The Holocaust on Trial: The Impact of the Kasztner and Eichmann Trials on Israeli Society

1996 ◽  
Vol 1 (2) ◽  
pp. 1-26 ◽  
Author(s):  
Yechiam Weitz
2021 ◽  
Vol 19 (3) ◽  
pp. 257-276
Author(s):  
Michał Wawrzonek ◽  
Oliwia Kropornicka

The aim of the paper is to scrutinize activities related to the commemoration of Metropolitan Andrey Sheptytsky. There were three main goals of the research. The first one was to identify the most important actors of the commemorative activities. The second goal was to reconstruct the strategies applied by these agents. Thirdly, this research aimed to consider current processes in the Ukrainian political system. In particular, the question was what we can know about the evolution of these commemorative activities after the Euromaidan based on relations between different agents in the mnemonic field. Special emphasis was placed on Sheptytsky’s attitude during the Holocaust and on the impact of this topic on the commemorative activities. As a theoretical framework of the research, Jan Kubik and Michael Bernhard’s theory of the politics of memory was applied. The research enabled verification of some elements of Kubik and Bernhard’s concept. Inter alia it was an issue of a set of presumptions regarding interrelations between strategies applied by mnemonic actors, the structure of mnemonic regime, and prospects for democratization of a political system.


2009 ◽  
Vol 42 (2) ◽  
pp. 279-300 ◽  
Author(s):  
Robert Gerwarth ◽  
Stephan Malinowski

Historians on both sides of the Atlantic are currently engaged in a controversy about the allegedly genocidal nature of western colonialism and its connections with the mass violence unleashed by Nazi Germany between 1939 and 1945. The debate touches upon some of the most “sensitive” issues of twentieth-century history: the violent “dark side” of modern western civilization, the impact of colonial massacres on the European societies that generated this violence and, perhaps most controversially, the origins and uniqueness of the Holocaust.


2017 ◽  
pp. 181-195
Author(s):  
Renata Jambrešić Kirin

This article implies that the impact of cinematic fiction on the capability to imagine and comprehend the trauma of the Holocaust is formed at the intersection of aesthetic, moral, social and ideological frames in particular society. Cinema had a special role for the unification of the Holocaust memory since 1990. In the post-Yugoslav cinema two feature films (Lea and Darija, 2011 and When Day Breaks, 2012) represent the cinematic paradigm shift in dealing with the difficult heritage of the Holocaust in Croatia and Serbia following the break of communism. Although they suffer from apolitical approach to historical issues and mitigate the consequences of local collaboration with the Nazis, as well as take the child as „the figure of infantilization” of the Holocaust (Hirsch 2012), their influence on the “postmemory generation” and the pedagogy of trauma in the region is significant and socially relevant.


GRUPPI ◽  
2009 ◽  
pp. 11-30
Author(s):  
Anna Ornstein

- In response to a concern that the impact of the Holocaust will not be recognized by psychotherapists treating survivors, several psychoanalysts who were refugees from Nazi Germany devoted a great deal of time and effort to detailing the psychopathological consequences of the Holocaust trauma. Considering the magnitude of the trauma, it was not difficult to find evidence of psychopathology. However, because of their almost exclusive emphasis on psychopathology, most of these researchers failed to recognize the particular manner in which survivors mourned their enormous losses and made an effort to integrate their painful memories into the rest of their personality. This meant the loss of an opportunity to learn about the process of recovery following severe traumatization. The paper also described a hypothesis regarding the psychological mechanisms involved in adaptations to extreme conditions. From the author's point of view, this constituted a link in the survivors' effort to establish psychic continuity between their pre-Holocaust psychological organization and adaptations to a new life. Unlike her colleagues, the author believes that integration of traumatic memories was possible as long as the survivors encountered an empathic listening perspective and their effort to recover was validated. Survivors of trauma have every reason to expect that their stories will evoke fear, confusion, horror and disbelief and that therapists will protect themselves from these affects by resorting to generalizations or praise for the survivor's heroism or special qualities. Such responses however make it impossible for survivors to proceed, and the affects associated with the traumatic memory may never, or only partially, enter the therapeutic dialogue. Once recovered and articulated, the memories are accompanied by grief and anger, indicating that an increase in self-cohesion, a healing of the vertical split, has allowed the previously feared affects to enter consciousness. From the author's viewpoint, feeling anger is an expectable and healthy response in this context. Justified anger is not to be confused with chronic narcissistic rage, which can constitute the nucleus of severe personality disorders.Key words: Holocaust, trauma, traumatic memories, adaptation, integration, empathic listening.Parole chiave: Olocausto, trauma, ricordi traumatici, adattamento, integrazione, ascolto empatico.


2020 ◽  
Vol 18 (4) ◽  
pp. 494-508
Author(s):  
Martin Kohlrausch

This article discusses the role of modernist architects in Poland during the first half of the twentieth century. The article argues that against the background of economic catching-up processes and the establishment of a new nation state and capital, modernist architects could enter into a close relationship with the modernising state. This relationship could partially survive World War II, albeit under different auspices. By employing the example of Poland’s foremost modernist architect Szymon Syrkus and his wife Helena, and their extensive correspondence with other Congrès Internationaux d’Architecture Moderne architects, the article discusses, moreover, the impact of the deep breaks coming with the rise of authoritarian regimes in the 1930s, the coming World War and the Holocaust, and finally the establishment of communist regimes on modernist architects.


2015 ◽  
Vol 9 (2) ◽  
pp. 228-247
Author(s):  
Victoria Nesfield

The Holocaust maintains a status of inviolability in the Christian religious public sphere and also the mainstream media. The scale, gravity and sheer atrocity of the Holocaust still commands a response. The article argues that questions demanded by the Holocaust of the Christian church and the free world’s passivity in the face of genocide, led to a Christian support for the State of Israel driven by guilt and a sense of moral obligation which side-lined the impact of the State on the Palestinian people. With the Israel-Palestine conflict in its seventh decade, the imperative to overcome the hegemony of Holocaust memory is more urgent than ever. Seventy years after the Holocaust, its legacy in public and theological memory dominates questions of Judaism within the polity and the State of Israel. Two legal cases, which attracted media attention, illustrate how Holocaust memory is evoked in response to questions of Jewish practice in the European polity. Two further examples demonstrate how the pernicious influence of Holocaust memory and rhetoric colour responses to criticism of the State of Israel.


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