Report on the Rock Art of South West Samburu District, Kenya

2006 ◽  
Vol 41 (1) ◽  
pp. 139-157 ◽  
Author(s):  
Natasha Chamberlain
Keyword(s):  
Rock Art ◽  
2014 ◽  
Vol 12 (2) ◽  
pp. 165-182 ◽  
Author(s):  
Tertia Barnett ◽  
Maria Guagnin

This article examines the relationship between rock art and landscape use by pastoral groups and early settled communities in the central Sahara from around 6000 BC to 1000 AD. During this period the region experienced significant climatic and environmental fluctuations. Using new results from a systematic survey in the Wadi al-Ajal, south-west Libya, our research combines data from over 2000 engraved rock art panels with local archaeological and palaeoenvironmental evidence within a GIS model. Spatial analysis of these data indicates a correspondence between the frequency of rock art sites and human settlement over time. However, while changes in settlement location were guided primarily by the constraints on accessibility imposed by surface water, the distribution of rock art relates to the availability of pasture and patterns of movement through the landscape. Although the reasons for these movements undoubtedly altered over time, natural routes that connected the Wadi al-Ajal and areas to the south continued to be a focus for carvings over several thousand years.


1993 ◽  
Vol 59 ◽  
pp. 269-283 ◽  
Author(s):  
Richard Bradley ◽  
Jan Harding ◽  
Margaret Mathews

The interpretation of prehistoric rock art has posed some intractable problems, but recent studies have sought to integrate it within a more broadly based landscape archaeology. They emphasise the special character of this material, not only as a system of distinctive motifs, but also as a source of information employed by people engaged in a mobile pattern of settlement. This paper investigates the character of the rock art of south-west Scotland, comparing the positions of the petroglyphs with two series of control samples in the surrounding landscape. The carvings seem to have been situated at viewpoints. They may have been directed towards the coastline and the Galloway hills and commanded a significantly wider field of vision than locations in the surrounding area. There is some evidence that differences in the size and complexity of the motifs are related to their placing in the local topography, with the simpler carvings around the edges of lowland ‘territories’ near to the shoreline, and the more complex compositions in upland areas, especially around shallow basins and waterholes. The changing character of the designs may reflect differences in the composition of the audience who viewed them.


2018 ◽  
Author(s):  
Bohai Xu

The Huashan rock art site may be considered to be one of the most impressive pre-Historic painted panels of the world. The site is located in the Zuojiang River valley of the Guangxi Zhuang Autonomous Region, a border area of south-west China, neighbouring Vietnam. This article tries to explore the possible connection between the landscape of the Huashan rock art site , cosmological beliefs of the Luo Yue people and ancient Egypt’s the Valley of the Kings, cosmological beliefs of the ancient Egyptian.


2013 ◽  
Vol 16 (4) ◽  
pp. 636-659 ◽  
Author(s):  
Andy M. Jones ◽  
Graeme Kirkham

South-west Britain—Cornwall, Devon and west Somerset—has featured little in discussions of British rock art. However, although it lacks the complex motifs found in northern Britain or the rich ornamentation of the Irish passage graves, it has a growing number of sites with simple cup-marks and stands at a pivotal location in the wider distribution of this form of rock art within north-west Europe. This paper considers the cup-mark tradition in south-west Britain and its wider European context, drawing attention to comparable traditions in western France, Wales, and south-west Ireland where simple cup-marks occur in analogous contexts. We propose a chronology for cup-marks in the south-west, from suggested Neolithic origins associated with rock outcrops and chambered tombs through to their use in Bronze Age barrows and subsequently roundhouses in the second millennium BC.


Author(s):  
C. Cretin ◽  
S. Madelaine ◽  
F.V. Le ◽  
A. Morala ◽  
D. Armand ◽  
...  

French South-West, especially the Dordogne region, is one of the richest European area of Palaeolithic sites, whether for human dwelling (including epony-mous and very famous sites like La Madeleine) as for Upper Palaeolithic rock art (of which Lascaux cave, Rouffignac cave, Font-de-Gaume cave, etc.). Those two categories are testimony of organization of daily life and livelihood strategies on one side, and the common system of values and meaning (culture) on the other side. Those two aspects are however very difficult to bring together. For adorned caves, it is often difficult to cross data coming from the walls and ground from a same decorated cave, data sometimes acquired separately. One way to deal with this problem is to develop a multi-disciplinary approach, which allows to combine rock art, archaeological and geological studies and which implies interactions and dialogs between many specialists. This goal, which goes be-yond simply providing archaeological and geological contexts for an image or a group of images, leads to the development of new approaches. Fig. 1. This paper proposes to present cases to the interdisciplinary study of the Great Saint-Front Cave (or Mammoths cave) and other adorned sites, studied within the frame of a collective research program, conducted from 2013 to 2016 and called Archologie des grottes ornes de Dordogne: cadre conceptuel, potentiel et ralit (Cave art archaeology: conceptual frame, potential and reality).


Antiquity ◽  
2010 ◽  
Vol 84 (326) ◽  
pp. 954-975 ◽  
Author(s):  
Savino di Lernia ◽  
Marina Gallinaro

The authors find a context for the rock art of the central Sahara by excavating and recording examples of engraved stones from circular platforms used to sacrifice animals. The type of rock art known as the Pastoral style, featuring evocative outline drawings of cattle, appears on upright stones incorporated into the platforms in the period 5430–5150 BP, and probably earlier. Furthermore, they show that these places were part of a dense and extensive monumental landscape, occupying a harsh environment, supplying quartzite, but with little settlement, appearing to serve the spiritual needs of hundreds of Neolithic people.


2019 ◽  
Vol 25 ◽  
pp. 317
Author(s):  
Ayotunde Ale ◽  
Opeyemi Aloro ◽  
Ayanbola Adepoju
Keyword(s):  

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