“Déjà Vu” or Memory-Science between Gérard de Nerval and Marcel Proust

2005 ◽  
Vol 18 (4) ◽  
pp. 583-606 ◽  
Author(s):  
Evelyne Ender

ArgumentCultivated by a number of writers and studied by psychologists, the phenomenon of déjà vu is an invention of the nineteenth century and is part of a broader exploration of how the mind experiences memory and time. Thus this typically benign mental aberration provides an entry-point into the mechanisms that preside over the regulation of the flow of consciousness. The theories of the mind developed recently by neuroscientists help us understand, meanwhile, why investigations into this mental “event” necessarily invoke concepts of representation and narrative. In fact, our increasingly sophisticated models for processes of memory and perception depend on literary representations. This article relies on the paramnesiac writings of Gérard de Nerval, seen through the lens of Proust's analysis, to argue that a consideration of the aesthetic and representational features of déjà-vu can bring us closer to solving the epistemological challenges we face in studying this phenomenon.For Gregory T. Polletta

Author(s):  
Bennett L. Schwartz ◽  
Anne M. Cleary

This chapter discusses several forms of metamemory hiccups—subjective experiences that alert us to potential conflict between our metacognitive state and our memory capabilities at the moment; for example, tip-of-the-tongue states, déjà vu experiences, and blank-in-the-mind states. These states occur when we set out to accomplish a task but find ourselves with the will to complete a task but unable to recall what that task was. This chapter describes these phenomena, the research on their causes and consequences, and why they are important to our understanding of metamemory in general. These experiences can prompt us to attempt to resolve these discrepancies through metacognitive control, such as by directing attention toward information-gathering or retrieval efforts. By alerting us that something is amiss, such experiences act as early-warning systems, allowing us to monitor and control our own mental processes.


PEDIATRICS ◽  
1977 ◽  
Vol 59 (5) ◽  
pp. 761-761
Author(s):  
J. Mortimer Granville ◽  
A. G. S. Philip

Everyone must, at some time, have experienced that extraordinary sensation which has been held to constitute subjective evidence of a previous existence—the feeling that a particular locality has been visited, a scene witnessed, a sound heard, or an act performed, before; when, as a matter of fact, there could not possibly have been a previous experience in the life of the individual to account for the sense of repitition. In explanation of this sensation I submit that "passive ideation", or the reception of mental impressions, which are fixed as images in the mind, proceeds in utero, and that the original idea . . . is, in fact, a maternal idea reflected in upon the foetal brain, and there fixed. . . . How is the maternal impression or idea passed on to the foetal mindorgan? I suggest, through the blood.


2019 ◽  
Vol 55 (3) ◽  
pp. 308-324
Author(s):  
Robin MacKenzie

Abstract This article examines dance episodes from three works of French fiction written between 1860 and 1920: the roussalka dance from Mérimée’s Lokis, Salomé’s performance in Flaubert’s Hérodias, and the description of an unnamed ballet dancer in Proust’s Le Côté de Guermantes. The texts, in contrasting ways, explore networks of power and desire, as well as the relationship between the aesthetic sphere and the world of social conventions and interactions, thus reflecting the thematic significance of dance in the literary culture of the period. It would be hard to justify constructing a grand narrative that maps the history of dance on to that of its literary representations on the basis of three texts; nevertheless, in the interplay of narrative and metaphor and the portrayal of the dancer’s multiple personae, we can find traces of some major shifts in the evolution of dance from the romantic ballet of the mid-nineteenth century to the coming of modernism at the start of the twentieth.


1979 ◽  
Vol 24 (2) ◽  
pp. 137-138
Author(s):  
HOWARD E. A. TINSLEY
Keyword(s):  
Deja Vu ◽  

1991 ◽  
Vol 36 (5) ◽  
pp. 395-396
Author(s):  
Sam R. Hamburg
Keyword(s):  
Deja Vu ◽  

2012 ◽  
Author(s):  
Deborah S. Wright ◽  
Kimberley A. Wade ◽  
Derrick G. Watson
Keyword(s):  
Deja Vu ◽  

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