Catalogue of Early Printed Music in Aberdeen Libraries Supplement, 1979–1988

1990 ◽  
Vol 23 ◽  
pp. 170-176
Author(s):  
Barry Cooper ◽  
Richard Turbet

This article is a supplement to Barry Cooper's catalogue of 1978 (see below, References). No musical items published before 1801 have entered Aberdeen Public Library since 1979. Of the four Aberdeen University collections mentioned below, Dep is in the library of the Department of Music, while SB and Lib R are in King's College Library. In the course of his original introduction, Barry Cooper mentioned the University's “copyright collection” (p.4), and the inadequacy of its catalogue. Richard Turbet is compiling a checklist of the contents of this collection's 297 volumes, now located within Aberdeen University Library and known as The Stationers’ Hall Collection. As to private collections, Roger Williams has catalogued those in Grampian Region in the care of the National Trust for Scotland, and the catalogues are being prepared for publication. There is early music in the collections at Castle Fraser, Drum Castle, Leith Hall and Brodie Castle. The Montcoffer House private collection, listed in Appendix 3 of the original catalogue, is now housed at Aberdeen University Library MS 2861.

1978 ◽  
Vol 14 ◽  
pp. 2-138 ◽  
Author(s):  
Barry Cooper

Three Libraries in Aberdeen possess substantial collections of early music - the University Library, the library of the University Music Department, and the City Public Library. None, however, has a separate catalogue for its early music, and it has been virtually impossible hitherto to ascertain what each library contains. Thus these collections have remained largely unused and unusable, and have never been thoroughly examined. The aims of the present union catalogue covering the three libraries are accordingly to indicate what is available in each, to enable the collections to be more widely used and to stimulate interest in them generally. As in similar publications, particularly that of Schnapper (1957) and various volumes of RISM, the terminal date has been fixed at 1800. However, a few items which may be of slightly later date are included with the conjectural date ‘c. 1800’, and items which clearly seem to be of a later date but which are listed by Schnapper with an earlier date are also listed here.


2008 ◽  
Vol 41 ◽  
pp. 93-120
Author(s):  
Barry Cooper

The library of University of Wales Lampeter, one of the oldest universities in Britain, collected many rare items, including music, during the first thirty years after its foundation in 1822. This music collection has never really been explored hitherto, and there are no printed references to it in the standard literature. The collection contains nearly 200 items, ranging from 1711 to the mid-nineteenth century but dating mainly from 1770–1820. Alongside the printed music are sixteen instrumental tutors and fifteen manuscripts. Judging by names written on some of the items, the collection was assembled piecemeal from various private collections. For nearly a third of the items, no exact match has yet been found elsewhere. These include previously unknown editions of music by Arne, Mozart and others; previously unknown works by composers such as William Burnett, Francis Linley and William Howgill; and even possibly unknown composers such as J. Gray and Henry Schroeder.


2020 ◽  
Vol 47 (2) ◽  
pp. 392-401
Author(s):  
T. R. Birkhead ◽  
G. Axon ◽  
J. R. Middleton

Most of the approximately 75 known eggs of the extinct great auk ( Pinguinus impennis) are in public museums, with a few in private collections. A small number of these eggs has sustained damage, either at the time of collection or subsequently, and two of these eggs are known to have been repaired. The two eggs suffered rather different types of damage and were subsequently restored using different techniques. The first, known as Bourman Labrey's egg, sustained extensive damage sometime prior to the 1840s, when the shell was broken into numerous pieces. This egg was repaired by William Yarrell in the 1840s, and when it was restored again in 2018, it was discovered that Yarrell's restoration had involved the use of an elaborate cardboard armature. This egg is currently in a private collection. The second egg, known as the Scarborough egg, bequeathed to the Scarborough Museum in 1877, was damaged (by unknown causes) and repaired, probably by the then curator at Scarborough, W. J. Clarke, in 1906. This egg was damaged when one or more pieces were broken adjacent to the blowhole at the narrow end (where there was some pre-existing damage). The media reports at the time exaggerated the extent of the damage, suggesting that the egg was broken almost in two. Possible reasons for this exaggeration are discussed. Recent examination using a black light and ultraviolet (UV) revealed that the eggshell had once borne the words, “a Penguin's Egg”, that were subsequently removed by scraping.


VINE ◽  
1988 ◽  
Vol 18 (2) ◽  
pp. 18-24 ◽  
Author(s):  
Carolyn Pope ◽  
Adrian Machiraju

2019 ◽  
Vol 11 ◽  
Author(s):  
Krzysztof Haptaś

Libraries and Private Book Collections in the Town of Mielec at the Time of the Partition of Poland: An Outline Libraries and private book collections in Mielec at the time of the partition of Poland have not been sufficiently traced and researched so far. The best known are the library of the Mielec secondary school (gimnazjum) and the private collection of the Count Oborski family. General remarks, in the scope of a few sentences at best, pertain to other school libraries and private collections. Numerous collections, some that are known by the name, such as the library of the Trinitarian convent, and some that we are not aware of, still await researchers. Currently, all old books (published before 1945) that are kept in the town of Mielec need to be cataloged in order to start the actual efforts to chart the history of the local libraries and private book collections.


Traditio ◽  
1957 ◽  
Vol 13 ◽  
pp. 407-414 ◽  
Author(s):  
William S. Anderson

Mr. Thomas E. Marston, Curator of the Classical Collection in the Yale University Library, having already been the owner of three 15th-century manuscripts of Juvenal and Persius, which he donated in 1936 to the Yale University Library, acquired in 1953 a much older copy of Juvenal alone. This manuscript, having remained for five hundred years in private collections in Italy, first at Osimo, then at Iesi, had never been collated. Now, with Mr. Marston's generous permission, it has at length been studied and it is the findings of this study that this paper presents. It seemed best, inasmuch as the manuscript affords little new light on the tradition of the text, to restrict this report to sample readings, sufficient to establish the character of the manuscript; a complete collation, however, will be deposited for use in the Yale University Library, as well as with Mr. Marston.


2021 ◽  
Author(s):  
Margalit E. Slovin

Photographs can provide a pictorial testimony of a familial history; yet, each time objects are moved and handled the risk of loss and deterioration increases. However, to date, little guidance has been available to private collectors on how to organize and preserve their photographic collections. My practical thesis focuses on the unique challenges of organizing, preserving and digitizing a private collection of approximately 250 glass plate negatives and four corresponding albums, belonging to Michina Pope in Toronto, Canada. Using this specific collection, I have summarized my research with the intention of creating an illustrated manual with clear guidelines as a resource to help guide private collectors in caring for their photographic collection. In lieu of a specifically purposed manual, this thesis paper an act, in the time being, as a guide for collectors and/or those working with private collections of photographic materials.


2020 ◽  
Vol 6 ◽  
Author(s):  
Luc Willemse ◽  
Veljo Runnel ◽  
Hannu Saarenmaa ◽  
Ana Casino ◽  
Karsten Gödderz

Results are presented of a study investigating solutions and procedures to incorporate private natural history collections into the international collections data infrastructure. Results are based on pilot projects carried out in three European countries aimed at approaches on how to best motivate and equip citizen collectors for digitisation: 1) In Estonia, the approach was to outline tools for registering, digitising and publishing private collection data in the biodiversity data management system PlutoF. 2) In Finland, the functionality of FinBIF, a portal offering a popular Notebook Service for citizens to store observations has been expanded to include collection specimens related to a field gathering event. 3) In the Netherlands private collection owners were approached directly and asked to start digitising their collection using dedicated software, either by themselves or with the help of volunteers who were recruited specifically for this task. In addition to management tools, pilots also looked at motivation, persons undertaking the work, scope, planning, specific knowledge or skills required and the platform for online publication. Future ownership, legality of specimens residing in private collections and the use of unique identifiers are underexposed aspects effecting digitisation. Besides streamlining the overall process of digitising private collections and dealing with local, national or international challenges, developing a communication strategy is crucial in order to effectively distribute information and keep private collection owners aware of ongoing developments. Besides collection owners other stakeholders were identified and for each of them a roadmap is outlined aimed at further streamlining the data from private collections into the international infrastructure. In conclusion recommendations are presented based on challenges encountered during this task that are considered important to really make significant progress towards the overall accessibility of data stored in privately held natural history collections.


2009 ◽  
Vol 61 (3) ◽  
pp. 87
Author(s):  
Pauletta Brown Bracy

The joys of the vice presidency are embellished by the thrills of conference planning. I worked with some of the most generous and assiduous members of our association, who made the experience truly memorable. My deepest appreciation is extended to Dale Cousins and Ann Burlingame of Wake County Public Libraries; Dave Fergusson, Mary McAfee, Yolanda Bolden, and John Via of Forsyth County Public Library; Irene Laube of Durham Technical Community College Library; John Abbott of Appalachian State University Libraries; Bao-Chu Chang of North Carolina State University Libraries; Connie Keller of Carol Grotnes Belk Library, Elon University; Ednita Bullock, formerly of Bennett College Center of Information Resources and currently of North Carolina A. & T. State University’s F.D. Bluford Library; Philip Cherry of Durham County Library; Jonathan Farlow of Randolph County Public Library; and Caroline Walters, NCLA Administrative Assistant.


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