Dating Apps: The Uncertainty of Marketised Love

Dating apps promise a ‘digital fix’ to the ‘messy’ matter of love by means of datafication and algorithmic matching, realising a platformisation of romance commonly understood through notions of a market’s rationality and efficiency. Reflecting on the findings of a small-scale qualitative research on the use of dating apps among young adults in London, we problematise this view and argue that the specific form of marketisation articulated by dating apps is entrepreneurial in kind, whereby individuals act as brands facing the structural uncertainty of interacting with ‘quasi-strangers’. In so doing, we argue, dating app users enact a Luhmanian notion of interpersonal trust, built on the assessment of the risk of interacting with unfamiliar others that is typical of digitally mediated contexts dominated by reputational logics. From a sociocultural perspective, dating apps emerge as sociotechnical apparatuses that remediate the demand to rationally choose a partner while at the same time reproducing the (im)possibility of doing so. In this respect, far from offering a new form of efficiency, they (re)produce the ontological uncertainty (Illouz, 2019) that characterises lovers as entrepreneurs.

The Right to Meaning: A Syrian Case Study

This article unsettles what the literature describes as the ‘central paradox’ of cultural trauma theory: the idea that while atrocities are most prevalent in the ‘non-western world’, successful cultural traumas have primarily emerged in western societies. Examining the engagement of exiled Syrian intellectuals with the traumatic events of the 2011 revolution-turned-war in their country, the author argues that it is not a failure in the ‘cultural trauma process’ itself that prevents horrific events in non-western contexts from becoming recognised as cultural traumas. Instead, it is the failure to translate narratives of wrongdoing into formal acknowledgements and material or symbolic reparations. This failure is articulated by Syrian intellectuals as a ‘denial of meaning’. Many Syrian intellectuals construed the emancipatory demands of the Syrian uprising as claims for a right to meaning, that is, demands to restore language and existential purpose through public engagement and the revival of politics and speech. Equally, they saw as ‘denial of meaning’ the reality that their trauma work did not prevent the endurance and gradual rehabilitation of the regime but was met instead with the relegation of the movement to the agenda of the War on Terror. Thus, building on the discourses of exiled Syrian intellectuals, the article presents the idea of the right to meaning as a framework for understanding global inequality. Such a framework rests on a perceived dichotomy between those entitled to ‘meaning’ and those whose lives are accepted and treated as devoid of it or denied it.

Consecrating and Desecrating Elite Communities: Fearing and Dealing with Social Deviance in Sweden’s Wealthiest Neighborhood

In this article I report observations from an ethnographic study of a Swedish economic elite community, including interviews with residents and service staff, and participant observations in various social contexts stretching over a period of five years that can contribute to an understanding of how elite communities respond to potential social deviance among its members, such as feelings of insufficiency and stress, thus trying to avoid any ‘desecration’ of their social and cultural capital. Specifically, I examine how the practices through which desecration is avoided, for example the exclusion of unwanted members, interplay in the further consecration of the communities, thus maintaining and strengthening elites’ status and standing, Studying the problems and difficulties experienced by elites in their neighborhood settings, and how they try to manage them, is potentially an important step forward to better analyze and understand the way powerful groups in contemporary society maintain and strengthen their privileges and power.

‘Everyone’s Annoyed’: Leveraging Uncertainty in the Smell of Others

A growing literature illuminates the limits of claims made on the basis of sensory perception in scientized, rationalized, and bureaucratic contexts. How to understand exceptions to the rule – cases where claims based on sensory experience are taken at face value, even without corroborating evidence? Here, I focus on one such exception, in which citizen complaints about the smell of a small shantytown functioned successfully as both demands and justifications despite a lack of the kinds of instrumentally and technologically enabled corroboration that the literature would suggest are necessary to strengthen such claims. I show how complaints slotted neatly into a specific cultural structure, an olfactory cosmology in which ‘bad air’ that endangers health can be identified by smell and requires ongoing management and amelioration, and where adherence to hygienic norms is required for full moral citizenship. The case suggests ways that the apparent weaknesses of olfactory claims might allow them to be uniquely weaponized in social and political life, and shows how such claims can exploit shared norms, values, and meanings to enroll others in the demand for action.

Modernism and Record Covers: Raising the Status of Jazz in Sweden

By introducing a wider understanding of the discourse of modernism at the time that record covers were introduced, this article investigates record covers as a means through which various actors in the Swedish jazz scene connected jazz with modernist art forms. In the 1950s, specific designs for record sleeves became integrated into the ways in which jazz was mediated in Sweden, which coincided with wider debates about whether jazz could be seen as an art form. The main question of this article is: How did the artwork on record covers influence the acceptance of jazz as an art form in Sweden? In responding to this question, the article aims to demonstrate that, in addition to written discourse, visual objects – in this case record covers – were of great importance to the rising status of jazz in Sweden in the 1950s and 1960s. More broadly, I argue that the visual elements in music cultures can be just as important, if not more so, than written forms of discourse, for negotiating the social status of music.

Cultural Sociology and the Politics of Canonization: An Anglo-Canadian Perspective

This article offers a regional spotlight introduction to Anglo-Canadian cultural sociology. The question of what makes Canada unique has long preoccupied Canadian writers, artists, and policy makers, and is central to scholarly debates about Canadian sociology’s position relative to British, American, and other national sociologies, as well as the need for decolonization and diversification of the disciplinary canon. As a subfield, Anglo-Canadian cultural sociology receives little attention within these wider debates despite its emphasis on issues of cultural difference, identity, and evaluation. We provide an analysis of the dynamics of the field. Using course syllabi and survey data from instructors (N = 28), we examine whether there is a unique canon in Anglo-Canadian cultural sociology, and how cultural sociology is taught across Canada. Network analysis of texts assigned on syllabi and survey responses from cultural sociology instructors reveal, first, a thematic canon in Canadian cultural sociology, with a plurality of authors used to teach four main themes: identity and representation, cultural production, cultural consumption, and conceptualizing and measuring culture. Second, we find the positionality of Anglo-Canadian cultural sociology (with respect to both other national sociologies and neighboring subfields/disciplines) is uncertain and widely variant. Finally, survey responses concerning identity and representation suggest a reflexivity about the politics of canonization, and a gendered interest in decolonizing curricula. We conclude by arguing that a thematic canon in cultural sociology facilitates the maintenance of fuzzy boundaries with other subfields, national and Indigenous intellectual traditions, and a critical feminist lens.