scholarly journals Deciphering the Chemistry of Cultural Heritage: Targeting Material Properties by Coupling Spectral Imaging with Image Analysis

Author(s):  
Loïc Bertrand ◽  
Mathieu Thoury ◽  
Pierre Gueriau ◽  
Étienne Anheim ◽  
Serge Cohen
2010 ◽  
Vol 16 (S2) ◽  
pp. 728-729
Author(s):  
FG France ◽  
MB Toth ◽  
WA Christens-Barry ◽  
K Boydston

Extended abstract of a paper presented at Microscopy and Microanalysis 2010 in Portland, Oregon, USA, August 1 – August 5, 2010.


Author(s):  
Dmitri A. Gusev

We present the results of our image analysis of portrait art from the Roman Empire’s Julio-Claudian dynastic period. Our novel approach involves processing pictures of ancient statues, cameos, altar friezes, bas-reliefs, frescoes, and coins using modern mobile apps, such as Reface and FaceApp, to improve identification of the historical subjects depicted. In particular, we have discovered that the Reface app has limited, but useful capability to restore the approximate appearance of damaged noses of the statues. We confirm many traditional identifications, propose a few identification corrections for items located in museums and private collections around the world, and discuss the advantages and limitations of our approach. For example, Reface may make aquiline noses appear wider or shorter than they should be. This deficiency can be partially corrected if multiple views are available. We demonstrate that our approach can be extended to analyze portraiture from other cultures and historical periods. The article is intended for a broad section of the readers interested in how the modern AI-based solutions for mobile imaging merge with humanities to help improve our understanding of the modern civilization’s ancient past and increase appreciation of our diverse cultural heritage.


Author(s):  
Sony George ◽  
Jon Y. Hardeberg ◽  
João Linhares ◽  
Lindsay Macdonald ◽  
Cristina Montagner ◽  
...  

2009 ◽  
Vol 41 (3) ◽  
pp. 299-313 ◽  
Author(s):  
Claudia GAZZANO ◽  
Sergio E. FAVERO-LONGO ◽  
Enrica MATTEUCCI ◽  
Rosanna PIERVITTORI

AbstractThe suitability of image analysis by colour-based pixel classification to quantify lichen colonization on the surface of and within marble, travertine and mortar stonework has been investigated. High resolution images of lichenized stonework surfaces were acquired at different field sites using a scanner, thus avoiding invasive surveys, and the percentage cover of lichen species was subsequently measured in the laboratory using dedicated software. Furthermore, microphotographs of polished cross-sections of lichenized marble, travertine and mortar, stained using the periodic acid-Schiff (PAS) method to visualize hyphae, were produced by the same software to quantify hyphal spread within the substratum, a parameter which can be used more successfully than the commonly used depth of hyphal penetration to quantify how much the lichen has affected the conservation of a stone substratum. Significant statistical differences in hue, saturation and intensity (HSI) of the lichen thalli and PAS-stained hyphae, with respect to the lithic substrata, allowed the software to discriminate and quantify the lichen species cover on, and hyphal spread within, the three investigated lithotypes. Since such a quantitative approach highlights the volume of influence of lichens on stonework, where bioweathering processes are likely to develop, it could be used to support decisions on the preservation of our stone cultural heritage.


2011 ◽  
Vol 706 (2) ◽  
pp. 229-237 ◽  
Author(s):  
Emilio Marengo ◽  
Marcello Manfredi ◽  
Orfeo Zerbinati ◽  
Elisa Robotti ◽  
Eleonora Mazzucco ◽  
...  

2017 ◽  
Vol 8 (16) ◽  
pp. 1 ◽  
Author(s):  
Pedro Santos ◽  
Martin Ritz ◽  
Constanze Fuhrmann ◽  
Dieter Fellner

In the heritage field, the demand for fast and efficient 3D digitization technologies for historic remains is increasing. Besides, 3D digitization has proved to be a promising approach to enable precise reconstructions of objects. Yet, unlike the digital acquisition of cultural goods in 2D widely used today, 3D digitization often still requires a significant investment of time and money. To make it more widely available to heritage institutions, the <em>Competence Center for Cultural Heritage Digitization</em> at the <em>Fraunhofer Institute for Computer Graphics Research IGD</em> has developed <em>CultLab3D</em>, the world’s first 3D mass digitization facility for collections of three-dimensional objects. <em>CultLab3D</em> is specifically designed to automate the entire 3D digitization process thus allowing to scan and archive objects on a large-scale. Moreover, scanning and lighting technologies are combined to capture the exact geometry, texture, and optical material properties of artefacts to produce highly accurate photo-realistic representations. The unique setup allows to shorten the time needed for digitization to several minutes per artefact instead of hours, as required by conventional 3D scanning methods.


2017 ◽  
Vol 67 (325) ◽  
pp. 107 ◽  
Author(s):  
A. Sierra-Fernandez ◽  
L. S. Gomez-Villalba ◽  
M. E. Rabanal ◽  
R. Fort

In recent times, nanomaterials have been applied in the construction and maintenance of the worldÅLs cultural heritage with the aim of improving the consolidation and protection treatments of damaged stone. These nanomaterials include important advantages that could solve many problems found in the traditional interventions. The present paper aims to carry out a review of the state of art on the application of nanotechnology to the conservation and restoration of the stony cultural heritage. We highlight the different types of nanoparticles currently used to produce conservation treatments with enhanced material properties and novel functionalities.


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