Lu Hsün and the Communist Party

1960 ◽  
Vol 4 ◽  
pp. 17-27 ◽  
Author(s):  
Harriet C. Mills

In terms of his impact on the young intelligentsia of China, particularly in the 1930s, and of the emotional symbolism as patriot and reformer with which his name is charged, Lu Hsün (1881–1936) was the most powerful figure in modern Chinese letters. For the last seven years of his life he was openly identified with Communist-led left-wing cultural movements in China. Today he is honoured by the Chinese Communist Party as the great cultural hero of the Chinese Revolution. His homes have become museums, jiis tomb a shrine. He is presented as a Communist in everything but name.

Author(s):  
Taomo Zhou

This chapter examines the memoirs, diaries, poems, and theater scripts written by Ba Ren, an undercover member of the Chinese Communist Party (CCP) and a writer, and those who used to work with him in the 1940s. It contends that the CCP was better able than its Nationalist rival to capture the hearts and minds of young overseas Chinese by expanding its political networks and promoting cross-ethnic alliances among the working class. In the 1940s, the CCP built its support base among the overseas Chinese through the education and publishing efforts of left-wing intellectuals like Ba Ren who traveled from Mainland China to Southeast Asia and worked as teachers and journalists in overseas Chinese communities. The subsequent rise of literacy and increasing availability of left-wing publications created a generation of revolutionary-minded ethnic Chinese youth. Through supplies, information, and refuge provided by these young people during the Japanese occupation, the CCP established underground offices in Sumatra, which were hidden behind the counters of pastry shops, Chinese medicine companies, soap factories, and wineries. It was the enthusiasm of these left-leaning youth that allowed openly active pro-CCP civic associations and political organizations to blossom during the Indonesian National Revolution.


Author(s):  
Tony Saich ◽  
Nancy Hearst

There is a vast array of materials available to assist in the study of the Chinese Communist Party (CCP) before 1949. In China this is aided by the presence of a large number of officially employed researchers at party research centers and related archives. To earn their keep, these researchers have to put out publications. Availability of materials was boosted by the start of reforms in 1978 and preparations for the 1981 official party history. Given that, especially in the early years of reform, when expression of personal opinions could be dangerous, many of the released publications were documentary collections or chronologies. These came in several different varieties, based on either historical periods, particular events, or the lives of key individuals. These materials were complemented by memoirs of key figures who wanted to ensure that their version of history was in the public eye. This makes selection very difficult. Some of the works that follow are a must for students and scholars; others are personal favorites of the compilers and should be treated as exemplary of the types and varieties of sources that are available for the study of the CCP before 1949. More recently, materials from China have allowed researchers to conduct more detailed research on the social and economic transformations wrought by CCP presence and the difficulties the party had in maintaining local support. This has meant that, in the late 20th and early 21st centuries, we have seen fewer monographs that attempt to paint the broader picture of the sweep of the CCP revolution. Instead, there are many fine-grained analyses of particular events or CCP activities in specific locales that reveal the extremely complex and multifaceted nature of the Chinese revolution.


1996 ◽  
Vol 30 (4) ◽  
pp. 901-929 ◽  
Author(s):  
Chang-Tai Hung

Nie Er (1912–1935), a young Communist musician from Yunnan, could not possibly have imagined that when he wrote this patriotic song (with lyrics by the left-wing writer Tian Han [1898–1968]) for the 1935 filmChildren of Troubled Times (Fengyun ernü) it would soon become one of the most popular tunes in China. The overwhelming success of the song reflected a nation, long frustrated by imperialist (especially Japanese) aggression, thwarted reforms, domestic armed conflicts, and government ineptitude, venting its anger and crying out for a solution. When the Japanese invaded China two years later, ‘The March of the Volunteers’ was rapidly transformed into the quintessential song of resistance against Japan, sung at schools, in the army, at rallies, and on the streets. The song was influential in capturing the hearts and minds of millions during China's eight-year War of Resistance against Japan (1937–1945); its impact, in the words of one contemporary song critic, was ‘similar to that of the “Marseillaise” [in the French Revolution]’. When the Chinese Communist Party (CCP) seized power in it adopted the song as the official national anthem.


2020 ◽  
pp. 1-20
Author(s):  
Peter Gries ◽  
Yi Wang

Abstract In spring 2018 China, indignant popular nationalists demanded that the “spiritually Japanese” activities of a fringe group of young Chinese who figure themselves as Japanese be proscribed. The National People's Congress quickly complied, passing legislation that made it illegal to “beautify the war of invasion.” Exploring how and why the Chinese Communist Party (CCP) responded to the demands of popular nationalists, we suggest that authoritarian representation occurs in China even beyond the bounds of everyday apolitical issues like education and healthcare. Indeed, because the CCP relies upon a nationalist claim to legitimate rule, authoritarian legislators may respond to the public on politically sensitive issues like nationalism as well. Journalists and lawyers, furthermore, can play a vital mediating role between elites and masses, facilitating the transmission of the information and expertise needed for authoritarian responsiveness. Implications for our understanding of Chinese nationalism, authoritarian responsiveness and state legitimation in China today are discussed.


1962 ◽  
Vol 12 ◽  
pp. 102-137 ◽  
Author(s):  
Merle Goldman

Hu Feng was a Marxist literary critic who for almost thirty years allied himself closely with the Chinese Communist Party (CCP) and left-wing groups. In 1955 the Chinese Communists launched an intensive nationwide campaign against him in which he was branded as everything from an exponent of bourgeois idealism to an agent of imperialism and of Chiang Kai-shek.


1978 ◽  
Vol 75 ◽  
pp. 594-622 ◽  
Author(s):  
Steven M. Goldstein

The years 1937 to 1941 constitute the formative period in the Maoist leadership of the Chinese Communist Party (CCP), when Mao and his colleagues developed much of the political and military strategy that was to guide the Party through the anti-Japanese war and into the civil war period. This package of revolutionary prescriptions – loosely labelled the Yenan experience – is generally recognized to have had a powerful, lingering hold on the Party leadership.


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