scholarly journals ACOUSTIC CHARACTERISTICS OF PULSED SOUND SOURCES OF VARIOUS TYPES

Statyba ◽  
1998 ◽  
Vol 4 (4) ◽  
pp. 311-315
Author(s):  
V. Stauskis ◽  
V. Kunigėlis
2021 ◽  
Vol 42 (03) ◽  
pp. 237-247
Author(s):  
Eric Branda ◽  
Tobias Wurzbacher

AbstractA requirement for modern hearing aids is to evaluate a listening environment for the user and automatically apply appropriate gain and feature settings for optimal hearing in that listening environment. This has been predominantly achieved by the hearing aids' acoustic sensors, which measure acoustic characteristics such as the amplitude and modulation of the incoming sound sources. However, acoustic information alone is not always sufficient for providing a clear indication of the soundscape and user's listening needs. User activity such as being stationary or being in motion can drastically change these listening needs. Recently, hearing aids have begun utilizing integrated motion sensors to provide further information to the hearing aid's decision-making process when determining the listening environment. Specifically, accelerometer technology has proven to be an appropriate solution for motion sensor integration in hearing aids. Recent investigations have shown benefits with integrated motion sensors for both laboratory and real-world ecological momentary assessment measurements. The combination of acoustic and motion sensors provides the hearing aids with data to better optimize the hearing aid features in anticipation of the hearing aid user's listening needs.


2017 ◽  
Vol 16 (4-5) ◽  
pp. 418-430 ◽  
Author(s):  
Gert Herold ◽  
Florian Zenger ◽  
Ennes Sarradj

Microphone arrays can be used to detect sound sources on rotating machinery. For this study, experiments with three different axial fans, featuring backward-skewed, unskewed, and forward-skewed blades, were conducted in a standardized fan test chamber. The measured data are processed using the virtual rotating array method. Subsequent application of beamforming and deconvolution in the frequency domain allows the localization and quantification of separate sources, as appear at different regions on the blades. Evaluating broadband spectra of the leading and trailing edges of the blades, phenomena governing the acoustic characteristics of the fans at different operating points are identified. This enables a detailed discussion of the influence of the blade design on the radiated noise.


1987 ◽  
Vol 96 (5) ◽  
pp. 573-577 ◽  
Author(s):  
Colin Painter ◽  
John M. Fredrickson ◽  
Timothy Kaiser ◽  
Roanne Karzon

An electromagnetic artificial larynx was implanted in two volunteer laryngectomees. Both patients were able to communicate well, but the voice quality still needed improving. Therefore, in this investigation, listener judgments were obtained of 22 different sound sources with a view to incorporating the preferred speech sound in a new version of the device. Electroglottograms were used as sound sources in a speech synthesizer and sentences were produced with different voice qualities for judgmental tests. The results of the listening tests showed a distinct preference for waveforms corresponding to a long completely open phase, a very brief completely closed phase, and an abrupt closing gesture. The optimum acoustic characteristics for the device will be used by electrical engineers to manufacture a new version of the artificial larynx with an improved voice quality.


1998 ◽  
Vol 4 (4) ◽  
pp. 311-315 ◽  
Author(s):  
Vytautas Stauskis ◽  
Vytautas Kunigėlis

The paper examines the acoustic characteristics of explosion-type pulsed sound sources of four types. These include a Calibre 8 sound gun, a start gun, a Calibre 16 hunting gun, and a toy gun. The latter was included both because of its short pulse duration and for comparison purposes. Correct selection of a source is very important because it largely determines the results of acoustic measurements. Certain requirements are set for a sound source. In order to concentrate as much energy as possible at the given moment, the signal bandwidth-duration product must be as large as possible. The range frequencies to be excited depend on the pulse duration. The latter also determines whether interference phenomena will occur in the room and whether individual reflections will merge. The experiments were conducted in a room of 12 m2. The distance between the microphone and the pulsed sound source was 1 m. The structure of reflections depends on the pulse by means of which the sound field is excited. The smallest number of reflections is generated by a sound source. During a 20 ms experiment, the amplitudes of these reflections almost coincided with the direct sound amplitude. A sound gun emits more sound energy than other pulses. When the sound field is excited by means of a start gun and a hunting gun, the reflection structure, by amplitude, is very different from that produced by a sound gun. A dense reflection structure is formed by a toy gun but it emits less energy. The structure of reflections generated by a hunting gun is acceptable but its shots are very unstable, which is a major drawback in an experiment. The shots from a sound gun differ only by about 0.1% among themselves by amplitude, ie they are sufficiently stable. Among the four sound sources, the best reflection structure is produced by a sound gun. A sound gun is characterised both by the longest pulse duration (about 0.55 ms) and the highest levels of energy emitted. The pulse duration of the rest three guns is almost equal and is about 0.15 ms, ie is 3.6 times shorter than that of a sound gun. The forms of signals emitted by these sound sources are also very different. The spectrum of a sound source was established on Fourier transformation basis. The spectrum is largely dependent on the type of a gun by means of which the sound field is excited. The maximum width of the spectrum generated by a sound gun occupies almost two octaves, from 500 to 2000 Hz, and the radiation in this range is quite uniform. The spectra of a start gun and a hunting gun are similar but these guns emit less sound energy than a sound gun. The structure of reflections generated by them is also quite different. A toy gun radiates energy in a less narrower band, the width of which occupies about a half of octave, with a maximum at 2000 Hz. This is not very good because too small quantities of low- and medium-frequency sound energy are radiated.


2021 ◽  
Vol 39 (2) ◽  
pp. 145-159
Author(s):  
Laure-Hélène Canette ◽  
Philippe Lalitte ◽  
Barbara Tillmann ◽  
Emmanuel Bigand

Conceptual priming studies have shown that listening to musical primes triggers semantic activation. The present study further investigated with a free semantic evocation task, 1) how rhythmic vs. textural structures affect the amount of words evoked after a musical sequence, and 2) whether both features also affect the content of the semantic activation. Rhythmic sequences were composed of various percussion sounds with a strong underlying beat and metrical structure. Textural sound sequences consisted of blended timbres and sound sources evolving over time without identifiable pulse. Participants were asked to verbalize the concepts evoked by the musical sequences. We measured the number of words and lemmas produced after having listened to musical sequences of each condition, and we analyzed whether specific concepts were associated with each sequence type. Results showed that more words and lemmas were produced for textural sound sequences than for rhythmic sequences and that some concepts were specifically associated with each musical condition. Our findings suggest that listening to musical excerpts emphasizing different features influences semantic activation in different ways and extent. This might possibly be instantiated via cognitive mechanisms triggered by the acoustic characteristics of the excerpts as well as the perceived emotions.


Author(s):  
Billy Irwin

Abstract Purpose: This article discusses impaired prosody production subsequent to traumatic brain injury (TBI). Prosody may affect naturalness and intelligibility of speech significantly, often for the long term, and TBI may result in a variety of impairments. Method: Intonation, rate, and stress production are discussed in terms of the perceptual, physiological, and acoustic characteristics associated with TBI. Results and Conclusions: All aspects of prosodic production are susceptible to the effects of damage resulting from TBI. There are commonly associated prosodic impairments; however, individual variations in specific aspects of prosody require detailed analysis.


1999 ◽  
Vol 58 (3) ◽  
pp. 170-179 ◽  
Author(s):  
Barbara S. Muller ◽  
Pierre Bovet

Twelve blindfolded subjects localized two different pure tones, randomly played by eight sound sources in the horizontal plane. Either subjects could get information supplied by their pinnae (external ear) and their head movements or not. We found that pinnae, as well as head movements, had a marked influence on auditory localization performance with this type of sound. Effects of pinnae and head movements seemed to be additive; the absence of one or the other factor provoked the same loss of localization accuracy and even much the same error pattern. Head movement analysis showed that subjects turn their face towards the emitting sound source, except for sources exactly in the front or exactly in the rear, which are identified by turning the head to both sides. The head movement amplitude increased smoothly as the sound source moved from the anterior to the posterior quadrant.


Author(s):  
Rachel L. C. Mitchell ◽  
Rachel A. Kingston

It is now accepted that older adults have difficulty recognizing prosodic emotion cues, but it is not clear at what processing stage this ability breaks down. We manipulated the acoustic characteristics of tones in pitch, amplitude, and duration discrimination tasks to assess whether impaired basic auditory perception coexisted with our previously demonstrated age-related prosodic emotion perception impairment. It was found that pitch perception was particularly impaired in older adults, and that it displayed the strongest correlation with prosodic emotion discrimination. We conclude that an important cause of age-related impairment in prosodic emotion comprehension exists at the fundamental sensory level of processing.


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