Beyond the Colonial City: Re-Evaluating the Urban History of India, ca. 1920–1970

2013 ◽  
Vol 36 (3) ◽  
pp. 317-335 ◽  
Author(s):  
DOUGLAS E. HAYNES ◽  
NIKHIL RAO
Keyword(s):  
2003 ◽  
Vol 82 (2) ◽  
pp. 300-301
Author(s):  
Elizabeth Gemmill
Keyword(s):  

Author(s):  
Joseph Ben Prestel

The introduction shows that the historical parallels between cities in Europe and the Middle East during the nineteenth century are an underresearched topic in history, demonstrating that Eurocentric tendencies have led to a separation between historical studies on cities in these two regions. It shows how a comparison between Berlin and Cairo contributes to the study of potential parallels between cities in Europe and the Middle East. It is in this context that the history of emotions opens up a new perspective. While older comparative studies have focused on the origins of urban change, the introduction argues that a history of emotions shifts the focus towards the study of how contemporaries negotiated urban change. In this way, the history of emotions helps to overcome Eurocentric pitfalls and offers the possibility of a more global urban history, in which the histories of Berlin and Cairo begin to speak to each other.


Author(s):  
Joseph Ben Prestel

Between 1860 and 1910, Berlin and Cairo went through a period of dynamic transformation. During this period, a growing number of contemporaries in both places made corresponding arguments about how urban change affected city dwellers’ emotions. In newspaper articles, scientific treatises, and pamphlets, shifting practices, such as nighttime leisure, were depicted as affecting feelings like love and disgust. Looking at the ways in which different urban dwellers, from psychologists to revelers, framed recent changes in terms of emotions, this book reveals the striking parallels between the histories of Berlin and Cairo. In both cities, various authors associated changes in the city with such phenomena as a loss of control over feelings or the need for a reform of emotions. The parallels in these arguments belie the assumed dissimilarity between European and Middle Eastern cities during the nineteenth century. Drawing on similar debates about emotions in Berlin and Cairo, the book provides a new argument about the regional compartmentalization of urban history. It highlights how the circulation of scientific knowledge, the expansion of empires, and global capital flows led to similarities in the pasts of these two cities. By combining urban history and the history of emotions, this book proposes an innovative perspective on the emergence of different, yet comparable cities at the end of the nineteenth century.


Author(s):  
Carla Sulzbach

Attention to the spatial elements in the book of Ezekiel reveal a coherent plan that maps sin onto the spaces of city and temple which become the focus of correction in the visionary chapters that end the book (chs. 40–48). The book displays great disdain for all urban settings, including foreign cities, for their corrupt politics, trade and crime. These charges especially apply to Jerusalem. The temple also exhibits similar corruption in terms of personnel, iconography and impurity. The final vision reaches back first into the pre-urban history of Judah, the wilderness period, in order to find a setting free from such corruptions, but ultimately it returns to an Eden-like state as the only viable solution to the problems of innate sin and desecration. This is an Eden with no free-will and no human agency, the only way to safeguard sacred space.


Der Islam ◽  
2018 ◽  
Vol 95 (2) ◽  
pp. 549-595
Author(s):  
Lorenz Korn

Abstract The “German Fountain” on the Hippodrome in Istanbul, commissioned by the German Emperor Wilhelm II, has been perceived (and sometimes ridiculed) as a marginal by-product of imperialism and historicism. However, the history of its origins, construction and inauguration highlights significant aspects of German-Ottoman relations in the Hamidian period. The fountain is an example of the role that art and architecture played in these relations. The history of its planning indicates in which way the urban history of Istanbul was perceived and how a new monument was inserted, under the particular conditions of patronage by a foreign monarch. For the present article, German archival sources have been utilized to reconstruct the events and to interpret underlying attitudes. These sources elucidate the process of veritable trans-cultural negotiations, in which numerous partners with differing agendas participated. Besides, an art historical glance at the design of the fountain permits conclusions on choices that were made by the patron and the architect, significant for the understanding of the monument by its contemporaries. The particular conditions of the Ottoman Empire struggling for survival vis à vis European powers, and German foreign politics, become visible in the location and style of the fountain as well as in the protocol of its inauguration.


2003 ◽  
Vol 29 (2) ◽  
pp. 87-106 ◽  
Author(s):  
Lizabeth Cohen
Keyword(s):  

2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Naomi Kawasumi ◽  
Hirotaka Sato ◽  
Shunpei Yamamoto ◽  
Keiji Yano

<p><strong>Abstract.</strong> Digital Humanities (DH) is expected to generate new knowledge within traditional Humanities including history, literature, and the arts. DH utilizes computational media to conduct research on concepts such as consciousness and awareness, then analyzes, integrates and presents the outcomes. GIS has become widespread within DH research (Yano et al. 2011). This study aims to consider the archiving of various information concepting Kyoto using GIS. It also aims to understand landscape value in Kyoto. Since Heian-Kyo, Kyoto has existed for over 1,200 years of history. So, it is necessary to collect various information about Kyoto such as literature, art, maps, and photographs for research on the urban history of Kyoto. The digitalization and construction of a GIS database are useful to preserve and release information about Kyoto.</p><p>The Digital Archive of the Historical City of Kyoto that we are aiming to produce includes content such as literary works, paintings, photographs, and intangible cultural assets like festivals including the Gion Festival, traditional arts, and memories. Them did not simply listed in a database but had released with geospatial information, such as maps, as a platform linked to place.</p>


Sign in / Sign up

Export Citation Format

Share Document