African language digital media and communication

2021 ◽  
pp. 1-3
Author(s):  
Gilbert Motsaathebe
2021 ◽  
Vol 13 (1) ◽  
pp. 121-124
Author(s):  
Chikezie E. Uzuegbunam

Review of: African Language Digital Media and Communication, Abiodun Salawu (ed.) (2019) Abingdon: Routledge, 248 pp., ISBN 978-0-81535-954-8, p/bk, £36.99, h/bk, £120.00, e-book, £33.29


2021 ◽  
pp. 205015792098482
Author(s):  
Linus Andersson ◽  
Ebba Sundin

This article addresses the phenomenon of mobile bystanders who use their smartphones to film or take photographs at accident scenes, instead of offering their help to people in need or to assist medical units. This phenomenon has been extensively discussed in Swedish news media in recent years since it has been described as a growing problem for first responders, such as paramedics, police, and firefighters. This article aims to identify theoretical perspectives that are relevant for analyzing mobile media practices and discuss the ethical implications of these perspectives. Our purpose is twofold: we want to develop a theoretical framework for critically approaching mobile media practices, and we want to contribute to discussions concerning well-being in a time marked by mediatization and digitalization. In this pursuit, we combine theory from social psychology about how people behave at traumatic scenes with discussions about witnessing in and through media, as developed in media and communication studies. Both perspectives offer various implications for normative inquiry, and in our discussion, we argue that mobile bystanders must be considered simultaneously as transgressors of social norms and as emphatic witnesses behaving in accordance with the digital media age. The article ends with a discussion regarding the implications for further research.


2020 ◽  
Vol 87 ◽  
pp. 8-12
Author(s):  
Deniss Hanovs ◽  
Anda Rozukalne

In a short novel by contemporary Russian writer Vladimir Sorokin “White square” (2018), the moderator of the show with the same title gets killed during the show in which four guests express their visions of present society. Everyone can follow the killing on-line, having voted shortly before for the most entertaining guest. After having received an injection of a new chemical formula which is supposed to entertain the audience, the four participants get wild and destroy the whole show enjoyed by the audience. A new moderator is being engaged to let the show go on... This rather gothic plot shows another part of the reality – the memories of the director of the show about someone, a person unknown to the reader, who has been killed to start the bloody entertainment. The ring, made of the skin of this unknown person gets lost and lands in a realm beyond the on-line entertainment culture: poor workers, their uneducated wives and alcoholics, who still inhabit the off-line everyday life of low wages, heavy physical jobs and simple joys ignored by blood thirsty audience, voting and selling advertisement time for higher prices. Both groups, digital media users and poor underpaid blue collars are in contemporary Europe and the USA targets for populist messages in media.


2020 ◽  

In recent decades, the cultural, social, medical and political handling of the end of life has been subject to fundamental change. Against the background of the rise of chronic diseases and longer dying processes, new problems have occurred, leading, amongst other things, to new conceptions of terminal care. In this volume, experts from various disciplines (ethnology, history, media and communication studies, medicine, nursing science and sociology) analyse the current debate on dying, death and bereavement and its relevance to society. The articles the book contains focus on key developments at the end of a life, such as current concepts in palliative and hospice care, individual prevention practices and public representations in the (digital) media landscape, and address their institutional and sociocultural contexts. In doing so, they challenge several truisms of previous research that arose due to close connections between social protest and scholarship. With contributions by Florian Greiner; Julia Dornhöfer; Anna Wagner, Manuel Menke, Susanne Kinnebrock and Marina Drakova; Michaela Thönnes; Lilian Coatas; Mara Kaiser; Sabine H. Krauss; Anna Kitta; Anna D. Bauer; Anke Offerhaus; Thorsten Benkel and Werner Schneider


Author(s):  
Kjetil Sandvik

Digital media and network communication technology have not changed this setup, but rather have opened the possibility for encountering and experiencing additional types of worlds and performing additional types of spatial practices. Being situated online and being globally networked with the possibility of both synchronous and asynchronous communication, digitally mediated worlds provide possible interactions between users which are radically more independent of time and place than the ones facilitated by older media. From this perspective, the concept of online worlds both challenges and broadens our understanding of how media shape the world and how the media technology creates new social structures.


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