Everyday Communism: New Social History of the German Democratic Republic

2004 ◽  
Vol 13 (2) ◽  
pp. 233-247 ◽  
Author(s):  
SANDRINE KOTT

Konrad Jarausch, ed., Dictatorship as Experience. Toward a Socio-Cultural History of the GDR (New York and Oxford: Berghahn Books, 1999), 388 pp., £14.00 (pb), ISBN 1-57181-182-6.Thomas Lindenberger, ed., Herrschaft und Eigensinn in der Diktatur (Cologne, Weimar and Vienna: Böhlau Verlag, 1999) 367 pp., €39.90 (hb), ISBN 3-412-13598-4.Annegret Schüle, ‘Die Spinne’. Die Erfahrungsgeschichte weiblicher Industriearbeit im VEB Leipziger Baumwollspinnerei (Leipzig: Leipziger Universitätsverlag, 2001), 398 pp., €18.00 (pb), ISBN 3-934565-87-5.Patrick Major and Jonathan Osmond, eds., The Workers' and Peasants' State. Communism and Society in East Germany under Ulbricht 1945–71 (Manchester: Manchester University Press, 2002), 272 pp., £15.99 (pb), ISBN 0-7190-6289-6.Joshua Feinstein, The Triumph of the Ordinary. Depictions of Daily Life in the East German Cinema 1949–1989 (Chapel Hill: University of North Carolina Press, 2002), 331 pp., £19.50 (pb), ISBN 0-8078-5385-2.

2008 ◽  
Vol 81 (3-4) ◽  
pp. 265-270
Author(s):  
Jean Stubbs

[First paragraph]The Origins of the Cuban Revolution Reconsidered. Samuel Farber. Chapel Hill: University of North Carolina Press, 2006. x + 212 pp. (Paper US$ 19.95)Cuba: A New History. Ric hard Gott . New Haven: Yale University Press, 2005. xii + 384 pp. (Paper US$ 17.00)Havana: The Making of Cuban Culture. Antoni Kapcia. Oxford: Berg Publishers, 2005. xx + 236 pp. (Paper US$ 24.95) Richard Gott, Antoni Kapcia, and Samuel Farber each approach Cuba through a new lens. Gott does so by providing a broad-sweep history of Cuba, which is epic in scope, attaches importance to social as much as political and economic history, and blends scholarship with flair. Kapcia homes in on Havana as the locus for Cuban culture, whereby cultural history becomes the trope for exploring not only the city but also Cuban national identity. Farber revisits his own and others’ interpretations of the origins of the Cuban Revolution.


PMLA ◽  
2018 ◽  
Vol 133 (3) ◽  
pp. 594-609
Author(s):  
Wolfgang Emmerich ◽  
Nicole G. Burgoyne ◽  
Andrew B. B. Hamilton

East german literary history is a case study of how political and cultural institutions interact. the state's cultural regime mo-nopolized the right to publish within its borders and demanded that the nation's new art describe contemporary life or its precedents. Even authors seen in the West as dissidents understood themselves, more often than not, as pursuing that goal and the broader aims of socialism with their work. During the lifespan of the German Democratic Republic, this political albatross weighed on all literary scholarship. Even now, whatever their feelings toward the socialist state, scholars, critics, and readers are bound to approach a text from East Germany as an artifact of its political culture—and rightly, because the political sphere encroached heavily on the artistic. But since German unification, the rise and fall in the stock of so many East German authors has directly resulted from political revelations, raising a number of troubling questions. Though historical distance seemed to have sprung up as abruptly as the Berlin Wall had come down, to what extent does scholarship from the German Democratic Republic represent only a heightened case of what is always true of literary history— namely, that political motivation colors critical evaluation? Is it possible to consider a work of literature with no recourse to the social and political circumstances under which it was written? And would it even be desirable to do so?


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