ON THE TRACK OF THINGS: SENSATION AND MODERNITY IN MARY ELIZABETH BRADDON'S LADY AUDLEY'S SECRET

2009 ◽  
Vol 37 (1) ◽  
pp. 157-175 ◽  
Author(s):  
Eva Badowska
Keyword(s):  
Nineteenth Century ◽  
Henry James ◽  
Wilkie Collins ◽  
Mary Elizabeth Braddon ◽  
Sensation Novel ◽  
Lady Audley's Secret ◽  
The Times ◽  
The Moment

Nineteenth-century reviewers, though they disagreed about nearly all aspects of the sensation phenomenon, were united in diagnosing the sensation novel as a symptom of modernity. In a review of novels by Mary Elizabeth Braddon and Wilkie Collins, Henry James noted that their books were typically set in “Modern England – the England of to-day's newspaper” and featured protagonists who were “English [gentlewomen] of the current year, familiar with the use of the railway and the telegraph” (593). Like Bram Stoker's Dracula some four decades later, Braddon's Lady Audley's Secret (1862) represented “nineteenth century up-to-date with a vengeance” (Stoker 67; ch. 3). But Braddon's novel was also “a sign of the times” because it betokened the rising awareness of modernity's tendency toward rapid obsoleteness (“Our Female Sensation Novelists” 485). The critical hostility directed against it at the moment of its greatest success in the 1860s also had the effect of exposing the seeds of transience that constitute the paradoxical essence of novelty.

Aurora Floyd

2008 ◽  
Author(s):  
Mary Elizabeth Braddon
Keyword(s):  
Young Woman ◽  
Wilkie Collins ◽  
Mary Elizabeth Braddon ◽  
Power Struggle ◽  
First Marriage ◽  
The Feminine ◽  
Lady Audley's Secret

abstract ‘With Lady Audley’s Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of ‘sensation novelists’. Aurora Floyd (1862–3), following hot on its heels, achieved almost equal popularity and notoriety. Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions. Passionate, sometimes violent, Aurora does succeed in enjoying them, her desires scarcely chastened by her disastrous first marriage. She represents a challenge to the mid-Victorian sexual code, and particularly to the feminine ideal of simpering, angelic young ladyhood. P. D. Edward’s introduction evaluates the novel’s leading place among ‘bigamy-novels’ and Braddon’s treatment of the power struggle between the sexes, as well as considering the similarities between the author and her heroine.

Lady Audley’s Secret

2012 ◽  
Author(s):  
Mary Elizabeth Braddon
Keyword(s):  
Nineteenth Century ◽  
Good Friend ◽  
Sensation Novel ◽  
Lady Audley's Secret ◽  
Conventional Picture

It only rests with yourself to become Lady Audley, and the mistress of Audley Court.’ When beautiful young Lucy Graham accepts the hand of Sir Michael Audley, her fortune and her future look secure. But Lady Audley’s past is shrouded in mystery, and to Sir Michael’s nephew Robert, she is not all that she seems. When his good friend George Talboys suddenly disappears, Robert is determined to find him, and to unearth the truth. His quest reveals a tangled story of lies and deception, crime and intrigue, whose sensational twists turn the conventional picture of Victorian womanhood on its head. Can Robert’s darkest suspicions really be true? Lady Audley’s Secret was an immediate bestseller, and readers have enjoyed its thrilling plot ever since its first publication in 1862. This new edition explores Braddon’s portrait of her scheming heroine in the context of the nineteenth-century sensation novel and the lively, often hostile debates it provoked.

Madwomen and Attics

2016 ◽  
Author(s):  
Laurence Talairach-Vielmas
Keyword(s):  
Nineteenth Century ◽  
Real Life ◽  
Wilkie Collins ◽  
Status Quo ◽  
Mary Elizabeth Braddon ◽  
Gothic Fiction ◽  
Moral Insanity ◽  
The Status ◽  
Lunatic Asylums

The chapter examines the evolution of the figure of the madwoman in Gothic narratives, focusing particularly on representations of emotions and on the ways in which definitions of madness evolved in the nineteenth century, from ‘passion’ to ‘moral insanity’ and ‘hystero-catalepsy’. Recognising that locking madwomen up has always been one of the most significant features of Gothic fiction, their imprisonment putting an end to deviance and thus maintaining the status quo, it also charts the changes in madwomen’s places of confinement - coffins and deadhouses more and more replacing attics in Victorian narratives that then capitalised on fears of premature interment. In the second half of the nineteenth century, such images of madwomen locked up in attics were revisited, as madness and ‘badness’ became the object of medical investigation and as research into mental physiology attempted to probe the mysteries of brain mechanisms. Sensation novelists such as Wilkie Collins and Mary Elizabeth Braddon rewrote the clichés of the genre, finding their sources of inspiration in real-life cases and denouncing the wrongful incarceration of women in lunatic asylums

The Victorian Baby in Print

2020 ◽  
Author(s):  
Tamara S. Wagner
Keyword(s):  
Nineteenth Century ◽  
Charles Dickens ◽  
Wilkie Collins ◽  
Infant Care ◽  
Mary Elizabeth Braddon ◽  
Nineteenth Century Literature ◽  
Victorian Britain ◽  
Close Analysis ◽  
Changing Roles ◽  
Charlotte Yonge

The Victorian Baby in Print: Infancy, Infant Care, and Nineteenth-Century Popular Culture explores the representation of babyhood in Victorian Britain. The first study to focus exclusively on the baby in nineteenth-century literature and culture, this critical analysis discusses the changing roles of an iconic figure. A close look at the wide-ranging portrayal of infants and infant care not only reveals how divergent and often contradictory Victorian attitudes to infancy really were, but also prompts us to revise persistent clichés surrounding the literary baby that emerged or were consolidated at the time, and which are largely still with us. Drawing on a variety of texts, including novels by Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, Mrs Henry Wood, and Charlotte Yonge, as well as parenting magazines of the time, childrearing manuals, and advertisements, this study analyses how their representations of infancy and infant care utilised and shaped an iconography that has become definitional of the Victorian age itself. The familiar clichés surrounding the Victorian baby have had a lasting impact on the way we see both the Victorians and babies, and a close analysis might also prompt a self-critical reconsideration of the still burgeoning market for infant care advice today.

Perpindahan dan Perubahan : Transportasi dalam Struktur Naratif Riwayat Perjalanan ke Amerika di Era Viktorian

Metahumaniora ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Ari J. Adipurwawijdana
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Henry James ◽  
World View ◽  
Democratic Society ◽  
Transportation Infrastructure ◽  
Material Base ◽  
Travel Narrative ◽  
Infrastructure System ◽  
The Subject

ABSTRAKRiwayat yang disajikan penulis Britania era Viktorian tentang perjalannnya ke Amerikamengasumsikan adanya sebuah jaringan prasarana transportasi. Sistem transportasiterkait dengan riwayat perjalanan (travel narrative) dalam tiga hal, yaitu (1) sebagaibasis material bagi perjalanan, (2) sebagai substruktur riwayat, dan (3) sebagai pokokpembicaraan dalam riwayat itu sendiri. Buku Domestic Manners of the Americans (1832)merupakan model bagi cara infrastruktur transportasi menentukan aspek naratologis,yaitu urutan dan perspektif dalam struktur naratif riwayat perjalanan. Karya tersebut jugamenyajikan transportasi sebagai pokok pembicaraan dalam teksnya itu sendiri walaupun tidaksejauh sebagaimana yang tampak pada The Amateur Emigrant (1895) karya Robert LouisStevenson. Dalam hal ini, The American Scene (1907) karya Henry James juga relevankarena, walaupun tidak secara gamblang membicarakan transportasi sebagai topik dantidak pula menampakkan ciri-ciri riwayat perjalanan, karya tersebut merepresentasicara wawasan Britania-Amerika trans-Atlantik dianggap sebagai sesuatu yang lumrah.Wawasan ini juga memandang menganggap perjalanan trans-Atlantik sebagai semacamperjalanan menembus waktu, yang menunjukkan ketidaknyaman para penulis Britaniaabad kesembilanbelas terhadap transformasi sosial ke masyrakat demokratis yangdirepresentasi secara metaforis oleh pemahaman mereka tentang Amerika.Kata kunci: catatan perjalanan Viktorian, transportasi, wisataABSTRACTNarratives presented by Victorian British writers about their travels to America assume theavailability of a transprtation infrastructure system. Such a system is related to the travelnarrative in three things, namely, (1) as a material base for travel, (2) as a narrative substructurehistory, and (3) as the subject-matter of the narratives. Fanny Trollope’s Domestic Mannerof the Americans (1832) is a model for the way transportation infrastructure determinesnarratological aspects, namely order and perspective in the structure of the travel narrative.The piece also presents transportation as a subject-matter in its text although it does notgo so far as do Robert Louis Stevenson’s The Amateur Emigrant (1895). In discussingtransportation Henry James’ The American Scene is also relevant because, despite it’s notexplicitly speaking of transportation as a topic nor does it show the convential characteristicsof the travel narrative, the work represents a British-American trans-Atlantic world viewas a given. This world view also considers trans-Atlantic travels as a kind of voyage acrosstime, implying the discomfort of nineteenth-century British writers concerning the socialtransition into a democratic society represented by America as a metaphor.Keywords: Victorian travel narrative, transportation, tourism

Delhi in Transition, 1821 and Beyond

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
Lived Experience ◽  
English Translation ◽  
East India Company ◽  
Multiple Sources ◽  
Original Manuscript ◽  
English East India Company ◽  
The Times ◽  
First Time ◽  
The City

Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Sair-ul Manazil dominates the historiography of eighteenth- and nineteenth-century compositions on Delhi in Persian and Urdu, and remains unparalleled in its architecture and detailed content. It deals with the habitations of people, bazars, professions and professionals, places of worship and revelry, and issues of contestation. Over fifty typologies of structures and several institutions that find resonance in the Persian and Ottoman Empires can also be gleaned from Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the sociocultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. It has an exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.

The Nineteenth-Century Sensation Novel by Lyn Pykett

2013 ◽  
Vol 39 (1) ◽  
pp. 206-208
Author(s):  
Max Fincher
Keyword(s):  
Nineteenth Century ◽  
Sensation Novel

Pain and the Aesthetics of US Literary Realism

2021 ◽  
Author(s):  
Cynthia J. Davis
Keyword(s):  
Nineteenth Century ◽  
Henry James ◽  
Mark Twain ◽  
William Dean Howells ◽  
Literary Realism ◽  
Physical Pain ◽  
Civilizing Process ◽  
Physical Suffering ◽  
Convergence And Divergence ◽  
Similarities And Differences

This book examines the cultural pursuit of a painless ideal as a neglected context for US literary realism. Advances in anesthesia in the final decades of the nineteenth century together with influential religious ideologies helped strengthen the equation of a comfortable existence insulated from physical suffering with the height of civilization. Theories of the civilizing process as intensifying sensitivity to suffering were often adduced to justify a revulsion from physical pain among the postbellum elite. Yet a sizeable portion of this elite rejected this comfort-seeking, pain-avoiding aesthetic as a regrettable consequence of over-civilization. Proponents of the strenuous cult instead identified pain and strife as essential ingredients of an invigorated life. The Ache of the Actual examines variants on a lesser known counter-sensibility integral to the writings of a number of influential literary realists. William Dean Howells, Henry James, Edith Wharton, Mark Twain, and Charles Chesnutt each delineated alternative definitions of a superior sensibility indebted to suffering rather than to either revulsion from or immersion in it. They resolved the binary contrast between pain-aversion on one side and pain-immersion on the other by endorsing an uncommon responsiveness to pain whose precise form depended on the ethical and aesthetic priorities of the writer in question. Focusing on these variations elucidates the similarities and differences within US literary realism while revealing areas of convergence and divergence between realism and other long-nineteenth-century literary modes, chief among them both sentimentalism and naturalism, that were similarly preoccupied with pain.

Orishatukeh Faduma and the New Theology

1994 ◽  
Vol 63 (1) ◽  
pp. 60-80 ◽  
Author(s):  
Moses Nathaniel Moore
Keyword(s):  
Nineteenth Century ◽  
Historical Development ◽  
Christian Ethics ◽  
Comparative Religion ◽  
Religion And Science ◽  
Historical Significance ◽  
Dark Continent ◽  
Theological Orientation ◽  
The Times ◽  
First Time

In 1890 theBoston Heraldcarried the following review of an article entitled “Thoughts for the Times or The New Theology”: “A curiosity is a paper by a native African, Orishatukeh Faduma, on ‘Thoughts for the Times,’ by which he means the new theology. This is the first time that a criticof the new theology has turned up from the dark continent, and is a curious and significant paper. When a native can write like this on subjects in which he has been obliged to educate himself, it means that we are to say nothing more against the intelligence of the African race.” While correct in noting the historical significance of Faduma's efforts, the reviewer's condescension disclosed his failure to appreciate and understand the sophistication and depth of Faduma' theological analysis and agenda. Faduma's critique of elements of the New Theology did not entail his rejection of this controversial theological synthesis which emerged during the last quarter of the nineteenth century. Rather, his comments on religion and science, the historicalcritical method, comparative religion, missiology, the historical development of Christianity, and Christian ethics reveal that he essentially shared the theological orientation of its formulators.

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