Applications of Spectral Imaging and Reproduction to Cultural Heritage

2010 ◽  
Vol 16 (S2) ◽  
pp. 728-729
Author(s):  
FG France ◽  
MB Toth ◽  
WA Christens-Barry ◽  
K Boydston

Extended abstract of a paper presented at Microscopy and Microanalysis 2010 in Portland, Oregon, USA, August 1 – August 5, 2010.


Author(s):  
Sony George ◽  
Jon Y. Hardeberg ◽  
João Linhares ◽  
Lindsay Macdonald ◽  
Cristina Montagner ◽  
...  

2011 ◽  
Vol 706 (2) ◽  
pp. 229-237 ◽  
Author(s):  
Emilio Marengo ◽  
Marcello Manfredi ◽  
Orfeo Zerbinati ◽  
Elisa Robotti ◽  
Eleonora Mazzucco ◽  
...  

2011 ◽  
Author(s):  
V. M. Papadakis ◽  
Y. Orphanos ◽  
S. Kogou ◽  
K. Melessanaki ◽  
P. Pouli ◽  
...  

Sensors ◽  
2020 ◽  
Vol 20 (10) ◽  
pp. 2843 ◽  
Author(s):  
Marcello Picollo ◽  
Costanza Cucci ◽  
Andrea Casini ◽  
Lorenzo Stefani

Imaging spectroscopy technique was introduced in the cultural heritage field in the 1990s, when a multi-spectral imaging system based on a Vidicon camera was used to identify and map pigments in paintings. Since then, with continuous improvements in imaging technology, the quality of spectroscopic information in the acquired imaging data has greatly increased. Moreover, with the progressive transition from multispectral to hyperspectral imaging techniques, numerous new applicative perspectives have become possible, ranging from non-invasive monitoring to high-quality documentation, such as mapping and characterization of polychrome and multi-material surfaces of cultural properties. This article provides a brief overview of recent developments in the rapidly evolving applications of hyperspectral imaging in this field. The fundamentals of the various strategies, that have been developed for applying this technique to different types of artworks are discussed, together with some examples of recent applications.


Author(s):  
E. K. Webb ◽  
S. Robson ◽  
L. MacDonald ◽  
D. Garside ◽  
R. Evans

Spectral and 3D imaging techniques are used for museum imaging and cultural heritage documentation providing complementary information to aid in documenting the condition, informing the care, and increasing our understanding of objects. Specialised devices for spectral and 3D imaging may not be accessible for many heritage institutions, due to cost and complexity, and the modification of a consumer digital camera presents the potential of an accessible scientific tool for 2D and 3D spectral imaging. Consumer digital cameras are optimised for visible light, colour photography, but the underlying sensor is inherently sensitive to near ultraviolet, visible, and near infrared radiation. This research presents the characterisation of a modified camera to investigate the impact of the modification on the spectroradiometric and geometric image quality with the intention of the device being used as a scientific tool for cultural heritage documentation. The characterisation includes the assessment of 2D image quality looking at visual noise, sharpness, and sampling efficiency using the target and software associated with the Federal Agencies Digitization Guidelines Initiative. Results suggest that these modifications give rise to discrepancies in computed surface geometries of the order of ± 0.1 mm for small to medium sized objects used in the study and recorded in the round (maximum dimension 20 cm). Measuring the spectral response quantifies the modified camera as a scientific device for more accurate measurements and provides indications of wavelengths that could improve documentation based on sensitivity. The modification of a consumer digital camera provides a less expensive, high-resolution option for 2D and 3D spectral imaging.


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