The Temple That Won’t Quit: Constructing Sacred Space in Orlando’s Holy Land Experience Theme Park

CrossCurrents ◽  
2009 ◽  
Vol 59 (3) ◽  
pp. 358-382 ◽  
Author(s):  
Joan R. Branham
Keyword(s):  
2018 ◽  
Vol 2 (1) ◽  
pp. 7-24
Author(s):  
Anne Katrine De Hemmer Gudme

This article investigates the importance of smell in the sacrificial cults of the ancient Mediterranean, using the Yahweh temple on Mount Gerizim and the Hebrew Bible as a case-study. The material shows that smell was an important factor in delineating sacred space in the ancient world and that the sense of smell was a crucial part of the conceptualization of the meeting between the human and the divine.  In the Hebrew Bible, the temple cult is pervaded by smell. There is the sacred oil laced with spices and aromatics with which the sanctuary and the priests are anointed. There is the fragrant and luxurious incense, which is burnt every day in front of Yahweh and finally there are the sacrifices and offerings that are burnt on the altar as ‘gifts of fire’ and as ‘pleasing odors’ to Yahweh. The gifts that are given to Yahweh are explicitly described as pleasing to the deity’s sense of smell. On Mount Gerizim, which is close to present-day Nablus on the west bank, there once stood a temple dedicated to the god Yahweh, whom we also know from the Hebrew Bible. The temple was in use from the Persian to the Hellenistic period (ca. 450 – 110 BCE) and during this time thousands of animals (mostly goats, sheep, pigeons and cows) were slaughtered and burnt on the altar as gifts to Yahweh. The worshippers who came to the sanctuary – and we know some of them by name because they left inscriptions commemorating their visit to the temple – would have experienced an overwhelming combination of smells: the smell of spicy herbs baked by the sun that is carried by the wind, the smell of humans standing close together and the smell of animals, of dung and blood, and behind it all as a backdrop of scent the constant smell of the sacrificial smoke that rises to the sky.


2004 ◽  
Vol 21 (3) ◽  
pp. 89-109 ◽  
Author(s):  
Nancy L. Stockdale

In early 2001, the Holy Land Experience (HLE) theme park opened in Orlando, Florida. Before 9/11, Islam was merely a shadowy figure at the HLE; after 9/11, however, the park has promoted a vision of Islam and Muslims that fosters hate among American Protestant visitors. This paper argues that the HLE is a site of extreme potential danger, for it espouses holy war and dissent between American Christians, Jews, and Muslims.


Author(s):  
Deonnie Moodie

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.


Author(s):  
Carla Sulzbach

Attention to the spatial elements in the book of Ezekiel reveal a coherent plan that maps sin onto the spaces of city and temple which become the focus of correction in the visionary chapters that end the book (chs. 40–48). The book displays great disdain for all urban settings, including foreign cities, for their corrupt politics, trade and crime. These charges especially apply to Jerusalem. The temple also exhibits similar corruption in terms of personnel, iconography and impurity. The final vision reaches back first into the pre-urban history of Judah, the wilderness period, in order to find a setting free from such corruptions, but ultimately it returns to an Eden-like state as the only viable solution to the problems of innate sin and desecration. This is an Eden with no free-will and no human agency, the only way to safeguard sacred space.


2021 ◽  
Vol 7 (2) ◽  
pp. 253-260
Author(s):  
Yatsiv M ◽  

In each historical period, light played an important mystical role in the creation of the sacred space of the temple, and was and is an integral part of religious ritual. Light is an architectural phenomenon, the formative and communicative element of the spatial structure of the temple, the most important factor in the perception of space and layout of the temple. The subject of the analysis contained in the article is the light environment in the space of modern churches of Ukraine. An analysis of the functions of light in churches is made on the example of recently built iconic Greek Catholic temples. The peculiarities of the distribution of natural and artificial light in the space of modern churches, the similarities and differences in the organization of the light environment, as compared to the historical temples, have been revealed. The influence of the light on the architectonics of temples and the visual perception of their object environment, on the formation of the corresponding mystical mood and sacred atmosphere is defined. The values and functions of electric lighting in the structure of the light environment of the temple, the directions of development of electric lighting systems due to the expansion of their utilitarian and decorative functions are determined.


Author(s):  
Elizabeth Frood

This chapter analyses biographical motifs relating to sensory experience found in inscriptions largely belonging to one tenth-century bc priestly family in Thebes. The four statues which are the focus of discussion (CG 42225; CG 42226; CG 42227; CG 42228) were dedicated in the temple precinct of Karnak by Hor IX for himself, his ancestor, and his wife. Inscriptions on a statue of Horakhbit I (CG 42231) from Karnak are also treated. Celebration of the senses is found in these texts through the fusion of biography with themes known from harpists' songs, a genre previously associated with tombs; the use of myrrh, a pleasurable and ritual substance; and through phraseology that mobilises the sensuous geographies of sacred space. Study of how such motifs relate to other features of biography across the statues offers insights into transformations of more than one genre and developments in the function of statues in temples.


2007 ◽  
Vol 15 (3) ◽  
pp. 323-337
Author(s):  
Karen Wenell

AbstractIn Mark 11-12 sacred space is being reformulated in a way that does not emphasize the central role of the Jerusalem temple. The action and teachings which are placed in the temple in the narrative show a conflict of values, making the temple a contested space. Mark's Gospel is part of the shaping of these ideas, and though not fully worked out in a comprehensive spatial worldview, the notion of the kingdom of God and the heavenly location of God as Father suggest a visionary space to which followers might order and orient their lives. It is out of this conflict of values that new notions of sacred space are able to emerge.


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