The Post-Zionist Discourse in Israel: 1990–2001

2002 ◽  
Vol 1 (1) ◽  
pp. 9-35 ◽  
Author(s):  
Ilan Pappé

This essay describes the development of the Post-Zionist critique within Israeli society, from the late 1980s, when it first appeared in academic works, and follows its dissemination into other areas of cultural activity (theatre, newspapers, films, TV and radio). It assesses the overall impact of post-Zionism on Israeli society, with particular stress on the way the recent Intifada (begun in September 2000) has influenced its fortunes in Israel, and raised some fears for the immediate future.

1993 ◽  
Vol 16 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Glenda Shopen

Reports are important genres in our culture and they have achieved some prominence in education. What it means to report and the way reporting is conceived in our culture can be revealed through semantic analysis. By looking at the meaning of the verb report, this paper will argue for a view of genre as a cultural activity and a view of literacy that involves children in the development of personal perspective. This approach argues against a text based view of genre and a pedagogy that relies primarily on the modelling of ‘considered texts’.


1997 ◽  
Vol 26 (3) ◽  
pp. 37-43 ◽  
Author(s):  
Ilan Pappe

The academic debate in Israel on Zionism and its implications for the way the society views itself and the "other" were discussed in part one of this article. This part examines the press, which with partial privatization and the cumulative impact of the Lebanon war and the intifada has undergone a transformation since the late 1980s. While a wider diversity of views and bold reporting on events are now current, the article concludes that the representation of the Palestinians and Arabs in the news columns is fundamentally unchanged. The last part will follow the manifestations of the academic debate in film, theater, novels, music, and poems and will assess the significance of these changes in the culture and worldview of Israeli society as a whole.


Author(s):  
Tiago Cruz ◽  
Fernando Faria Paulino ◽  
Mirian Tavares

CulturalNature Arga#2 is an interactive audio-visual installation intended to explore the concept of landscape as a verb (to landscape) questioning and reflecting about the semiotic discourses associated with this concept. The landscape as something natural, static, peaceful, silent, etc. is a semiotic discourse with roots in a past related with the representation of a point of view, not only perceptual but also conceptual, ideological. These representations informed the visual culture leading to a particular discourse. The installation proposes a reflexion about the way different elements associated with a particular territory shape this territory's landscape, giving it a dynamic existence, a product of cultural activity.


Author(s):  
Ariel Alberto Eiris

Las dinámicas ciudades-puerto implican procesos de transformaciones sociales, económicas y políticas que influyen sobre los diversos actores sociales. El estudio de la trayectoria de uno de esos actores, vinculados a la actividad gubernamental y cultural permite comprender la forma en que se dieron este tipo de procesos. Para ello se tomará el caso del letrado Pedro José Agrelo, quien facilitará el estudio de las transformaciones de eje de circulaciones culturales y espacios políticos en función de los desarrollos portuarios regionales. The dynamic port-cities involve processes of social, economic and political transformations that influence the various social actors. The study of the trajectory of one of these actors, linked to the governmental and cultural activity allows to understand the way in which this type of processes were given. For this, the case of the lawyer Pedro Jose Agrelo will be taken, who will facilitate the study of transformations of the axis of cultural movements and political spaces in function of regional port developments.


2020 ◽  
pp. 405-424
Author(s):  
Lili Israel

The tracking of students in the schools is a topic that obligates social and educational reference. This is a fieldthat exposes gaps and contradictions regarding the possibilities and intentions of parts of Israeli society. It is difficultto definewho is being talked about. In addition, it is difficultto separate between or limit the reference to the single student as a real and feeling subject and the desire of the system for a child as a product of education. It is difficultto describe a general picture without forgetting the individuals in it, the students, when the relationship between the tracking, the dropping out, and the exclusion is unavoidable.This article is an attempt to examine the argument presented in research studies that the gaps between different groups in the population derive from the policy of tracking in education from the establishment of the State of Israel until today and that this policy is intentional. The way that the school as an organization acts and the topics with which it copes can be explained in social policy and in the sociological rationale that characterizes society in Israel.Which social and educational policy serves the tracking of students and why, despite the data and the numbers that indicate a large gap, is the topic of tracking not present in the educational discussion? I seek to assert that research in the field is insufficient and thait is necessary to place the topic on the agenda and conduct an educational discussion.


Author(s):  
Tiago Cruz ◽  
Fernando Faria Paulino ◽  
Mirian Tavares

CulturalNature Arga#2 is an interactive audio-visual installation intended to explore the concept of landscape as a verb (to landscape) questioning and reflecting about the semiotic discourses associated with this concept. The landscape as something natural, static, peaceful, silent, etc. is a semiotic discourse with roots in a past related with the representation of a point of view, not only perceptual but also conceptual, ideological. These representations enformed the visual culture leading to a particular discourse. The installation proposes a reflexion about the way different elements associated with a particular territory shape this territory's landscape, giving it a dynamic existence, a product of cultural activity. Like J.T.W. Mitchell, here, the landscape is seen “…as a process by which social and subjective identities are formed.” (1994)


2018 ◽  
Vol 6 (3) ◽  
pp. 20
Author(s):  
Christine Evain ◽  
Delphine Saurier ◽  
Spencer Hawkridge

As cultural activities in prisons expand, institutions are recognizing the need for research on impact in order to optimize these activities. In this article, our team presents findings on a recent teaching experiment concerning literature workshops that brought together male inmates and university students over an 18-month period at the Centre de Détention de Nantes in France. Our qualitative approach explores an ethical question: What are our responsibilities towards all the parties involved in this teaching experiment? Two important and apparently conflicting findings come to the fore. First, the responsibility of teachers is to accompany the desires of students and inmates in their permanent negotiation with the apparatus itself. Second, workshop organizers need to reflect on their own responsibility concerning the way the workshop contributes to the institutionalization of the prison.


2019 ◽  
Vol 31 (1) ◽  
pp. 7-30 ◽  
Author(s):  
Maya Hadar

This article discusses the changing nature of the Israeli identity and core values against the backdrop of political and social processes that took place in Israel in recent decades. Special attention was given to manifestations of collective victimhood within the framework of the Israeli society and politics and the way the latter obstructed social inclusion of Arab Israelis and of acknowledging commonalities between Jewish and non-Jewish Israelis.


2019 ◽  
pp. 804-812
Author(s):  
Tiago Cruz ◽  
Fernando Faria Paulino ◽  
Mirian Tavares

CulturalNature Arga#2 is an interactive audio-visual installation intended to explore the concept of landscape as a verb (to landscape) questioning and reflecting about the semiotic discourses associated with this concept. The landscape as something natural, static, peaceful, silent, etc. is a semiotic discourse with roots in a past related with the representation of a point of view, not only perceptual but also conceptual, ideological. These representations enformed the visual culture leading to a particular discourse. The installation proposes a reflexion about the way different elements associated with a particular territory shape this territory's landscape, giving it a dynamic existence, a product of cultural activity. Like J.T.W. Mitchell, here, the landscape is seen “…as a process by which social and subjective identities are formed.” (1994)


1995 ◽  
Vol 31 (4) ◽  
pp. 275-293 ◽  
Author(s):  
Phyllis R. Silverman ◽  
Anita Weiner ◽  
Nava Elad

The nature of surviving parent-child communication in bereaved Israeli families is examined in terms of the culture of Israeli society. Concern is with the way the culture frames the parent-child relationship in the period shortly after the death. Twenty-three surviving parents and their forty-three children between ages of six and sixteen were interviewed four months after the death. Both parents and children seemed concerned with protecting each other from the pain and sadness associated with the loss. Two types of families were identified. In the open family, language is used to console and inform. Parents see themselves as able to respond to their child(ren)'s needs. Less open families used language to influence the child to avoid their feelings and confronting the death. These surviving parents often saw the deceased as the competent family caregiver.


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