The Trinity Connection: An Analysis of the Role of Members of Cambridge University In the Development of Football in the Mid-Nineteenth Century

2002 ◽  
Vol 22 (2) ◽  
pp. 46-73 ◽  
Author(s):  
Graham Curry
Keyword(s):  
Nineteenth Century ◽  
Cambridge University ◽  
The Trinity

‘A very diadem of light’: exhibitions in Victorian London, the Parliamentary light and the shaping of the Trinity House lighthouses

2017 ◽  
Vol 50 (2) ◽  
pp. 249-265 ◽  
Author(s):  
STEPHEN COURTNEY
Keyword(s):  
Nineteenth Century ◽  
The Body ◽  
House Of Commons ◽  
Scientific Adviser ◽  
John Tyndall ◽  
Michael Faraday ◽  
The Trinity

AbstractIn the midsummer of 1872 a lighthouse apparatus was installed in the Clock Tower of the House of Commons. The installation served the practical function of communicating at a distance when the House was sitting, but also provided a highly visible symbolic indication of the importance of lighthouse technology to national concerns. Further, the installation served as an experimental space in which rival technological designs, with corresponding visions for the lighthouse system, could compete in public. This article considers nineteenth-century lighthouse technology as a case study in the power and political significance of display. Manufacturers of lighthouse lenses, such as the firm of Chance Brothers, sought to manage interpretations of the lights through the framing of exhibitions and demonstrations; so too did scientific authorities, including Michael Faraday and John Tyndall, both of whom served in the role of scientific adviser to Trinity House, the body responsible for lighthouse management. Particularly notable in this process was the significance of urban, metropolitan display environments in shaping the development of the marine lighthouse system around the nation's periphery.

scholarly journals The reception of William Paley's Natural Theology in the University of Cambridge

1997 ◽  
Vol 30 (3) ◽  
pp. 321-335 ◽  
Author(s):  
AILEEN FYFE
Keyword(s):  
Nineteenth Century ◽  
Charles Darwin ◽  
Natural Theology ◽  
Careful Study ◽  
Cambridge University ◽  
University Of Cambridge ◽  
Starting Point ◽  
College Examinations ◽  
The University

In order to pass the BA examination, it was, also, necessary to get up Paley's Evidences of Christianity, and his Moral Philosophy. This was done in a thorough manner, and I am convinced that I could have written out the whole of the Evidences with perfect correctness, but not of course in the clear language of Paley. The logic of this book and, as I may add, of his Natural Theology gave me as much delight as did Euclid. The careful study of these works, without attempting to learn any part by rote, was the only part of the Academical Course which, as I then felt and as I still believe, was of the least use to me in the education of my mind.Charles DarwinAutobiographyOne of the books Charles Darwin read at Cambridge University was William Paley's Natural Theology (1802). Many scholars have assumed that this was a set text at the university in the early nineteenth century. However, a study of the examination papers of the university, and contemporary memoirs, autobiographies and correspondence, reveals no evidence that this was so, though it did appear in some of the college examinations. This contrasts with other books by Paley which did appear for many years in both university and college examinations. This paper uses the misapprehension about Paley's text as a starting point to investigate the role of natural theology in a Cambridge education in the first three decades of the nineteenth century.

Illustrated Media, the Built Environment and Identity Politics in Fin-de-siècle Catalonia: Printing Images, Making the Nation

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart
Keyword(s):  
Nineteenth Century ◽  
Built Environment ◽  
Identity Politics ◽  
Nation Building ◽  
Constitutive Relationship ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fin De Siècle ◽  
Late Nineteenth

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.

Gender, Technology and the New Woman

2017 ◽  
Author(s):  
Lena Wånggren
Keyword(s):  
Nineteenth Century ◽  
New Woman ◽  
New Technologies ◽  
Gender And Sexuality ◽  
Literary Texts ◽  
Late Nineteenth Century ◽  
Gender And Technology ◽  
The New Woman ◽  
Grant Allen

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.

Disruptions of the Local, Eruptions of the Feminine: Local Reportage and National Anxieties in Egypt’s 1890s

2018 ◽  
Author(s):  
Marilyn Booth
Keyword(s):  
Nineteenth Century ◽  
Gender Roles ◽  
Late Nineteenth Century ◽  
Female Images ◽  
The Feminine ◽  
Late Nineteenth ◽  
Advocacy Role ◽  
Representations Of Women ◽  
Gendered Expectations

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.

Derwent Moultrie Coleridge's Australian Exile

Romanticism ◽  
2018 ◽  
Vol 24 (1) ◽  
pp. 22-35
Author(s):  
Nicola Healey
Keyword(s):  
Nineteenth Century ◽  
Cambridge University ◽  
Dead End ◽  
Family Home

The literary career and troubled life of Derwent Moultrie Coleridge (1828–80), Derwent Coleridge's eldest son (S. T. Coleridge's first grandson) has been critically overlooked. After a period of alcohol-related, reckless behaviour at Cambridge University, he was exiled to Australia in November 1850, lest he continue to dishonour his father and the Coleridge name. Despite struggling considerably, he quickly became part of an Australian literary circle and he often contributed poems to Sydney newspapers. This essay analyses the most biographical of his poems that was published in the Australian press, ‘The Loafer's Christmas’ (1871) – a hitherto unknown poem – looking, in particular, at the dialogues in which the poem engages with his family, especially S. T. Coleridge's ‘The Rime of the Ancient Mariner’. I also contextualise ‘The Loafer's Christmas’ within nineteenth-century Australian culture. Looking at issues of exile, idleness, addiction, family, home(lessness), and religious redemption, this essay explores the ways in which Derwent Moultrie's exile proved to be both a literary liberation and a dead end, trapping him between times and spaces, real and imaginary. In so doing, I show how the lost life and writings of Derwent Moultrie Coleridge can offer us new perspectives on the Coleridge legacy.

Andrew Lang and Scottish Historiography: Taking on Tradition

2015 ◽  
Vol 94 (2) ◽  
pp. 207-236 ◽  
Author(s):  
Catriona M. M. Macdonald
Keyword(s):  
Nineteenth Century ◽  
Sir Walter Scott ◽  
Scientific Methods ◽  
European Context ◽  
The Reformation ◽  
Cast Doubt ◽  
Scottish History ◽  
University Setting ◽  
Andrew Lang

The career and posthumous reputation of Andrew Lang (1844–1912) call into question Scottish historiographical conventions of the era following the death of Sir Walter Scott which foreground the apparent triumph of scientific methods over Romance and the professionalisation of the discipline within a university setting. Taking issue with the premise of notions relating to the Strange Death of Scottish History in the mid-nineteenth century, it is proposed that perceptions of Scottish historiographical exceptionalism in a European context and presumptions of Scottish inferiorism stand in need of re-assessment. By offering alternative readings of the reformation, by uncoupling unionism from whiggism, by reaffirming the role of Romance in ‘serious’ Scottish history, and by disrupting distinctions between whig and Jacobite, the historical works and the surviving personal papers of Andrew Lang cast doubt on many conventional grand narratives and the paradigms conventionally used to make sense of Scottish historiography.

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