scholarly journals Daniel’s Practice: The Daily Round of Godly Women in Seventeenth-Century England

2002 ◽  
Vol 37 ◽  
pp. 173-183
Author(s):  
Anne Laurence

Godly women from noble, gentry, mercantile, and clerical families were much commemorated at their deaths in funeral sermons. Apart from preaching on a suitable text, ministers commonly gave an account of the life of the deceased, describing, amongst other things, how she passed her time. Godly lives from sermons for men outlined the course of their careers, stressing their public activities, the manner in which they took religion out into the world and engaged with worldly matters; those for women followed a formula describing the deceased’s childhood, virtuous education, marriage, performance as wife, mother, mistress of servants, hospitality (especially if the woman was the wife of a minister), and charitable work, and enumerated her merits in these roles. Instead of recounting the events of their whole lives, ministers dwelt upon the women’s daily routine of pious practices, with variations for the Sabbath or days on which they took communion. The convention of de mortuis nil nisi bonum was strictly observed, but the edificatory nature of the life was also an important element in the telling of it. Sometimes sermon titles acknowledged this, otherwise they referred to the good death of the deceased or, if they were published to improve the career prospects of the preacher, they referred to the text upon which he had preached.Women were praised for following Daniel’s practice, the practice for which he was thrown into the lions’ den. This was to kneel upon his knees, three times a day, and pray and give thanks before his God. In the early years of the seventeenth century, Mrs Mary Gunter, companion to Lettice, Countess of Leicester, ‘resolved upon Daniels Practice’. ‘Besides Family duties, which were performed twice every day, by the Chaplain …. And besides the private Prayers which she daily read in her Ladies Bed-Chamber, she was thrice on her Knees every day before God in secret.’ Lady Elizabeth Langham’s ‘constant retirements’ for her devotions in the 1660s ‘were answerable to Daniels thrice a day’.

2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Dhurjjati Sarma

This study undertakes an analysis of Shakespeare’s Macbeth (1606) and its principal characters vis-à-vis their immediate appeal and identification with the Shakespearean audience during the first-ever performance of the play in the early years of the seventeenth century. The role of the witches (or the weird sisters) in orchestrating the destinies of the characters and also the events of the play by employing their astute and skillful use of language is a significant point of discussion in this study. In this regard, a discussion on the historical aspects of kingship and witchcraft in relation to the then king of England, James I, and on the possible impact of those factors upon the staging of the Shakespearean play Macbeth in the royal court is also carried out here. The study argues that the binaries of good and evil or light and darkness are relative categories that often feed into each other. Equivocation, as a device of language play, is analyzed here both as part of the witches’ machinations within the play and as a subterfuge for political gains by humans in the world outside it. These two worlds seem to merge into each other within the narrative of the play and thus appear before the reader/audience with all their inherent complexities and imperfections. Towards the end of this study, a brief historical overview of the refashioning of Shakespeare through adaptations and reworkings in foreign locations, particularly in India, is also provided to emphasize the allegorical and multivalent nature of his plays.


2015 ◽  
Vol 12 (4) ◽  
pp. 496-514
Author(s):  
Christophe Van Eecke

When Ken Russell's film The Devils was released in 1971 it generated a tidal wave of adverse criticism. The film tells the story of a libertine priest, Grandier, who was burnt at the stake for witchcraft in the French city of Loudun in the early seventeenth century. Because of its extended scenes of sexual hysteria among cloistered nuns, the film soon acquired a reputation for scandal and outrage. This has obscured the very serious political issues that the film addresses. This article argues that The Devils should be read primarily as a political allegory. It shows that the film is structured as a theatrum mundi, which is the allegorical trope of the world as a stage. Rather than as a conventional recreation of historical events (in the tradition of the costume film), Russell treats the trial against Grandier as a comment on the nature of power and politics in general. This is not only reflected in the overall allegorical structure of the theatrum mundi, but also in the use of the film's highly modernist (and therefore timeless) sets, in Russell's use of the mise-en-abyme (a self-reflexive embedded play) and in the introduction of a number of burlesque sequences, all of which are geared towards achieving the film's allegorical import.


Author(s):  
Justin E. H. Smith

Though it did not yet exist as a discrete field of scientific inquiry, biology was at the heart of many of the most important debates in seventeenth-century philosophy. Nowhere is this more apparent than in the work of G. W. Leibniz. This book offers the first in-depth examination of Leibniz's deep and complex engagement with the empirical life sciences of his day, in areas as diverse as medicine, physiology, taxonomy, generation theory, and paleontology. The book shows how these wide-ranging pursuits were not only central to Leibniz's philosophical interests, but often provided the insights that led to some of his best-known philosophical doctrines. Presenting the clearest picture yet of the scope of Leibniz's theoretical interest in the life sciences, the book takes seriously the philosopher's own repeated claims that the world must be understood in fundamentally biological terms. Here it reveals a thinker who was immersed in the sciences of life, and looked to the living world for answers to vexing metaphysical problems. The book casts Leibniz's philosophy in an entirely new light, demonstrating how it radically departed from the prevailing models of mechanical philosophy and had an enduring influence on the history and development of the life sciences. Along the way, the book provides a fascinating glimpse into early modern debates about the nature and origins of organic life, and into how philosophers such as Leibniz engaged with the scientific dilemmas of their era.


2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign


2021 ◽  
Vol 33 (1) ◽  
pp. 193-208
Author(s):  
Brigitte Le Normand

To understand the distinctiveness of ports under state socialism, it is necessary to shift the focus from the built environment to flows of people, goods, knowledge and capital. In so doing, this article examines the operation of Yugoslavia's main shipping line, Jugolinija, from its inception in 1947 until 1960. This enterprise was based in the port of Rijeka, with both firm and port experiencing rapid growth during this period. The impact of state socialism can be seen in the primacy of the political over the profitability of the firm, with Jugolinija used to advance Yugoslavia's foreign trade and foreign policy, its interests being subordinated to the project of building self-managed socialism. It can also be seen in the unique challenges posed by having to operate at the intersection of the global market and a highly regulated economy – a situation that also created opportunities for the firm as a whole, as well as for its employees, who had access to foreign currency, travel and knowledge of the world. Jugolinija's privileged access to the world in what was still very much a closed society also created opportunities for ‘leaks’ of personnel and goods. Finally, socialist ideology left its imprint on Jugolinija's operations and shaped the ways in which its employees understood their work and the place of the firm within the Yugoslav economy. While it is tempting to see state socialism as ‘getting in the way’ of Jugolinija's business, in actuality the firm was remarkably successful both at operating within the Yugoslav socialist state framework, and capitalizing on the opportunities provided by access to the global market. Jugolinija's employees, in turn, profited from the mobility that came with working for the firm, sometimes at the expense of the enterprise and the state.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Alexa Robertson

Abstract Scholarship on “global journalism” – to the extent that the phenomenon is explored empirically – is often based on the analysis of national media. This article considers, instead, how the global fares in global newsrooms, and what has happened to global news since the early years of the millennium. It is argued that, while much has changed in world politics and scholarly agendas, global news is characterized more by continuity than change, and that the interesting differences are not between “then” and “now,” but between news outlets. The results of the analysis of 2189 newscasts, 7591 headlines and 5379 news items broadcast over a period of 13 years by four global news organizations (Al Jazeera English, BBC World, CNN International, and RT) call into question assumptions about the cosmopolitan nature of channels said to speak to the world. They show that only a small percentage of their news can be considered “global” in terms of topic and geographical scope, although there are thought-provoking differences in how the global is narrated. Taken together, they provide occasion to revisit the scholarly debate on global journalism.


1927 ◽  
Vol 5 (3) ◽  
pp. 133-142 ◽  
Author(s):  
B. G. Peters

This eelworm, only just visible to the naked eye, and quite common in vinegar in all parts of the world, has long been known to zoologists, and indeed was an object of keen interest and discussion to the naturalists of the seventeenth century. Petrus Borellus [3], for instance, enthusiastic over the recent adoption of the microscope for researches in natural history, published in 1656 his “Observationum Microcospicarum Centuria,” in which he leads off with a note “De Vermibus aceti.” In the twelfth edition of the “Systema Naturae” (1767), Linnaeus included a species redivivum in that final genus of the Regnum Animale so appropriately named Chaos. This species of animal he says, “Habitat in Aceto & Glutine Bibliopegorum.”.


1950 ◽  
Vol 6 (3) ◽  
pp. 359-362
Author(s):  
Herbert Eugene Bolton

It is a Great Honor for one who lives in the Wild West to be asked to speak in the cultured capital of our country, for California is remote. In fact, it came into history as “the most outlandish place in the World,” and in some quarters so it is still regarded. A wealthy Italian Duchess, in the seventeenth century, told her Father Confessor that she wished to endow a mission for the heathen. Being asked where she wished it established, she replied, “In the most outlandish place in all the world.” The Jesuits consulted their geography and concluded that the most outlandish place in all the world was California, and there the mission was founded. Father Kino had a long correspondence with the same Duchess, and for their letters the Huntington Library, a few years ago, paid $18,000. Bigger sums have been paid for letters written to a lady, but seldom for letters written to a lady by a Jesuit priest.


Sign in / Sign up

Export Citation Format

Share Document