scholarly journals Application of Visual Language of Folk Art in Traditional Chinese Painting Under the Internet Condition

2020 ◽  
Vol 1533 ◽  
pp. 022033
Author(s):  
YanLing Shang
Author(s):  
Helena Björk

AbstractThe ease of uploading images on Instagram has meant that a whole generation grows up paying closer attention to visual language. At the same time, Instagram and other social media have come to dominate visual culture to the extent that we need to make an effort to unlearn what they have taught us. Here the internet is seen not only as a vital part of visual culture but also as a site of learning. This chapter presents a school assignment as a possible approach to online visual culture. By creating Instagram fiction, we can understand how social media operate both visually and socially. Parody and estrangement, or the Brechtian Verfremdungseffekt, are examples offered to examine a phenomenon and activate critical thinking.


Author(s):  
Kuiyi Shen

Traditional Chinese art was tied closely to the ruling elites of imperial China and therefore presented a particular challenge to the new communist regime seeking to establish a new proletarian culture in the 1950s. This chapter throws light on the way established traditional painters and artists were managed and their art reshaped through the application of principles set down in the Yan’an Talks and a deliberate “modernization” of traditional Chinese painting. It argues that in the case of guohua the tension between old forms and new content was not just resolved but led to invigoration and innovation in the field and produced some of the greatest public artworks of the Maoist period


2019 ◽  
Vol 1 (1) ◽  
pp. 61-78
Author(s):  
Winny Gunarti Widya Wardani ◽  
Ahmad Faiz Muntazori

Islam as a religion of da'wah has obliged every Muslim to play a role in spreading the truth of the Qur'an. In the era of information technology like today, the spread of Islamic teachings can be done in various ways, including through memes. For millennials who are proficient with technology, Islamic memes are an alternative media for da'wah. This is due to the power of memes in conveying messages through image visualization and humour-style text. Islamic memes are generally distributed via the internet and messaging applications on smartphones. Most Islamic memes are designed using illustration styles. To understand the visual language of memes, this study formulates the question: how to read visual signs in Islamic memes as da'wah media, because the types of da'wah in memes are not only in the form of written text but also in the form of images? This study uses a combination method, which combines quantitative and qualitative approaches. Quantitatively, this study collects data about the views of the millennial generation on the attractiveness of illustration-style Islamic memes. Whereas qualitatively, an analysis of samples of illustration-style Islamic memes uses semiotic theory to see the structure of design elements as the visual language of da’wah messages. The results of this study are expected to be a reference for the scientific field of visual communication design, as well as encourage the creation of more productive and communicative Islamic memes as da'wah media for millennial generations.


2021 ◽  
pp. 129-147
Author(s):  
T. A. Mirvoda ◽  
M. V. Stroganov ◽  
◽  

(Discussion based on the materials of the defense of T. A. Mirvoda’s PhD thesis “Poetics of a modern children’s “scary” narrative in oral tradition and the Internet”)Within the framework of the conversation, the article discusses psychological background of the emergence and existence of scary stories in the modern online space which are being accompanied with audio-visual objects and ritual practices, which on a par with the oral folk art of similar themes form the network mythology of horrors (the creepypasta). The principles of genre stratification of children’s «scary» narrative folklore and the creation of a corresponding index of characters and plots, as well as the differentiation of scary stories and evocations, proposed in the dissertation research by T. A. Mirvoda, are highlighted.


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