MODERNISMS ENDLESS: IRONIES OF THE AMERICAN MID-CENTURY

2013 ◽  
Vol 10 (1) ◽  
pp. 207-219
Author(s):  
DANIEL WICKBERG
Keyword(s):  
New York ◽  
Intellectual History ◽  
Lionel Trilling ◽  
Modern Culture ◽  
Ayn Rand ◽  
Mass Society ◽  
History Of ◽  
Critical Problems ◽  
The 1960S ◽  
American Intellectual History

Mid-twentieth century American intellectual history is in the midst of a boom; a younger generation of historians, now half a century distant from the era, and less inclined than their immediate forerunners to be committed to a vision of the 1960s as a critical turning point in modern culture, is reshaping what has been an underdeveloped field. Recent studies of thinkers such as C. Wright Mills, Ayn Rand, Lionel Trilling, and Whitaker Chambers, and subjects such as postcapitalist social thought and pollsters in mass society, to name a few, have regenerated interest in an arena that had once been dominated by studies of the New York Intellectuals and Richard Pells's useful summaries and evaluations of prominent intellectuals of the 1930s, 1940s and 1950s. The newer intellectual history of this period appears to be premised on several ideas: that the so-called “liberal consensus” of the era was an ideological product of liberalism itself, rather than an adequate description of the contours of thought; that thinking in terms of clear and sharp distinctions between right and left doesn't help us understand the ways in which ideas, sensibilities, and intellectual commitments were configured at mid-century; that there is a great deal more continuity in social, political, and cultural thought than an image of the 1960s as cultural watershed would allow; and that the mid-century decades are, in the most profound sense, the first years of our own time, with all the characteristic epistemic, moral, and critical problems that have characterized thought and culture in the world in which contemporary Americans live. What the Progressive Era was for mid-century historians and intellectuals such as Richard Hofstadter and Henry May, the mid-century, and particularly the early Cold War era of the late 1940s and 1950s, is, for the historian of today, the root of the destabilizing conundrums of modernity, particularly the puzzle of the role of critical intellect in a mass-mediated environment of socialized knowledge, feeling, and being.

American Intellectual History: A Very Short Introduction

2021 ◽  
Author(s):  
Jennifer Ratner-Rosenhagen
Keyword(s):  
United States ◽  
Intellectual History ◽  
The United States ◽  
Revolutionary War ◽  
Short Introduction ◽  
Westward Expansion ◽  
History Of ◽  
American Intellectual ◽  
American Intellectual History ◽  
American Thought

American Intellectual History: A Very Short Introduction provides an introduction to the history of American thought from the sixteenth century up until the present. Long before the United States was a nation, it was a set of ideas, projected onto the New World by European commentators and explorers. American thought grew from this foundation of expectation and experience, both enriched and challenged over the centuries by developments including the Revolutionary War, westward expansion, the rise of capitalism, the proliferation of diverse religions, immigration, industrialization, and the emergence of the United States as a superpower. This introduction provides an overview of some of the most compelling episodes and abiding preoccupations in American thought, while showing how ideas have been major forces driving the course of American history.

The ‘Brazilian Connection’ in the History of American Linguistics

1999 ◽  
Vol 26 (3) ◽  
pp. 355-382
Author(s):  
Cristina Altman
Keyword(s):  
New York ◽  
The United States ◽  
South American ◽  
Columbia University ◽  
Structural Linguistics ◽  
History Of ◽  
Roman Jakobson ◽  
The 1950S ◽  
The 1960S ◽  
The One

Summary When mention is made of Brazil in connection with American linguistics, it usually amounts to a reference to the Linguistic Circle of New York, where Roman Jakobson (1896–1982) and Claude Lévi-Strauss (b.1908), who had come from Brazil where he had done ethnological work, met and exchanged ideas. This singular event has cast a shadow on other contacts between Brazil and American linguistics, of which, the one between Jakobson and the Brazilian linguist Joaquim Mattoso Câmara (1904–1970) was much more consequential, at least as far as the implementation of structural linguistics in Brazil and in South America generally during the 1950s and the 1960s is concerned. Mattoso Câmara came to the United States and spent most of his time in New York City (September 1943 till April 1944), where he got exposure to Praguean type structuralism, notably through Jakobson’s lectures he attended at Columbia University and at the École Libre of New York, which had been established by European refugees at the time. He also participated in the first meetings of the Linguistic Circle of New York in 1943 as one of its co-founders. Following his return to Rio de Janeiro, Mattoso Câmara proposed, in 1949, as his doctoral thesis a phonemic description of Brazilian Portuguese. The work was published a few years later, in 1953. His most influential work, Princípios de Lingüística Gerai, first published in 1954, had two more revised and updated editions (1958, 1967) and served to introduce several generations of Brazilian as well as other South American students to structural linguistics during the 1950s and 1960s.

Groove Theory

2020 ◽  
Author(s):  
Tony Bolden
Keyword(s):  
African American ◽  
Cultural History ◽  
Intellectual History ◽  
Performance Studies ◽  
Black Musicians ◽  
Cultural Artifact ◽  
Social Perspectives ◽  
The Status ◽  
History Of ◽  
American Intellectual History

Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.

Follow the Flag

2019 ◽  
Author(s):  
H. Roger Grant
Keyword(s):  
New York ◽  
World War Ii ◽  
Kansas City ◽  
Small Firms ◽  
Folk Song ◽  
The Great Depression ◽  
Ann Arbor ◽  
History Of ◽  
The 1960S ◽  
Railroad Company

This book offers a history of the Wabash Railroad Company, a once-vital interregional carrier. Like most major American carriers, the Wabash grew out of an assortment of small firms. Thanks in part to the genius of financier Jay Gould, by the early 1880s what was then known as the Wabash, St. Louis & Pacific Railway reached the principal gateways of Chicago, Des Moines, Detroit, Kansas City, and St. Louis. In the 1890s, the Wabash gained access to Buffalo and direct connections to Boston and New York City. One extension fizzled, and in 1904 entry into Pittsburgh caused financial turmoil, ultimately throwing the Wabash into receivership. A subsequent reorganization allowed the Wabash to become an important carrier during the go-go years of the 1920s and permitted the company to take control of a strategic “bridge” property, the Ann Arbor Railroad. The Great Depression forced the company into another receivership, but an effective reorganization during the early days of World War II gave rise to a generally robust road. In the 1960s, the Wabash, along with the Nickel Plate Road, joined the prosperous Norfolk & Western Railway, a merger that worked well for all three carriers. Immortalized in the popular folk song “Wabash Cannonball,” the midwestern railroad has left important legacies. Today, forty years after becoming a “fallen flag” carrier, key components of the former Wabash remain busy rail arteries and terminals, attesting to its historic value to American transportation.

Out of Empire into Socialist Modernity

2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung
Keyword(s):  
Soviet Union ◽  
Eastern Europe ◽  
Intellectual History ◽  
Post Colonial ◽  
The Soviet Union ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Relationship

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.

Introduction

Stirrings ◽  
2019 ◽  
pp. 1-25
Author(s):  
Lana Dee Povitz
Keyword(s):  
New York ◽  
Nonprofit Organizations ◽  
Low Cost ◽  
New Left ◽  
The United States ◽  
Community Control ◽  
Female Leaders ◽  
Food Activism ◽  
History Of ◽  
The 1960S

Using the conceptual lens of terroir, this chapter provides an overview of hunger and poverty in the United States, starting with the urban liberalism of the 1960s and tracing the onset of austerity politics from mid-1970s through the early 2000s. It shows how New York City food activism was connected to an array of apparently unrelated social movements, including American Communism, community control, the countercultural New Left, feminism, Black Power, and AIDS activism. As governments reduced spending on social programs, leaders from these movements formed nonprofit organizations geared toward providing services, such as emergency meals and low-cost groceries. This chapter offers an overview of why and how service provision came to absorb the attention of late-twentieth century activists and shows how nonprofit kitchens and offices became sites of mentorship. As charismatic, overwhelmingly female leaders passed on values and strategies forged in earlier eras, they enacted activist genealogies that helped sustain political involvement over decades. Powerful interpersonal bonds and people’s own sense of being transformed by their activism illuminate the underappreciated role of emotion in the history of left-progressive movements.

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