Not Sharing the Holy Land: Attitudes towards Sacred Space in Papal Crusade Calls, 1095–1234

Al-Masāq ◽  
2021 ◽  
pp. 1-22
Author(s):  
Thomas W. Smith
Keyword(s):  
Author(s):  
Vitaliy Stepkin

Introduction. The article presents the caves of Ust-Medveditsky St. Saviour convent in Volgograd region. The relevance of the research issue is in improving the recreational potential of the subject under study. The novelty of the work is in explaining the meaning of cave complex elements and the iconic stone with the image of knee and palm prints. The aim of the work is to study the history of creating the sacred space in the caves of Ust-Medveditsky convent. Herewith the work covers the following issues: 1) considering the history of creating caves by hegumeness Arseniya (Sebryakova); 2) clarification of the semantic meaning of some architectural elements in the cave complex in the context of creating the sacred space in the New Jerusalem of the Don region; 3) recommendations for developing the esthetical component of the caves, which increases the recreational potential for using the caves. Methods. In order to achieve the goals the author uses the structuralsemantic method, which allows to reveal the meaning of separate architectural elements in the caves in the structure of the cave complex. The system-based culturological method and the historical archaeological approach are used to understand the uniqueness of the object against the historical background of the dominating culture. The sources used to fulfill the objective include material ones such as architectural elements of the caves, written ones such as piligrimages, travellers’ notes about visits to the Holy Land, the biography of hegumeness Arseniya (Sebryakova). Analysis and Results. The caves under consideration were created in the second half of the 19th century by hegumeness Arseniya (Sebryakova). There was a sacred space of the Holy Land reconstructed: “Stations of the Cross” and “Sorrowful Way of the Holy Mother”. The stone with the image of knee and palm prints symbolizes the place where the Christ fell down after being arrested. Premise no. 8 with a step can symbolize the Holy Sepulcher with the tomb of Jesus. To improve the recreational potential of Ust- Medveditsky convent it is necessary to control microclimatic conditions, support the cave surface natural stone relief and colour, decorate the key sacred spaces with thematic icons.


2015 ◽  
Vol 58 (4) ◽  
pp. 1031-1058
Author(s):  
MASHA HALEVI

ABSTRACTThe article analyses the processes that preceded the construction of sanctuaries in the Holy Land through the prism of the Church of Gethsemane in Jerusalem, deconstructing and uncovering layers of political power struggles which led to its formation and present shape. This study, based on extensive archival research and a field survey, demonstrates how the reconstruction of the basilica of Gethsemane, and hence the concretization in stone of some of the most depicted evangelical traditions, was not merely the result of an ecumenical consideration. In fact, it reflects the narrow, and sometimes very down-to-earth, interests of various denominations and political forces. The study also demonstrates how the unique setting of the Holy Land encouraged simultaneous multi-layered political processes, comparing the case-study of the Church of Gethsemane to those of other symbolic and national religious monuments: the Church of the Holy Sepulchre, the basilica of Sacré-Coeur in Paris, and the Cathedral of Christ the Saviour in Moscow.


Diogenes ◽  
1999 ◽  
Vol 47 (187) ◽  
pp. 83-87 ◽  
Author(s):  
Galit Hasan-Rokem

2000 ◽  
Vol 36 ◽  
pp. 228-249
Author(s):  
Norman Housley

In one passage in his famous account, Friar Felix Faber described how ‘some dull and unprofitable pilgrims’ to Jerusalem in 1480 mocked the excited behaviour of the devout in the courtyard in front of the Church of the Holy Sepulchre, ‘calling them fools, hypocrites and Beghards’. The incident is revealing of the spectrum of reactions provoked by the experience of the Holy Land in late medieval and Renaissance Europe. Here more than anywhere else, tension was generated by the inescapable paradox of Christology, God become man, and the conflicts which it set up between the immanent and the representational, the universal and the elect, the eschatological and the timeless. This occurred, moreover, within a physical setting which constantly reminded the sensitive pilgrim of the difficulty of reconciling the Old and New Dispensations. But the same electrical charge which caused the Holy Land as sacred space to provoke diverse and at times contradictory responses, endowed the Holy Land as idea with a remarkable attraction. There took place a number of different ‘migrations of the holy’, to use John Bossy’s phrase. To a large extent the status of the geographical Holy Land was weakened by these developments, but in at least one respect it was strengthened.


Author(s):  
KRISZTINA ILKO

This study investigates the place of San Salvatore in the holy topography of Venetian Candia. By focusing on the largest convent in the Augustinian Province of the Holy Land, it contributes to a better understanding of a neglected subject in mendicant scholarship, namely the Augustinian friars’ expansion in the eastern Mediterranean. This article offers a detailed reconstruction of the demolished building and its sacred space, and sheds new light on interaction among the mixed Latin-Greek population in Venetian Crete by examining icons, altars, liturgy and, in particular, the introduction of the cult of Nicholas of Tolentino.


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