Reinhard  Siegmund‐Schultze. Rockefeller and the Internationalization of Mathematics between the Two World Wars: Documents and Studies for the Social History of Mathematics in the Twentieth Century. (Science Networks: Historical Studies, 25.) xiv+341 pp., illus., apps., bibl., indexes. Basel/Boston: Birkhäuser Verlag, 2001. DM 170, SFr 128.

Isis ◽  
2003 ◽  
Vol 94 (4) ◽  
pp. 756-757
Author(s):  
John W. Dawson, Jr.
Author(s):  
Marek Korczynski

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.


2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.


Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.


1952 ◽  
Vol 45 (7) ◽  
pp. 546
Author(s):  
Vera Sanford

The social unrest in England that accompanied the shift from agriculture to grazing as the foreign market demanded more wool and paid better for it, was a serious situation in England in the sixteenth century. It is the basis for one of the few problems which the “Scholer” proposed to the Master in Recorde's Ground of Artes (c. 1542). Its presence in this volume makes one realize that problems of sociological and economic significance have been the concern of textbook writers even before the twentieth century.


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