This chapter looks at theatrical productions created in the wake of the assassination of Prime Minister Yitzhak Rabin in 1995, which sought to convey the shock that permeated Israeli society as a result, and to provide theatrical responses to help the grieving community come to terms with his death. The chapter analyses the theatrical oeuvre of four post dramatic theatre creators—Ruth Kanner, Ilan Ronen, Rina Yerushalmi, and Hanan Snir—who saw Greek classical tragedy as a vast artistic arena where the political, the humanistic, and the artistic-performative merge, encompassing present and past, myth and history. Moreover, classical Greek tragedy allowed them to project their most disturbing concerns about the Israeli present and future by tearing apart the well-known texts, deconstructing their dramatic templates, and editing, adapting, revising, and redesigning their content in the decades after Rabin’s assassination, when hope gave way to despair.
