A quarterly post-Second World War real GDP series for New Zealand

2011 ◽  
Vol 45 (3) ◽  
pp. 273-298 ◽  
Author(s):  
Viv B. Hall ◽  
C. John McDermott
2021 ◽  
Author(s):  
◽  
Richard Thomson

<p>Published by A H & A W Reed to immediate success late in 1961, New Zealand in Colour was the first of many large-format books of colour photographs of New Zealand. While they belonged to a tradition of scenic reproduction as old as European settlement, technological changes and the social and economic disruptions of the Second World War intensified the importance of the image in print culture. Drawing on recent historiographic approaches that seek to decentre New Zealand across transnational and city-hinterland relationships, this thesis argues that reproduction, through photography but also as a cultural practice, was intrinsic to a Pakeha conception of place. Looking at scenery was an activity thought to be peculiarly suited to New Zealand, but it was also a prime form of tourist consumption and was therefore essential to New Zealanders’ successful participation in modernity, which required ‘seeing ourselves’ but also awareness of recognition from other moderns. During the decades after the Second World War, modernity took on a more international character with greater mobility of people and goods and a strengthening consumer culture. The complex kinds of looking involved in being modern were increasingly expressed as a tension between modern and anti-modern impulses. The colour pictorial displayed New Zealand as a cultural landscape of cameras, cars, and holidays, but also as a refuge from modernity. The ‘coffee table book’ was a luxury consumer object of advanced technology, but the gift was the preferred method for its circulation. To be at home with this New Zealand may require a move to the suburbs, but it offers a view of nation and nationalism in which mobility, leisure, and consumption have become the chief explanatory tools.</p>


Author(s):  
Megan Hutching

Before I began my series of books about the Second World War, based on interviews that I and others did with veterans of that conflict, the project was discussed at an advisory body meeting of the History Group (as it then was) of the Ministry for Culture & Heritage. One of the people present wondered how it would be possible to tell the story of the war through interviews as most of the people who knew what had happened – he meant officers – were dead. In Remembering Gallipoli, Chris Pugley and Charles Ferrall have shown that everyone who experiences war knows what happens. They may not have an overview of tactics and plans, but my word, do they understand what it was like to be there. What richness the testimonies in this book add to our understanding of war.


Author(s):  
James Kierstead

According to Michael King, Popper’s The Open Society and Its Enemies may be “the most influential book ever to come out of New Zealand.” Written in Christchurch in the last years of the Second World War by a Jewish intellectual in exile from Vienna, the book’s forthright attack on Plato created a storm of controversy worldwide, and continues to be influential today. In this piece, I want to reintroduce Popper to the current generation of New Zealanders. I look at how the book came to be written in New Zealand, and what Popper thought of the country. I also examine the controversy surrounding the book, and see what we might say about it today, especially in light of subsequent scholarship.   


2021 ◽  
Author(s):  
◽  
Jessica Caldwell

<p>This thesis chronicles and examines the major New Zealand specific Holocaust-related issues of the last three decades, in the time period 1980 to 2010. The Holocaust has had a long reaching legacy worldwide since the end of the Second World War. There have been major news items and issues that have brought the Holocaust to the forefront of people's consciousness throughout the decades, the most prominent example being the trial of Adolf Eichmann in 1961. It was major news such as that trial, as well as Hollywood productions such as the TV miniseries Holocaust in the late 1970s, that brought about widespread consciousness of the Holocaust worldwide, in countries such as the United States and Australia. In New Zealand, but major Holocaust-related issues connected specifically to New Zealand did not begin to emerge until the 1980s. This thesis investigates, in three chapters, differing issues over the aforementioned time period that have had an impact on consciousness of the Holocaust in New Zealand. The issues investigated are respectively: the war criminals investigation of the late 1980s and early 1990s, the colonial 'holocaust' argument of the late 1990s and early 2000s, Holocaust denial controversies in New Zealand academia, and the growth and evolution of Holocaust commemoration and education. Although some issues, such as commemoration and education, began earlier, it was not until the 1980s that these issues developed in earnest and a greater number of people began to take notice of the connection of these issues, and in turn New Zealand, to the Holocaust. The main arguments made in this thesis are that New Zealand's consciousness of the Holocaust developed when it did and at the rate it did because of particular aspects of the Jewish community and New Zealand society as a whole, including the geographical isolation of the country, the size and assimilation of the Jewish and survivor communities here, and the overall attitudes and on occasion apathy and ignorance towards the Holocaust. All of these aspects have influenced, to varying degrees, consciousness of the Holocaust within New Zealand throughout the time period of 1980 to 2010.</p>


2020 ◽  
Vol 8 (1) ◽  
pp. 118-119
Author(s):  
Hilary Bracefield

Review of: Phoney Wars: New Zealand Society in the Second World War, Stevan Eldred-Grigg and Hugh Eldred-Grigg (2017) Dunedin: Otago University Press, 427 pp., ISBN 978 0 94752 223 0 (pbk), NZ$49.95


1969 ◽  
Vol 32 (4) ◽  
pp. 173
Author(s):  
Ronald Walker

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