Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship. By Ana Elena Puga. New York and Abingdon: Routledge, 2008. Pp. 284 + 30 illus. $95/£65 Hb.

2009 ◽  
Vol 34 (3) ◽  
pp. 318-318
Author(s):  
Adam Versényi
1999 ◽  
Vol 26 (3) ◽  
pp. 355-382
Author(s):  
Cristina Altman

Summary When mention is made of Brazil in connection with American linguistics, it usually amounts to a reference to the Linguistic Circle of New York, where Roman Jakobson (1896–1982) and Claude Lévi-Strauss (b.1908), who had come from Brazil where he had done ethnological work, met and exchanged ideas. This singular event has cast a shadow on other contacts between Brazil and American linguistics, of which, the one between Jakobson and the Brazilian linguist Joaquim Mattoso Câmara (1904–1970) was much more consequential, at least as far as the implementation of structural linguistics in Brazil and in South America generally during the 1950s and the 1960s is concerned. Mattoso Câmara came to the United States and spent most of his time in New York City (September 1943 till April 1944), where he got exposure to Praguean type structuralism, notably through Jakobson’s lectures he attended at Columbia University and at the École Libre of New York, which had been established by European refugees at the time. He also participated in the first meetings of the Linguistic Circle of New York in 1943 as one of its co-founders. Following his return to Rio de Janeiro, Mattoso Câmara proposed, in 1949, as his doctoral thesis a phonemic description of Brazilian Portuguese. The work was published a few years later, in 1953. His most influential work, Princípios de Lingüística Gerai, first published in 1954, had two more revised and updated editions (1958, 1967) and served to introduce several generations of Brazilian as well as other South American students to structural linguistics during the 1950s and 1960s.


Author(s):  
Blair Best ◽  
Madeleine G. Cella ◽  
Rati Choudhary ◽  
Kayla C. Coleman ◽  
Robert Davis ◽  
...  

This essay co-authored by Robert Davis and his students in a theater class at New York University describes the interdependence of close and distant reading practices in their creation and analysis of a representative corpus of nineteenth-century drama. With irregular scholarly and theatrical attention given to nineteenth-century American theatre, the archive of plays and productions is frustratingly fragmented with few playbooks and only limited accounts of their staging. This chapter demonstrates how students used corpus linguistic and spatial analysis tools like Voyant, Antconc, and Tagxedo to recover a neglected century of American theater. Students found that the use of digital tools to perform text analysis, mapping, and network visualization sparked new scholarly ideas about nineteenth-century theatre.


2019 ◽  
Vol 40 (4) ◽  
pp. 504-516
Author(s):  
David Bockino

Building on research into media representation of countries and agenda-setting theory, a content analysis analyzed the way Colombia was portrayed in The New York Times headlines and IMDb plot summaries during 1980 to 2013. This unusual longitudinal study compares the representation of Colombia to other South American countries. Among other conclusions, this study finds that over the 34-year period the word “drug” was included in a New York Times headline with the word “Colombia” more times than any other word with any other South American country.


2005 ◽  
Vol 46 (2) ◽  
pp. 349-351
Author(s):  
Christopher Olsen

David Crespy's account of Off-Off Broadway's roots in New York City is a welcome addition to a growing body of scholarship on this vibrant period in American theatre history. Many authors writing on this era have limited themselves to focusing on particular theatre groups, such as the Living Theatre, Café Cino, and the Open Theatre, or on the work of specific playwrights, such as Maria Irene Fornés, Sam Shepard, and Edward Albee. More historical accounts are needed to examine a cross section of theatre practitioners in the context of the political and artistic movements of the 1960s. Crespy has managed to do this to some degree, and has even convinced the elusive Edward Albee to write a foreword.


2009 ◽  
Vol 66 (01) ◽  
pp. 57-80
Author(s):  
Ian Read

Between 1802 and 1849, cholera and influenza pandemics killed hundreds of thousands from Shanghai to Seville to New York, but these diseases did not dip below the South American portion of the equator. As a result, Brazil gained a reputation of good health, an opinion confirmed by European travelers and some provincial authorities. This rosy reputation wilted in 1849 when a yellow fever epidemic devastated several seaports, including the imperial capital of Rio de Janeiro. Following this outbreak, waves of epidemics swept the nation with unfamiliar and terrifying virulence. Brazilians were struck again and again by cholera, smallpox, yellow fever, and bubonic plague until the early 1900s.


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