Review of Jinhee Choi,The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs

2011 ◽  
Vol 9 (2) ◽  
pp. 235-240
Author(s):  
Daniel Martin
Keyword(s):  
The South ◽  
South Korean ◽  
Korean Film

scholarly journals The South Korean film industry and the Chinese film market

Screen ◽  
2019 ◽  
Vol 60 (2) ◽  
pp. 332-341
Author(s):  
Sangjoon Lee
Keyword(s):  
Film Industry ◽  
The South ◽  
Chinese Film ◽  
South Korean ◽  
Korean Film ◽  
Film Market

Culinary Nationalism

2010 ◽  
Vol 10 (1) ◽  
pp. 102-109 ◽  
Author(s):  
priscilla parkhurst ferguson
Keyword(s):  
Twentieth Century ◽  
The South ◽  
National Interests ◽  
South Korean ◽  
National Identification ◽  
Early Twentieth Century ◽  
Korean Film ◽  
Globalized World

Culinary consciousness raisers, cooking texts often serve as vehicles of national identification. From Pampille (Marthe Allard Daudet) and her cookbook, Les Bons Plats de France, in 1913 to the international culinary competitions of today such as the Bocuse d'or, culinary distinction promotes national interests. In contrast to the strident nationalism of the early twentieth century, culinary nationalism today operates in an increasingly globalized world. National culinary distinction defines the nation and sells its products in a highly competitive international arena. A recent culinary text, the South Korean film Le Grand Chef [Sik Gaek  ] (2007), illustrates the phenomenon, subsuming national culinary promotion in a mega culinary competition, all in the service of Korean culinary achievement.

Contemporary Re-Interpretations of the Colonial Past Through the Biopics of Two Koreans: Park Kyŏng-Wŏn and Kim Sin-Rak

2021 ◽  
pp. 43-65
Author(s):  
Álvaro Trigo Maldonado
Keyword(s):  
Film Industry ◽  
Colonial Period ◽  
The South ◽  
South Korean ◽  
The Past ◽  
Freedom Fighters ◽  
Korean Film

In the past few years, the South Korean film industry has released a growing number of Korean movies set in the colonial period. This essay focuses on how these films deal with the painful memory of occupation. More specifically, the analysis will be centered on two biopics with narratives that differ from what could be argued to be the mainstream portrayals of the colonial period, which tend to depict the struggle of Korean freedom-fighters under Japanese rule. Moreover, this essay reflects on the meaning of reinterpreting the past through cinema.

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