Musical ambition, cultural accreditation and the nasty side of progressive rock

Popular Music ◽  
2008 ◽  
Vol 27 (3) ◽  
pp. 433-455 ◽  
Author(s):  
JAY KEISTER ◽  
JEREMY L. SMITH
Keyword(s):  
Subject Matter ◽  
Rock Music ◽  
Social Conformity ◽  
Political Critique ◽  
Cultural Elite ◽  
Rock Bands ◽  
Progressive Rock ◽  
Common Notion ◽  
History Of ◽  
The Common

AbstractProgressive rock of the early 1970s has been demonised as a nadir in the history of rock primarily because of the ambitions of progressive rock musicians. Critics have interpreted these ambitions as attempts to elevate rock music to the level of high art in order to gain cultural accreditation from an unspecified cultural elite. This interpretation is further compounded by the common notion that progressive rock’s subject matter is dominated more by individualistic quests for spirituality than by socio-political critique, resulting in a stereotype of progressive rock as apolitical, pretentious and conventionally upwardly mobile. Critics who have propagated this stereotype – including some musicologists – have misunderstood the countercultural politics of young musicians during this era and have overlooked the highly developed musical poetics of progressive rock that were in fact highly politicised. This paper examines four of the leading progressive rock bands of the early 1970s – Emerson, Lake and Palmer, King Crimson, Genesis and Yes – and reveals the nasty side of progressive rock: a scathing criticism of rampant militarism and social conformity that runs counter to the prevailing narrative in which the genre is dismissed as an escapist fantasy with an elitist agenda.

Disability and the Practice of Public History: An Introduction

2005 ◽  
Vol 27 (2) ◽  
pp. 9-24 ◽  
Author(s):  
Katherine Ott
Keyword(s):  
Subject Matter ◽  
Public History ◽  
Medical Model ◽  
People With Disabilities ◽  
Social Conventions ◽  
The Public ◽  
History Of ◽  
The Subject ◽  
The Common ◽  
Medical Model Of Disability

Museums, exhibitions, and public history have long engaged with the subject matter of disability. Shared social conventions and exhibition traditions about people with disabilities--the common stereotypes of people as persevering heroes or objects of pity--have often led to skewed and inaccurate historical presentations. The medical model of disability, equally strong in framing disability, has also reduced the range of possibilities for including content for the public. More recently, greater understanding of diversity and of the importance of interpreting the history of all people has begun to push inclusion beyond simple access issues and into content.

Yes, ‘Awaken’, and the progressive rock style

Popular Music ◽  
2001 ◽  
Vol 20 (2) ◽  
pp. 243-261 ◽  
Author(s):  
JOHN R. PALMER
Keyword(s):  
Popular Music ◽  
Rock Music ◽  
Musical Language ◽  
Rock Bands ◽  
Progressive Rock ◽  
The One ◽  
The Uk ◽  
Further Development ◽  
Musical Styles

Going for the One was a good rebirth of Yes at that time, to find its feet and really know what it wanted to do. And we made ‘Awaken’ . . . (Morse 1996, p. 58).Since the release of their third recording, The Yes Album, in March 1971, the music of the English band Yes has been associated with the rock music substyle called ‘progressive rock’. The first two Yes albums showcase a very capable, inventive group of musicians who drew freely from the multitude of sounds around them, emulating aspects of the various musical styles they found engaging. However, it was not until they composed the works appearing on The Yes Album that the band coupled this eclecticism with a quest for originality to develop a voice highly idiosyncratic when judged against prevailing popular music styles. Subsequent albums reveal a predeliction for experimentation and expansion, and successful record sales in both the UK and US encouraged further development in the same direction. Although not members of the ‘first wave’ of progressive rock bands, Yes became ‘codifiers’ and for many, especially later detractors, the flagship of the ‘progressive' fleet. Before I go on to describe and illustrate, through the analysis of a particular song, aspects of Yes's musical language, I will briefly describe the environment in which it appeared and flourished.

scholarly journals Concerning the Question of the Terminological Dictionary of the “Intellectual” Directions of Rock Music

ICONI ◽  
2020 ◽  
pp. 79-96
Author(s):  
Elena A. Savitskaya ◽  
Keyword(s):  
Rock Music ◽  
Classical Music ◽  
General Characteristic ◽  
Musical Form ◽  
Progressive Rock ◽  
American Press ◽  
History Of ◽  
Characteristic Features

The article is devoted to the interaction and correlation of such concepts as art rock and progressive rock in the terminological vocabulary of rock music. They both describe a rather unordinary stylistic direction of rock music which both turns to academic “classical” music and at the same time expands the compositional expressive means of rock music aimed at synthesis and experiment. The terms “art rock” and “progressive rock” (just as the musical trend itself) appeared in the British and American press in the late 1960s, however the boundaries between them have remained rather vague. The author of the article examines the history of the emergence, existence and signification of the terms “art rock” and “progressive rock” in the musical literature of Russia and other countries, specifies their meanings, and also turns to the appropriate terminology, styles and genres. The conclusion is arrived at about a more universal and generalizing meaning of the concept of “progressive rock,” which may be comprehended as a “stylistic conglomerate,” the “sum” of numerous stylistic varieties, the general characteristic features of which is the directedness towards stylistic synthesis, a complexification of expressive means and musical form, as well as the overcoming of the customary boundaries of rock music.

scholarly journals Biographical Aspects of Rock Music

2021 ◽  
pp. 366-379
Author(s):  
V.N. Syrov ◽  
Keyword(s):  
Rock Music ◽  
Rock Bands ◽  
Creative Personality ◽  
John Lennon ◽  
History Of ◽  
The Subject ◽  
The Many

It is necessary to make difference between biography as a history of a person’s life and biography as a retelling of this story made by a professional author. It is this “author’s” biography that is the subject of this article. Turning to biography as a genre, we note that it exists in the environment of other genres and forms: these are various kinds of diaries, chronicles, memoirs, testimonies. It can be based on a collection of interviews, publications from different years, and even correspondence. Among the many biographies, chronicles and biographies of musicians and rock bands, the author selects those in which a bright individuality stands out against the background of parallel and commensurate creative values. The biographies of The Beatles and, in particular, John Lennon, the versatile character of whose creative personality is demonstrated by a vivid example of an “opening” biography, are considered.

The Mathematics of Levi ben Gershon

2000 ◽  
Vol 93 (8) ◽  
pp. 659-663
Author(s):  
Shai Simonson
Keyword(s):  
History Of Mathematics ◽  
Cubic Equation ◽  
Common Notion ◽  
Long Time ◽  
History Of ◽  
The Common

Much of the history of mathematics focuses on the Greeks (500 B.C.E.–400 C.E.), the founders of modern Western mathematical rigor. For a long time, the common notion was that little happened from the end of the Greek period until the solution of the general cubic equation in the Renaissance. However, mathematics in the period between the Greeks and the Renaissance, 400 C.E.– 1500 C.E., showed originality in both presentation and content.

Toward a Speech Sciences Community

2012 ◽  
Vol 22 (1) ◽  
pp. 14-20
Author(s):  
Donald Finan ◽  
Stephen M. Tasko
Keyword(s):  
Science Research ◽  
Knowledge Generation ◽  
Speech Language Pathology ◽  
Mandated Curriculum ◽  
Professional Discipline ◽  
Common Area ◽  
Language Pathology ◽  
History Of ◽  
The Common ◽  
Speech Science

The history of speech-language pathology as a profession encompasses a tradition of knowledge generation. In recent years, the quantity of speech science research and the presence of speech scientists within the domain of the American Speech-Hearing-Language Association (ASHA) has diminished, even as ASHA membership and the size of the ASHA Convention have grown dramatically. The professional discipline of speech science has become increasingly fragmented, yet speech science coursework is an integral part of the mandated curriculum. Establishing an active, vibrant community structure will serve to aid researchers, educators, and clinicians as they work in the common area of speech science.

ПАТОЛОГИЯ ЛИЧНОСТИ В ТЕОРЕТИЧЕСКИХ ПОСТРОЕНИЯХ ПРЕДСТАВИТЕЛЕЙ ОТЕЧЕСТВЕННОЙ МЕТАФИЗИЧЕСКОЙ ТРАДИЦИИ В ПСИХОЛОГИИ

1970 ◽  
Vol 7 (1) ◽  
pp. 208-215
Author(s):  
Александр Бреусенко-Кузнецов
Keyword(s):  
Clinical Practice ◽  
Subject Matter ◽  
Clinical Psychology ◽  
History Of Psychology ◽  
History Of ◽  
Metaphysical Tradition ◽  
The Given

Статья посвящена проблеме восстановления искусственно прерванной метафизической традиции в отечественной персонологии. Данная проблема принадлежит областям истории психологии и психологии личности, но имеет выходы и в предметные области многих других психологических наук, в частности – клинической психологии. Указана важность соотнесения персонологических концептуализаций учёных-метафизиков с клинической практикой в процессе их опытной верификации. Проведена реконструкция и анализ взглядов на психопатологию и психотерапию представителей метафизической традиции в отечественной психологии личности. Согласно данным взглядам, суть патологии личности – в её уклонении от своего назначения, от подлинного бытия ради неподлинных, онтологически неоправданных форм жизнедеятельности. The article is devoted to the problem of restoration of artificialy interrupted metaphysical tradition in domestic personology. The given problem belongs to the areas of history of psychology and psychology of personality, but provides outcomes in subject matter of many other psychological sciences, in clinical psychology in particular. Importance of correlation between personological conceptualizations of scientists-metaphysicists and clinical practice in the process of their skilled verification is pointed out. The reconstruction and analysis of views at psychopathology and psychotherapy by representatives of metaphysical tradition in domestic psychology of personality have been made. According to the mentioned views, the essence of pathology of personality is in its evasion from the purpose, from original life for the sake of not original, ontologically unjustified forms of ability to live.

A Virtue for Courageous Minds

2012 ◽  
Author(s):  
Aurelian Craiutu
Keyword(s):  
Political Theory ◽  
French Revolution ◽  
Political Thought ◽  
Moral Virtue ◽  
Individual Liberty ◽  
History Of Political Thought ◽  
Common Notion ◽  
History Of ◽  
Benjamin Constant ◽  
Intellectual Foundations

Political moderation is the touchstone of democracy, which could not function without compromise and bargaining, yet it is one of the most understudied concepts in political theory. How can we explain this striking paradox? Why do we often underestimate the virtue of moderation? Seeking to answer these questions, this book examines moderation in modern French political thought and sheds light on the French Revolution and its legacy. The book begins with classical thinkers who extolled the virtues of a moderate approach to politics, such as Aristotle and Cicero. It then shows how Montesquieu inaugurated the modern rebirth of this tradition by laying the intellectual foundations for moderate government. The book looks at important figures such as Jacques Necker, Germaine de Staël, and Benjamin Constant, not only in the context of revolutionary France but throughout Europe. It traces how moderation evolves from an individual moral virtue into a set of institutional arrangements calculated to protect individual liberty, and explores the deep affinity between political moderation and constitutional complexity. The book demonstrates how moderation navigates between political extremes, and it challenges the common notion that moderation is an essentially conservative virtue, stressing instead its eclectic nature. Drawing on a broad range of writings in political theory, the history of political thought, philosophy, and law, the book reveals how the virtue of political moderation can address the profound complexities of the world today.

Charles de Gaulle and European Community

2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo
Keyword(s):  
World War Ii ◽  
European Community ◽  
World War ◽  
Charles De Gaulle ◽  
The United Kingdom ◽  
History Of ◽  
The Common ◽  
Post War ◽  
De Gaulle

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.

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