Matthew Kohrman, Gan Quan, Liu Wennan, and Robert N. Proctor, eds. Poisonous Pandas: Chinese Cigarette Manufacturing in Critical Historical Perspectives. Stanford, CA: Stanford University Press, 2018.

2020 ◽  
Vol 34 (1) ◽  
pp. 176-178
Author(s):  
Mateusz Zatoński
Keyword(s):  
Stanford University ◽  
Historical Perspectives ◽  
Cigarette Manufacturing

The Philological Association of The Pacific Coast

PMLA ◽  
1935 ◽  
Vol 50 (4) ◽  
pp. 1373-1374
Keyword(s):  
Annual Meeting ◽  
Pacific Coast ◽  
Stanford University ◽  
The Pacific

The thirty-seventh annual meeting of the Philological Association of the Pacific Coast was held at Stanford University, California, on November 29 and 30, 1935.

Life, Death and the Elderly: Historical Perspectives

1992 ◽  
Vol 46 (2) ◽  
pp. 372-373
Author(s):  
Margot Jefferys
Keyword(s):  
The Elderly ◽  
Historical Perspectives

Primary prevention: Historical perspectives and a blueprint for action.

1986 ◽  
Vol 41 (4) ◽  
pp. 453-460 ◽  
Author(s):  
Stephen E. Goldston
Keyword(s):  
Primary Prevention ◽  
Historical Perspectives

The Founder of Stanford University

1894 ◽  
Author(s):  
Will S. Monroe
Keyword(s):  
Stanford University

20-year survivors of heart transplantation at Stanford University

2009 ◽  
Vol 56 (S 01) ◽  
Author(s):  
T Deuse ◽  
F Haddad ◽  
M Pham ◽  
S Hunt ◽  
H Valantine ◽  
...  
Keyword(s):  
Heart Transplantation ◽  
Stanford University

The Colonial Documentary Film in South and South-East Asia

2017 ◽  
Keyword(s):  
East Asia ◽  
Subject Matter ◽  
Documentary Film ◽  
East Asian ◽  
South East Asia ◽  
Post Colonial ◽  
Historical Perspectives ◽  
The Third ◽  
Wide Range ◽  
Global Understanding

Writing from a wide range of historical perspectives, contributors to the anthology shed new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in colonial, late colonial and immediate post-colonial and postcolonial times in South and South-East Asia. In doing so, this anthology addresses an important gap in the global understanding of documentary discourses, practices, uses and styles. Based upon in-depth essays written by international authorities in the field and cutting-edge doctoral projects, this anthology is the first to encompass different periods, national contexts, subject matter and style in order to address important and also relatively little-known issues in colonial documentary film in the South and South-East Asian regions. This anthology is divided into three main thematic sections, each of which crosses national or geographical boundaries. The first section addresses issues of colonialism, late colonialism and independence. The second section looks at the use of the documentary film by missionaries and Christian evangelists, whilst the third explores the relation between documentary film, nationalism and representation.

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