Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy

Continuum ◽  
2021 ◽  
pp. 1-15
Author(s):  
Shams Bin Quader
2017 ◽  
Vol 12 (2) ◽  
pp. 208-223 ◽  
Author(s):  
Silvia Tarassi

The analysis of popular music scenes has traditionally focused upon grass-roots music-making practices, without considering how these practices are rooted in the organizational and economic dynamics that characterize today’s cultural economy. This article suggests the need to look at music production in music scenes as a more professionalized activity which requires entrepreneurial skills and economic sustainability. Drawing on the findings of a six-month fieldwork study of the music scene of Milan, this article will attempt to re-conceptualize our understanding of music scenes and to explain how the desire to make a living through music requires the members of a scene to be engaged to a significant degree in multi-tasking and multi-jobbing, which allows them to survive in a risky, precarious environment.


Urban Studies ◽  
2009 ◽  
Vol 46 (5-6) ◽  
pp. 1041-1061 ◽  
Author(s):  
Andy C. Pratt

This paper seeks to examine critically the role of culture in the continued development, or regeneration, of `post-industrial' cities. First, it is critical of instrumental conceptions of culture with regard to urban regeneration. Secondly, it is critical of the adequacy of the conceptual framework of the `post-industrial city' (and the `service sector') as a basis for the understanding and explanation of the rise of cultural industries in cities. The paper is based upon a case study of the transformation of a classic, and in policy debates a seminal, `cultural quarter': Hoxton Square, North London. Hoxton, and many areas like it, are commonly presented as derelict parts of cities which many claim have, through a magical injection of culture, been transformed into dynamic destinations. The paper suggests a more complex and multifaceted causality based upon a robust concept of the cultural industries as industry rather than as consumption.


2000 ◽  
Vol 7 (3) ◽  
pp. 253-268 ◽  
Author(s):  
Eduardo Brito Henriques ◽  
Joachim Thiel
Keyword(s):  

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