Top-Down versus Bottom-up Control of Saccades in Texture Perception

Perception ◽  
1997 ◽  
Vol 26 (1_suppl) ◽  
pp. 162-162 ◽  
Author(s):  
R Groner ◽  
A von Mühlenen ◽  
M Groner

An experiment was conducted to examine the influence of luminance, contrast, and spatial frequency content on saccadic eye movements. 112 pictures of natural textures from Brodatz were low-pass filtered (0.04 – 0.76 cycles deg−1) and high-pass filtered (1.91 – 19.56 cycles deg−1) and varied in luminance (low and high) and contrast (low and high), resulting in eight images per texture. Circular clippings of the central parts of the images (approximately 15% of the whole image) were used as stimuli. In the condition of bottom - up processing, the eight stimuli derived from one texture were presented for 1500 ms in a circular arrangement around the fixation cross. They were followed by a briefly presented target stimulus in the centre, which in half the trials was identical to one of the eight test stimuli. Participants had to decide whether the target stimulus was identical to any of the preceding stimuli. During a trial, their eye movements were recorded by means of a Dual-Purkinje-Image eye tracker. In the top - down condition, the target stimulus was presented in each trial prior to the display of the test stimulus. It was assumed that the priming with a target produced a top - down processing of the test stimuli. The latency and landing site of the first saccade were computed and compared between the top - down and bottom - up conditions. It is hypothesised that stimulus characteristics (luminance, contrast, and spatial frequency) play a more prominent role in bottom - up processing, while top - down processing is adjusted to the particular characteristics of the prime.

Healthcare ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 10
Author(s):  
Chong-Bin Tsai ◽  
Wei-Yu Hung ◽  
Wei-Yen Hsu

Optokinetic nystagmus (OKN) is an involuntary eye movement induced by motion of a large proportion of the visual field. It consists of a “slow phase (SP)” with eye movements in the same direction as the movement of the pattern and a “fast phase (FP)” with saccadic eye movements in the opposite direction. Study of OKN can reveal valuable information in ophthalmology, neurology and psychology. However, the current commercially available high-resolution and research-grade eye tracker is usually expensive. Methods & Results: We developed a novel fast and effective system combined with a low-cost eye tracking device to accurately quantitatively measure OKN eye movement. Conclusions: The experimental results indicate that the proposed method achieves fast and promising results in comparisons with several traditional approaches.


2018 ◽  
Vol 23 (2) ◽  
pp. 135-141
Author(s):  
Dong-Sik Yu ◽  
Hyun Gug Cho ◽  
Sang-Yeob Kim ◽  
Byeong-Yeon Moon

2020 ◽  
Author(s):  
David M Corwin

Pictures evoke both a top down and a bottom-up visual percept of balance. Through its effect on eye movements, balance is a bottom-up conveyor of aesthetic feeling. Eye movements are predominantly influenced by the large effects of saliency and top-down priorities; it is difficult to separate out the much smaller effect of balance. Given that balance is associated with a unified and harmonious picture and that there is a pictorial effect known to painters and historically documented that does just that, it was thought that such pictures are perfectly balanced. Computer models of these pictures were created by the author and were found to have bilateral quadrant luminance symmetry with a lower half lighter by a factor of ~1.07 +/- ~0.03. A top weighted center of quadrant luminance calculation is proposed to measure balance. To show that this effect exists, two studies were done that compared identical pictures in two different frames with respect to whether they appeared different given that the sole difference is balance. Results show that with observers, mostly painters, there was a significant correlation between average pair imbalance and observations that two identical pictures appeared different indicating at a minimum that the equation for calculating balance was correct. A conventional study of preference could not be done because of the necessity of using LED pictures that increase overall salience, and so decrease the aesthetic effect while retaining the effects on eye movements. The effect is the result of the absence of balancing forces on eye movements. With painters who can disregard salience, the effect results from the absence of forces drawing attention to any part of the image. All parts of the picture including that in peripheral vision receive attention, and the eye seems to slide through rather than to jump from objet to object. The effect is being called pictorial coherency. Large tonally contrasting forms, geometric forms or many different forms that cannot be visually combined prevent the effect from being seen. Pictorial balance, an unaccustomed visual force, explains why viewing pictures cause fatigue. That pictures can evoke such a low level percept based on luminance would indicate that it belongs to a much earlier evolutionary development of the visual stream where it was possibly used to follow movement by defining a complex object as a simple vector.


Perception ◽  
1997 ◽  
Vol 26 (8) ◽  
pp. 1059-1072 ◽  
Author(s):  
Sabira K Mannan ◽  
Keith H Ruddock ◽  
David S Wooding

Measurements were carried out of saccadic eye movements made during brief (3 s) examination of images which the observer was asked to identify. Each image was identified in three forms: low-pass filtered, high-pass filtered, and unfiltered. The analysis of the eye-movement patterns was based on the locations of fixations made during examination of the images, for which purpose a least-squares measure of similarity between two sets of locations was introduced. It is shown that there is a high degree of similarity between fixations made by the same observer to the different versions of a given image and that for a given image there is a high degree of similarity between fixations made by the eighteen observers who participated in the experiments. The similarities are greater for the initial 1.5 s than for the full viewing period of 3 s. The similarity between the locations of fixations and those of selected image features such as local contrast, high-spatial-frequency content, and edge density was also examined. It is shown that there is only weak similarity between the locations of fixations and those of any given local image feature, and the tendency of observers to fixate centrally on the image is identified as the principal reason for the low similarity values. It is shown that if the nonuniform distribution of eye movements is taken into account, significant similarities are found between the locations of fixations and those of certain image features, such as edge density.


2015 ◽  
Vol 15 (12) ◽  
pp. 598
Author(s):  
Abhishek Mandal ◽  
Niall Strang ◽  
Velitchko Manahilov

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