The precarious Chinese financial ecology of expertise: discontent in the mix

2020 ◽  
Vol 14 (1) ◽  
pp. 41-53
Author(s):  
Giulia Dal Maso
Keyword(s):  
2018 ◽  
Vol 74 (6) ◽  
pp. 1318-1338 ◽  
Author(s):  
Sarah Higgins

Purpose Digital curation addresses the technical, administrative and financial ecology required to ensure that digital information remains accessible and usable over the long term. The purpose of this paper is to trace digital curation’s disciplinary emergence and examine its position within the information sciences domain in terms of theoretical principles, using a case study of developments in the UK and the USA. Design/methodology/approach Theoretical principles regarding disciplinary development and the identity of information science as a discipline are applied to a case study of the development of digital curation in the UK and the USA to identify the maturity of digital curation and its position in the information science gamut. Findings Digital curation is identified as a mature discipline which is a sub-meta-discipline of information science. As such digital curation has reach across all disciplines and sub-disciplines of information science and has the potential to become the overarching paradigm. Practical implications These findings could influence digital curation’s development from applied discipline to profession within both its educational and professional domains. Originality/value The disciplinary development of digital curation within dominant theoretical models has not hitherto been articulated.


2014 ◽  
Vol 926-930 ◽  
pp. 3846-3849
Author(s):  
Yong Ming Pan ◽  
Man Liu

Developing the individual consumption credit business is beneficial to the expanding domestic consumption demand, and the growing of economic. At present, there exist many limitations in the development of consumer credit business in China's commercial Banks, and risk is gradually revealed. Based on the concept of financial ecology, this paper analyzed the necessity of construction of financial ecology system to individual consumption credit risk management. Considering that financial ecology and individual consumption credit risk management has the function of mutual promotion.


2010 ◽  
Vol 22 (3) ◽  
pp. 327-352 ◽  
Author(s):  
Katharine Ellis

AbstractThe French legislation of 6 January 1864 which deregulated spoken and lyric theatre nationwide showed little sensitivity to the distinctive financial ecology of regional theatre. Its effects were precisely the opposite of those its architects intended, and caused most disruption to the very constituencies the legislation was intended to help. Comparative analysis of the immediate aftermath of this ‘liberté des théâtres’ reveals a state of near chaos across France. Town councils oscillated between abandoning to the market their traditions of theatre as artistic social service, and pouring in yet more taxpayers' money just to maintain the status quo. Opera, as the most expensive art form, was the immediate casualty, ceding considerable ground to a vigorous entertainment sector based around the operetta repertory (including opéra-bouffe) and the café-concert chanson.


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