlargement of our notions of schizophrenic disorders.


Author(s):  
Joseph Bristow

This chapter explores the ways in which Maurice in 1913 processed the legacy of the Aesthete Oscar Wilde’s imprisonment in 1895. Even though the only direct allusion to Wilde occurs in Maurice’s interview with Dr Barry, the presence of Wilde’s reputation emerges in the ‘aesthetic push’ at Cambridge. In principle, Maurice’s abandonment of Clive marks the moment when the narrative confirms that an aesthetic homosexuality proves unappealing. Instead, Maurice’s intimacy with Alec marks a turn toward a physically intense homosexual desire that takes its cues from Edward Carpenter’s thought. At the same time, the threat of blackmail that haunts the intimacy between Maurice and Alec also recalls the disclosures about Wilde’s involvement with homosexual extortionists. The chapter therefore reveals that the influential argument that Robert K. Martin ventured in 1983 – where he claims that the first half of Maurice focuses on a Platonic homosexuality, while the second half stresses a male same-sex passion derived from Carpenter – is not as clear-cut as he suggests. Forster’s concerted efforts to dis-identify with Wilde point to the considerable degree to which the Aesthete’s plight in 1895 continued to shape understandings of homosexuality through the period leading up to the First World War.


2004 ◽  
Vol 1 (2) ◽  
pp. 67-88
Author(s):  
Sylvie Douche

On the eve of the First World War the French musical press enjoyed a freedom of expression which allowed it to put works and composers into clear-cut categories. This same freedom of expression authorized it to denounce explicitly the state's stranglehold over the organization of its grand theatres through the implementation of the cahiers des charges. This study is based on the articles which Jean Chantavoine published in l'Année musicale in 1911, 1912 and 1913. He writes annual statements which were more organizationally – rather than musically – orientated, and it is this feature which forms the basis of this article. In fact, Chantavoine (1877–1952), critic for the Journal des débats, Excelsior, etc., had no hesitation in criticizing state interference in the cultural dynamic of the Opéra and the Opéra-Comique, which he saw as leading to musical productions more abundant in quantity than quality. In order to appreciate his views more fully, an overview of three cahiers des charges is provided: those of 1908 and 1914 for the Opéra and of 1911 for the Opéra-Comique. For example, since subventions were distributed unequally between the two theatres, it is noticeable that the number of productions is greater for the Opéra-Comique, when, paradoxically, it was that theatre which received the smallest financial subsidy. In summarizing the years 1911–13 Chantavoine quite rightly takes these circumstances into account, and in reviews of the years’ principal productions he unintentionally provides a more accurate picture of himself as critic than the musical year as whole. In the course of his reviews, therefore, one can observe the emergence of certain traits of his aesthetic personality. He appears a complex character, for instance, interested in folk idioms, but only if they have obvious or immediate relevance. Finally, however, he illustrates the decisive position Paris occupied in the European musical panorama, and offers readers a valuable survey of the musical years before the war.


Balcanica ◽  
2018 ◽  
pp. 57-67
Author(s):  
Dusan Fundic

This paper analyses the Austro-Hungarian occupation of Serbia during the First World War and the activity of the occupation administration of the Military Governorate in the context of its ?civilizing mission?. It points to the aspects of the occupation that reveal the Austro-Hungarians? self-perception as bringers of culture and civilization as conducive to creating an ideological basis for a war against Serbia. The paper also presents their outlook on the world in the age of empires and their idea of establishing what they saw as a more acceptable cultural basis of Serbian national identity shaped primarily by loyalty to the Austro-Hungarian Emperor and King and the ideals of order and discipline. The process is studied through analysing the occupation policies aimed at depoliticizing the public sphere by closing the pre-war institutions of culture and education and introducing educational patterns primarily based on the Austro-Hungarian experience in Bosnia and Herzegovina.


Balcanica ◽  
2017 ◽  
pp. 107-122
Author(s):  
Milos Kovic

The conflict between Serbia and Austria-Hungary in the years preceding the First World War is looked at in the global context of the ?age of empire?. The Balkans was to Austria-Hungary what Africa or Asia was to the other colonial powers of the period. The usual ideological justification for the Dual Monarchy?s imperialistic expansion was its ?civilizing mission? in the ?half-savage? Balkans. The paper shows that the leading Serbian intellectuals of the time gathered round the Srpski knjizevni glasnik (Serbian Literary Herald) were well aware of the colonial rationale and ?civilizing? ambitions of the Habsburg Balkan policy, and responded in their public work, including both scholarly and literary production, to the necessity of resistance to the neighbouring empire?s ?cultural mission?.


2022 ◽  
Vol 98 (1) ◽  
pp. 281-301
Author(s):  
Lucian M Ashworth

Abstract Before 1914 scholars of international thought frequently relied on racist arguments, yet the ways that race was used varied widely from author to author. This article charts the way that race was used by two groups of Anglophone writers. The warriors used biological arguments to construct views of international affairs that relied on racist analysis. Pacifists might have used racist language that relied more on cultural prejudices, and would often base their more progressive views of international affairs on the idea of a civilizing mission. Using A. T. Mahan and Brooks Adams as exemplars of the warrior approach, and Norman Angell and H. N. Brailsford for the pacifists, I argue that race and racism play an important part in international thought before the First World War. This racism was directed at the colonized in the global South, Indigenous peoples in settler colonial states, and Jews in the global North. This use of race and racism in pre-First World War international thought has implications for how we view the development of International Relations today. It is not just statues and stately homes that require a thorough reassessment of attitudes to race, but also our understanding of the progression of ideas in international thought.


Sign in / Sign up

Export Citation Format

Share Document