Drag, camp and gender subversion in the music and videos of Annie Lennox

Popular Music ◽  
2004 ◽  
Vol 23 (1) ◽  
pp. 17-29 ◽  
Author(s):  
GILLIAN RODGER

In this article I examine Lennox's earliest performance strategies, and her reasons for employing them, as well as some of the reactions to her adoption of transvestism as a sartorial style. I discuss three videos from Lennox's 1988 LP Savage, which, in my view, marked a radical shift in her approach to depicting gender through performance. I argue that Lennox may be more productively viewed by keeping in mind performance ideals of music hall and other popular musical theatre styles of the late nineteenth and early twentieth centuries. Finally I discuss Lennox's challenge to late twentieth-century gender construction using Judith Butler's theories of the performative nature of gender and of the subversive reiteration of gender, outlined in her books Gender Trouble and Bodies that Matter, and suggesting ways in which Lennox's performance embodies these theories, while extending them to include a broader range of sexualities.

Author(s):  
Leah Price

This chapter suggests that two phenomena that usually get explained in terms of the rise of electronic media in the late twentieth century—the dematerialization of the text and the disembodiment of the reader—have more to do with two much earlier developments. One is legal: the 1861 repeal of the taxes previously imposed on all paper except that used for printing bibles. The other is technological: the rise first of wood-pulp paper in the late nineteenth century and then of plastics in the twentieth. The chapter then looks at Henry Mayhew's London Labour and the London Poor (1861–62), the loose, baggy ethnography of the urban underclass that swelled out of a messy series of media. Mayhew's “cyclopaedia of the industry, the want, and the vice of the great Metropolis” so encyclopedically catalogs the uses to which used paper can be turned.


Author(s):  
Gavin Miller

For the purposes of this book, science fiction is defined broadly in the terms advanced by Darko Suvin, with a focus on the genre from the late nineteenth century onwards. Psychology is conceived as the modern Western discipline, running from the origins of experimental psychology in the late nineteenth century to the ascendance of neuroscience as a disciplinary rival in the late twentieth century. Five different functions for psychological discourses in science fiction are proposed. The didactic-futurological function educates the non-specialist through extrapolation of psychological technologies, teaching within the context of futurological forecasting. The utopian function anchors in historical possibility the imagining of a currently non-existent society, whether utopian or dystopian. The cognitive-estranging function defamiliarizes and denaturalizes social reality by extrapolating current social tendencies and/or construct unsettling fictional analogues of the reader’s world. The metafictional function self-consciously thematizes within narrative fiction the psychological origins, nature, and function of science fiction as a genre. The reflexive function addresses the construction of individuals and groups who have reflexively adopted the ‘truth’ of psychological knowledge.


Author(s):  
Ronald Labonté ◽  
Arne Ruckert

International health, a concern with the high burden of preventable disease in poorer countries, is long-standing. In late nineteenth century sanitary reforms and early twentieth century philanthropic financing to control infectious diseases in the Americas, this concern also foreshadows more contemporary debates over global health financing and the ‘health securitization’ of wealthier nations against diseases spreading from poorer ones. By the late twentieth century, however, there was a shift in discourse from ‘international’ to ‘global’ health underpinned by the growing awareness that there are inherently global reasons for why some countries are wealthier and healthier, while others remain poorer and sicker. Two different frameworks are used to unpack these causal pathways, in which globalization processes are regarded as meta-determinants of health inequities within and between nations. Although researchers argue that globalization processes have been good for health, others are much less sanguine on this claim.


Author(s):  
Lesley Orr

During the second half of the twentieth century, a seismic shift in outlook, norms, behaviours, and laws transformed Western societies, particularly in relation to sexuality and gender relations. These changes were characterized and facilitated by escalating rejection of dominant sources of moral authority, including organized religion. This chapter considers the Church of Scotland’s response to the ‘permissive society’. It attempted to grapple theologically with questions concerning marriage and divorce, homosexuality, and women’s ordination, confronted unavoidably with profound questions concerning gender, power, and sexuality. These debates generated controversy and division as the moral consensus fractured. Fault lines opened up between conservatives who defended the validity of Christian moral certainties, and others who embraced more liberal and contextual interpretations of Scripture and tradition. Previously silenced or subordinated voices emerged, challenging but failing to provoke radical institutional change at a time of rapid declension in the status and cultural influence of the national Church.


2006 ◽  
Vol 40 (1) ◽  
pp. 82-103 ◽  
Author(s):  
Suzanne M. Sinke

Gender has become a category of concern for many historians of migration in scholarship of the 2000s. This article notes a variety of factors which made it possible and likely for historians to turn to questions of gender. The article surveys historiography on migration and gender as it developed in the late twentieth century and explores some current directions in this scholarship, on a variety of geographic scales: global, national, and local. It emphasizes the need for longitudinal analysis in any study of gender and migration, and notes some approaches to the concept of time used by historians.


1997 ◽  
Vol 51 ◽  
pp. 1-6
Author(s):  
Gay Seidman

It has become a common place in the late twentieth century to remark on the persistence of difference and inequality among workers; as we all know, racial capitalism has been more likely to perpetuate visible distinctions between workers than to erase them. This recreation of difference among workers is true along lines of age and gender, but it is perhaps most evident in terms of race: The daily experiences of most workers have not been colorblind at any time in capitalism's history. As many analysts have pointed out, instead of the homogenized proletariat united by a common economic interest predicted by most early-twentieth century social theories, racial capitalism has been composed of institutions and relationships which are built on, and which recreate, racial differences within the working class—differences that continue to shape and be reflected in workers' understanding of themselves and others.


2021 ◽  
pp. 16-43
Author(s):  
Melle Jan Kromhout

Chapter 1 gives a brief history of the noise of sound media from the late nineteenth to the late twentieth century, tracing the development of different concepts of noise in dialogue with and reaction to ever more complex and sophisticated technologies. It explores the many ways in which inventors, engineers, producers, and musicians have sought to prevent, reduce, and eliminate this noise. The chapter thereby draws the contours of a myth of perfect fidelity or the idea that reproduced sound can in principle be separated from the noise of the medium and complete similitude between original and copy can be achieved. This myth is illustrated by two examples of noise-related technologies: Dolby analog noise reduction, which actively reduces the noise of sound media, and the counterintuitive practice of “dithering” in digital recording, by means of which small amounts of random noise are introduced to reduce digitization errors.


2021 ◽  
Author(s):  
◽  
Pamela Hyde

<p>This thesis is a socio-historical study of cervical cancer from the late nineteenth century to the late twentieth century. It explores the ways in which discourses have constituted knowledge, social practices and subjectivities in relation to cervical cancer. It also explores the ways in which power has operated on the bodies of New Zealand women. In doing so it criticises orthodox histories of medicine, problematises the knowledge claims of medicine and argues for a sociological account of medical knowledge. In this thesis discourses on cervical cancer have been subjected to a feminist-Foucauldian analysis which reveals their historical specificity and their social location. The gendered bodies of women are placed at the centre of this analysis. This thesis challenges constructionist accounts of medicine which do not pay sufficient attention to the role of gender relations in the construction of bodies. This thesis also develops against feminist theorists a view of women as actively constituting their bodies by responding to and challenging medical discourses whilst at the same time being shaped by these discourses. In this study, cervical cancer is subjected to a sociological analysis which problematises its existence as an unalloyed biological phenomenon. It is argued that women's bodies have been the contested sites for knowledge/power and that the cervix and its diseases have been constituted as variable medical artifacts throughout specific historical periods from the 1890s to the 1990s. The study also shows however, the ways in which women have been active participants in the disciplining of their bodies. In this thesis, the medical profession, state actors and feminists are shown to interact in an interweave of power. In doing so the socially negotiated status of medical knowledge of cervical cancer is revealed.</p>


Sign in / Sign up

Export Citation Format

Share Document