Of nails and planks: the meaning of Edo-period ship construction techniques

Japan Forum ◽  
2019 ◽  
pp. 1-28
Author(s):  
Michelle Damian
2021 ◽  
Author(s):  
Noor Sulistiyono

The need for sea transportation, which includes ships, is increasing – driven by the growing competition in the economic, social, political, and defense and security sectors. This, in turn, is driving advances in ship construction techniques in Indonesia. In building a ship, several factors must be considered. In addition to planning the shape and characteristics of the hull, as well as planning the strength and arrangement of the ship itself. Ship construction in general consists of two main parts, namely the hull and the building on the ship or deck house. Keywords: Transportation, Construction System, Ship


1996 ◽  
Vol 12 (01) ◽  
pp. 11-19
Author(s):  
James R. Wilkins ◽  
Perry Singh ◽  
Todd Cary

From the very inception of the preliminary design phase of the U.S. Navy's new amphibious assault ship, which at the time was designated only as the LX, there has been an emphasis on generating a design which is producible—one that requires a minimum of redesign by the building yard and which can be built efficiently using modern ship construction techniques. This emphasis resulted in establishment of a Producibility Task Manager as a member of the LX Preliminary Design Team and in the creation of a Product-Oriented Design And Construction (PODAC) Working Group. The functions of this Group were to mimic a shipyard production planning effort and to interact with the design team on a regular basis. This paper describes the results of their efforts, including the development of a Generic Build Strategy and numerous Design for Producibility improvements during the LX Preliminary Design Phase.


Somatechnics ◽  
2014 ◽  
Vol 4 (1) ◽  
pp. 133-148
Author(s):  
Johanna Hällsten

This article aims to investigate the creation of space and sound in artistic and architectural fields, with particular emphasis on the notions of interval and duration in the production and experience of soundscapes. The discussion arises out of an ongoing research project concerning sonic structures in public places, in which Japanese uguisubari ([Formula: see text]) – ‘nightingale flooring’, an alarm system from the Edo period) plays a key role in developing new kinds of site-specific and location-responsive sonic architectural structures for urban and rural environments. This paper takes uguisubari as its frame for investigating and evaluating how sounds create a space (however temporary), and how that sound in turn is created through movement. It thus seeks to unpick aspects of the reciprocal and performative act in which participant and the space engage through movement, whilst creating a sonic environment that permeates, defines and composes the boundaries of this space. The article will develop a framework for these kinds of works through a discussion on walking, movement, soundscape and somatechnical aspects of our experience of the world, drawing upon the work of Merleau-Ponty, Bergson and the Japanese concept of Ma (space-time).


2010 ◽  
Vol 21 (2) ◽  
pp. 318-333
Author(s):  
Chang-Zhi ZHAO ◽  
Wei DONG ◽  
Ping SUI ◽  
Zhi-Chang QI

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