Orientation Specificity and Spatial Selectivity in Human Vision

Perception ◽  
1973 ◽  
Vol 2 (1) ◽  
pp. 53-60 ◽  
Author(s):  
J A Movshon ◽  
C Blakemore
Keyword(s):  
Spatial Frequency ◽  
Human Visual System ◽  
Human Vision ◽  
Orientation Tuning ◽  
High Contrast ◽  
Vertical Grating ◽  
Spatial Frequencies ◽  
High Contrast Grating ◽  
Orientation Specificity ◽  
Adaptation Method

An adaptation method is used to determine the orientation specificity of channels sensitive to different spatial frequencies in the human visual system. Comparison between different frequencies is made possible by a data transformation in which orientational effects are expressed in terms of equivalent contrast (the contrast of a vertical grating producing the same adaptational effect as a high-contrast grating of a given orientation). It is shown that, despite great variances in the range of orientations affected by adaptation at different spatial frequencies (±10° to ±50°), the half-width at half-amplitude of the orientation channels does not vary systematically as a function of spatial frequency over the range tested (2·5 to 20 cycles deg−1). Two subjects were used and they showed significantly different orientation tuning across the range of spatial frequencies. The results are discussed with reference to previous determinations of orientation specificity, and to related psychophysical and neurophysiological phenomena.

The physics of visual perception

1980 ◽  
Vol 290 (1038) ◽  
pp. 5-9 ◽  
Keyword(s):  
Visual Perception ◽  
Spatial Frequency ◽  
Visual System ◽  
Contrast Threshold ◽  
High Contrast ◽  
Spatial Frequencies ◽  
Band Pass ◽  
High Contrast Grating ◽  
Orientational Tuning

By measuring the contrast threshold for gratings of different waveform and spatial frequency, Campbell & Robson suggested in 1968 that there may be ‘channels’ tuned to different spatial frequencies. By using the technique of adapting to a high contrast grating, it was possible to measure the band-pass characteristics of these channels. Similar techniques were used to establish the orientational tuning of the channels. Reasons are put forward why it is advantageous to organize the visual system in this manner.

Orientation Selectivity of the Human Visual System as a Function of Retinal Eccentricity and Visual Hemifield

Perception ◽  
1981 ◽  
Vol 10 (3) ◽  
pp. 273-282 ◽  
Author(s):  
Alan Beaton ◽  
Colin Blakemore
Keyword(s):  
Spatial Frequency ◽  
Visual System ◽  
Human Visual System ◽  
Orientation Selectivity ◽  
Orientation Tuning ◽  
Retinal Eccentricity ◽  
Contrast Threshold ◽  
Systematic Change ◽  
Visual Hemifield ◽  
High Contrast Grating

An adaptation method was used to determine the specificity of orientation-selective channels in the human visual system at different retinal eccentricities (up to 16 deg) in both hemifields of each eye. For a vertical test grating, the elevation in contrast threshold produced by adapting to a high-contrast grating of the same spatial frequency but variable orientation was equated with the contrast levels of a vertical adapting grating that produced equivalent effects ( equivalent-contrast transformation). This enabled comparisons to be made between the orientation tuning of the aftereffect at different retinal loci. For the spatial frequency employed (3 cycles deg−1), no systematic change in orientation selectivity was found as a function of either retinal eccentricity or the hemifield (and hence the cerebral hemisphere) stimulated.

Spatial-frequency and orientation tuning in psychophysical end-stopping

1998 ◽  
Vol 15 (4) ◽  
pp. 585-595 ◽  
Author(s):  
CONG YU ◽  
DENNIS M. LEVI
Keyword(s):  
Spatial Frequency ◽  
Frequency Tuning ◽  
Spatial Filter ◽  
Orientation Tuning ◽  
Maximal Strength ◽  
Facilitation Effect ◽  
Spatial Filters ◽  
Spatial Frequency Tuning ◽  
Spatial Frequencies ◽  
Wide Range

A psychophysical analog to cortical receptive-field end-stopping has been demonstrated previously in spatial filters tuned to a wide range of spatial frequencies (Yu & Levi, 1997a). The current study investigated tuning characteristics in psychophysical spatial filter end-stopping. When a D6 (the sixth derivative of a Gaussian) target is masked by a center mask (placed in the putative spatial filter center), two end-zone masks (placed in the filter end-zones) reduce thresholds. This “end-stopping” effect (the reduction of masking induced by end-zone masks) was measured at various spatial frequencies and orientations of end-zone masks. End-stopping reached its maximal strength when the spatial frequency and/or orientation of the end-zone masks matched the spatial frequency and/or orientation of the target and center mask, showing spatial-frequency tuning and orientation tuning. The bandwidths of spatial-frequency and orientation tuning functions decreased with increasing target spatial frequency. At larger orientation differences, however, end-zone masks induced a secondary facilitation effect, which was maximal when the spatial frequency of end-zone masks equated the target spatial frequency. This facilitation effect might be related to certain types of contour and texture perception, such as perceptual pop-out.

The Study of Spatial Frequency Channels for Human Visual System

2019 ◽  
Vol 33 (06) ◽  
pp. 1955007
Author(s):  
Xiangyang Xu ◽  
Qiao Chen ◽  
Ruixin Xu
Keyword(s):  
Receptive Field ◽  
Spatial Frequency ◽  
Visual System ◽  
Human Visual System ◽  
Frequency Tuning ◽  
Tuning Curve ◽  
Vision System ◽  
Human Vision ◽  
Psychophysical Experiment ◽  
Human Vision System

Similar to auditory perception of sound system, color perception of the human visual system also presents a multi-frequency channel property. In order to study the multi-frequency channel mechanism of how the human visual system processes color information, the paper proposed a psychophysical experiment to measure the contrast sensitivities based on 17 color samples of 16 spatial frequencies on CIELAB opponent color space. Correlation analysis was carried out on the psychophysical experiment data, and the results show obvious linear correlations of observations for different spatial frequencies of different observers, which indicates that a linear model can be used to model how human visual system processes spatial frequency information. The results of solving the model based on the experiment data of color samples show that 9 spatial frequency tuning curves can exist in human visual system with each lightness, R–G and Y–B color channel and each channel can be represented by 3 tuning curves, which reflect the “center-around” form of the human visual receptive field. It is concluded that there are 9 spatial frequency channels in human vision system. The low frequency tuning curve of a narrow-frequency bandwidth shows the characteristics of lower level receptive field for human vision system, the medium frequency tuning curve shows a low pass property of the change of medium frequent colors and the high frequency tuning curve of a width-frequency bandwidth, which has a feedback effect on the low and medium frequency channels and shows the characteristics of higher level receptive field for human vision system, which represents the discrimination of details.

Spatio-Chromatic Information Content of Natural Scenes

Perception ◽  
1996 ◽  
Vol 25 (1_suppl) ◽  
pp. 162-162 ◽  
Author(s):  
T Troscianko ◽  
C A Parraga ◽  
G Brelstaff ◽  
D Carr ◽  
K Nelson
Keyword(s):  
Spatial Frequency ◽  
Human Vision ◽  
Natural Scenes ◽  
Data Set ◽  
Frequency Space ◽  
Sensitivity Functions ◽  
Visual Encoding ◽  
Spatial Frequencies ◽  
Hyper Spectral ◽  
Fourier Spectra

A common assumption in the study of the relationship between human vision and the visual environment is that human vision has developed in order to encode the incident information in an optimal manner. Such arguments have been used to support the 1/f dependence of scene content as a function of spatial frequency. In keeping with this assumption, we ask whether there are any important differences between the luminance and (r/g) chrominance Fourier spectra of natural scenes, the simple expectation being that the chrominance spectrum should be relatively richer in low spatial frequencies than the luminance spectrum, to correspond with the different shape of luminance and chrominance contrast sensitivity functions. We analysed a data set of 29 images of natural scenes (predominantly of vegetation at different distances) which were obtained with a hyper-spectral camera (measuring the scene through a set of 31 wavelength bands in the range 400 – 700 nm). The images were transformed to the three Smith — Pokorny cone fundamentals, and further transformed into ‘luminance’ (r+g) and ‘chrominance’ (r-g) images, with various assumptions being made about the relative weighting of the r and g components, and the form of the chrominance response. We then analysed the Fourier spectra of these images using logarithmic intervals in spatial frequency space. This allowed a determination of the total energy within each Fourier band for each of the luminance and chrominance representations. The results strongly indicate that, for the set of scenes studied here, there was no evidence of a predominance of low-spatial-frequency chrominance information. Two classes of explanation are possible: (a) that raw Fourier content may not be the main organising principle determining visual encoding of colour, and/or (b) that our scenes were atypical of what may have driven visual evolution. We present arguments in favour of both of these propositions.

Monkeys Show an Oblique Effect

Perception ◽  
1979 ◽  
Vol 8 (3) ◽  
pp. 247-253 ◽  
Author(s):  
Joseph A Bauer ◽  
Donald A Owens ◽  
Joseph Thomas ◽  
Richard Held
Keyword(s):  
Animal Model ◽  
Spatial Frequency ◽  
Oblique Effect ◽  
High Contrast ◽  
Square Wave ◽  
Spatial Frequencies

Monkeys aligned a cursor bar with high-contrast square-wave gratings presented in a variety of orientations. Alignment time increased with increasing spatial frequency from 6 to 24 cycles deg−1 regardless of the orientation of the grating. At higher spatial frequencies, alignment tasks took longer for obliquely oriented gratings than for horizontal and vertical ones. Reducing grating contrast by blurring the image of the 24 cycle deg−1 grating also produced longer alignment times for the obliques. These data indicate that monkeys have an oblique effect similar to that found in humans, implying that the monkey is a useful animal model for investigating the development of meridional anisotropies.

The Effect of Spatial Frequency and Contrast on Visual Persistence

Perception ◽  
1979 ◽  
Vol 8 (5) ◽  
pp. 529-539 ◽  
Author(s):  
Alison Bowling ◽  
William Lovegrove ◽  
Barry Mapperson
Keyword(s):  
Spatial Frequency ◽  
Visual Persistence ◽  
Published Data ◽  
High Contrast ◽  
Low Contrast ◽  
Spatial Frequencies ◽  
Sinusoidal Gratings

The visual persistence of sinusoidal gratings of varying spatial frequency and contrast was measured. It was found that the persistence of low-contrast gratings was longer than that of high-contrast stimuli for all spatial frequencies investigated. At higher contrast levels of 1 and 4 cycles deg−1 gratings, a tendency for persistence to be independent of contrast was observed. For 12 cycles deg−1 gratings, however, persistence continued to decrease with increasing contrast. These results are compared with recently published data on other temporal responses, and are discussed in terms of the different properties of sustained and transient channels.

Orientation Detectors in the Human Visual System and Figurai Aftereffects

Perception ◽  
1978 ◽  
Vol 7 (6) ◽  
pp. 717-723 ◽  
Author(s):  
Toshiro Yoshida
Keyword(s):  
Visual System ◽  
Human Visual System ◽  
Apparent Size ◽  
Relative Influence ◽  
Test Figure ◽  
High Contrast ◽  
Outer Contour ◽  
Outer Border ◽  
High Contrast Grating ◽  
Potent Factor

Figurai aftereffects were measured by using square patches of high-contrast grating on a dark background as inspection and test figures. The orientation of the outer square border and the enclosed grating were varied independently in order to evaluate their relative influence on the strength of the induced change of overall apparent size of the test figure. The largest effect is obtained when inspection and test figures are identical in the orientation of both outer border and enclosed grating. The strength of the aftereffect is reduced as a difference in orientation is introduced between inspection and test figure for either the outer contour or the contained grating, although the former is a more potent factor than the latter.

A Test of the Spatial-Frequency Explanation of the Müller-Lyer Illusion

Perception ◽  
1986 ◽  
Vol 15 (5) ◽  
pp. 553-562 ◽  
Author(s):  
Marisa Carrasco ◽  
Jesus G Figueroa ◽  
J Douglas Willen
Keyword(s):  
Spatial Frequency ◽  
Visual System ◽  
Human Visual System ◽  
Lyer Illusion ◽  
Lower Spatial Frequency ◽  
Spatial Frequencies ◽  
Frequency Components ◽  
Fourier Spectra

Previous investigations have shown that the response of spatial-frequency-specific channels in the human visual system is differentially affected by adaptation to gratings of distinct spatial frequencies and/or orientations. A study is reported of the effects of adaptation to vertical or horizontal gratings of a high or a low spatial frequency on the extent of the Brentano form of the Müller-Lyer illusion in human observers. It is shown that the illusion decreases after adaptation to vertical gratings of low spatial frequency, but seems unaffected otherwise. These results are consistent with the notion of visual channels that are spatial-frequency and orientation specific, and support the argument that the Müller-Lyer illusion may be due primarily to lower-spatial-frequency components in the Fourier spectra of the image.

scholarly journals Training for object recognition with increasing spatial frequency: A comparison of deep learning with human vision

2021 ◽  
Author(s):  
Lev Kiar Avberšek ◽  
Astrid Zeman ◽  
Hans P. Op de Beeck
Keyword(s):  
Spatial Frequency ◽  
Poor Performance ◽  
Visual Input ◽  
Human Vision ◽  
Striking Similarity ◽  
Deep Convolutional Neural Networks ◽  
Frequency Information ◽  
Spatial Frequencies ◽  
Wide Range ◽  
Coarse To Fine

AbstractThe ontogenetic development of human vision, and the real-time neural processing of visual input, both exhibit a striking similarity – a sensitivity towards spatial frequencies that progress in a coarse-to-fine manner. During early human development, sensitivity for higher spatial frequencies increases with age. In adulthood, when humans receive new visual input, low spatial frequencies are typically processed first before subsequently guiding the processing of higher spatial frequencies. We investigated to what extent this coarse-to-fine progression might impact visual representations in artificial vision and compared this to adult human representations. We simulated the coarse-to-fine progression of image processing in deep convolutional neural networks (CNNs) by gradually increasing spatial frequency information during training. We compared CNN performance, after standard and coarse-to-fine training, with a wide range of datasets from behavioural and neuroimaging experiments. In contrast to humans, CNNs that are trained using the standard protocol are very insensitive to low spatial frequency information, showing very poor performance in being able to classify such object images. By training CNNs using our coarse-to-fine method, we improved the classification accuracy of CNNs from 0% to 32% on low-pass filtered images taken from the ImageNet dataset. When comparing differently trained networks on images containing full spatial frequency information, we saw no representational differences. Overall, this integration of computational, neural, and behavioural findings shows the relevance of the exposure to and processing of input with a variation in spatial frequency content for some aspects of high-level object representations.

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