Joe M. Richardson and Maxine D. Jones . Education for Liberation: The American Missionary Association and African Americans, 1890 to the Civil Rights Movement . Tuscaloosa : University of Alabama Press . 2009 . Pp. xvii, 287. $49.50.

2011 ◽  
Vol 116 (2) ◽  
pp. 468-469
Author(s):  
Hilary Moss
Author(s):  
Lynn M. Hudson

This book follows California’s history of segregation from statehood to the beginning of the long civil rights movement, arguing that the state innovated methods to control and contain African Americans and other people of color. While celebrated in popular discourse for its forward-thinking culture, politics, and science, California also pioneered new ways to keep citizenship white. Schools, streetcars, restaurants, theaters, parks, beaches, and pools were places of contestation where the presence of black bodies elicited forceful responses from segregationists. Black Californians employed innovative measures to dismantle segregation in the nineteenth and twentieth centuries; they borrowed some tactics from race rebels in the South, others they improvised. West of Jim Crow uses California to highlight the significance of African American resistance to racial restrictions in places often deemed marginal to mainstream civil rights histories. Examining segregation in the state sheds light on the primacy of gender and sexuality in the minds of segregationists and the significance of black women, black bodies, and racial science, in the years preceding the modern civil rights struggle. California has much to teach us about the lives of African Americans who crossed the color line and the variety of tactics and strategies employed by freedom fighters across the United States.


2020 ◽  
pp. 210-236
Author(s):  
Jennifer A. Delton

This chapter examines the overlap between African Americans' demands for jobs and conservatives' push for “right to work” laws. While compulsory union dues were very different from unions' exclusion of blacks, both movements targeted historically white unions and shared a language of workplace “rights.” Conservative “right to work” activists adopted the tactics of the civil rights movement and aligned themselves with blacks against exclusionary unions. Although this strategy failed to attract African Americans, it called attention to unions' historic and ongoing racism in a way that eventually divided the labor–liberal coalition. This dynamic is key to understanding the National Association of Manufacturers' complicated support for civil rights, equal opportunity, and affirmative action.


Author(s):  
Terrence T. Tucker

This chapter examines the development of comic rage after the civil rights movement. These works push back against the popular narrative of America’s colorblindness and that the 1980s initiated a period in which racism had ceased to exist. As part of a new artistic wave known as the New Black Aesthetic, these younger writers used their perspectives as the first post-integration generation to chronicle the new challenges facing African Americans. The unprecedented willingness to use humor as a central element in their work created a perfect site for comic rage to flourish and expand. The works that emerge focus on how cultural mulattoes—as many refer to the post-integration generation—attempt to achieve equality in a country attempting to assimilate them and erase the distinctiveness of their cultural traditions and identities.


Author(s):  
Terrence T. Tucker

This chapter explores radicalization of comic rage in Douglas Turner Ward’s Day of Absence and Ishmael Reed’s Flight to Canada. Emerging in the middle of the transition from the integrationist period of the civil rights movement to the nationalism of the Black Power movement, both works openly challenge fundamental concepts about race. In addition to targeting fundamental assumptions of Western superiority, these works also question simplistic counter-representations that African Americans present to combat racist stereotypes. Using forms increasingly important in African American literature, like drama and neo-slave narratives, these works enact comic rage as way to depict unique and powerful forms of resistance.


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