“His name was Xenu. He used renegades…”: Aspects of Scientology’s Founding Myth

Scientology ◽  
2009 ◽  
pp. 365-388 ◽  
Author(s):  
Mikael Rothstein
Keyword(s):  
2021 ◽  
Author(s):  
Sibylle Baumbach

This essay focuses on the question of what constitutes “new European” literature and explores the potential and pitfalls of concepts such as the “postnational” or “cosmopolitanism” and their impact on European and “new European” literature. Following a brief overview of what has been perceived as “old” versus “new” European literature, it looks back at Europe’s founding myth and Moschus’ image of Europa, more specifically Europa’s dream, to reconsider the cosmopolitanism of European literature and reflect upon both the continuous strife for the postnational and the question of emergence of “new” European literature. Providing a critical outlook with the regard to the promotion and proliferation of new European literature, this essay explores literary genres which seem particularly effective for communicating new European values ideas, especially concepts of transnationalism or cosmopolitanism that are often associated with European culture. In this context, the essay proposes the hybrid genre of the Menippeian satire as an inherently cosmopolitan and transnational genre, which is based upon the continuous crossing of borders without completely overcoming them, and can thus assist the “new European” agenda of literature.


2020 ◽  
pp. 187-210
Author(s):  
Ulrich Meurer

By ‘unearthing’ artefacts from folded layers of time, media archaeology undermines linear historical discourse: in this regard, this chapter addresses an exemplary art-based project on the origins of cinema that takes the epistemological metaphor of ‘excavation’ at its word. In 2011, the Canadian artist Henry Jesionka discovers several ancient bronze and glass objects on a Croatian beach, dates the pieces to the first century CE, and identifies them as components of an intricate Graeco-Roman mechanism for the projection of moving images. This rewriting of media history not only illustrates how traits of materiality and contingency interfere with teleological history; it also reflects on industrial capitalism’s paradox claims of ‘reason’ and the ideological presuppositions of progress: Cornelius Castoriadis’s notion of a merely simulated Rationality of Capitalism (1997) suggests that traditional narratives of technological invention are invariably organized around a clandestine and insufficiently repressed nucleus of the unforeseen, unpredictable, and irrational. By admitting to a similar element of chance or lost control, Jesionka’s Ancient Cinema project and new founding myth of cinema comment on the logic of media archaeology as an expression of late capitalism’s waning belief in its own rationale.


2020 ◽  
Vol 249 (1) ◽  
pp. 167-211
Author(s):  
Antoine Acker

Abstract This article aims to identify new historical causes for the making of the Anthropocene (the rise of humans to a geological force) by addressing Brazil’s transformation into an oil producer and an oil-dependent country between 1930 and 1975. This example allows an escape from the essentialist explanation of the Anthropocene as the result of humans’ insatiable appetite for consumption, commonly rooted in an analysis of Western industrial society, and to focus instead on the notion of freedom in a former colony. Indeed, in the context of nation-building and modernization debates, petroleum appeared to many Brazilians as an opportunity to emancipate the country from its peripheral role as global raw material provider. The rise of petroleum gave a post-colonial sense to the nation-founding myth of Brazil’s exceptional nature, which served as romantic background for a movement towards resource sovereignty embedded into a global anti-imperialist context. In Brazil specifically, oil production became an opportunity for a process of ecological transformation that promised to rid the country of colonial landscapes of exploitation, and even appeared as a solution for stopping the unsustainable destruction of tropical forests. Ultimately, these petro-ideals of emancipation, by positively linking nature and the nation, also hindered fully detecting the scope of the pollution problems that oil was generating. As argued in the article’s conclusion, this example should rekindle the discussion about the unintended link between freedom and geological change in the analysis of Anthropocene causalities.


2019 ◽  
Vol 40 (3) ◽  
pp. 516-531 ◽  
Author(s):  
Shannon Portillo ◽  
Domonic Bearfield ◽  
Nicole Humphrey

As a field, we often relate merit and neutrality to the technical skills needed to be the “best” candidate for a job, but that was not necessarily what civil service reformers had in mind. The civil service system was meant to replace widespread political patronage, but the myth around the origins of the civil service system masked inequalities built into early testing requirements and institutionalized racial inequities in hiring practices. In this article, we argue the founding myth of bureaucratic neutrality was so powerful that it continues to reverberate in our field. We trace the current reverberations of the myth of neutrality through modern hiring practices and the contemporary legal landscape. By doing this, we present a systematic review of this rationalized myth in public employment, using an institutionalism framework. As the myth of bureaucratic neutrality continues to permeate decision-making, policy creation, and implementation, it will continue to institutionalize inequity within the field.


2017 ◽  
Vol 10 (1-2) ◽  
pp. 107-146
Author(s):  
Jenny Ponzo

National imagery developed as a secular substitute for religion, and in modern society, there has been a ‘transfer’ of sacredness from religion to politics. This paper focuses on Italy, where, despite the legal separation of church and state, the ‘sacral’ national apparatus still owes a considerable debt to religion. After a short exposition of some of the main theories of civil religion in Italy, this work will analyze a corpus of Italian novels set during the Risorgimento, a period that functions in Italian culture as an atypical founding myth. It will show in particular how civil and religious symbols and rituals intersect in the literary representation of processions. Indeed, the procession is a recurring motif in Italian narrative and presents peculiar aesthetic features. The analysis of this literary motif will take advantage of socio-anthropological theories and will trace a distinction between ordered and disordered, or enthusiastic, processions.


2020 ◽  
Author(s):  
Hartmut Marhold

The European Union is lacking a “founding myth”? Not at all, here it is – and, in fact, it is no myth, but a real story: The destiny of European integration took shape on 9 May 1950, with the declaration of the French Foreign Minister Schuman, who launched the European Coal and Steel Community. The events of these days can be retraced hour per hour, the actors gain life and profile. The solution is revolutionary: It is the first “breach in national sovereignty”. This would become the path towards today’s EU. – The story once told, there is a lot to be learnt: What was the relation between the wish of the Western Allies to bind (West-)Germany into the Western Bloc and the Franco-German desire to ensure peace? What was the relation between the economy and (high) politics? What about the relation between structural constraints and personal political leadership – would other politicians than Jean Monnet, Robert Schuman and Konrad Adenauer have decided otherwise? This book tells the story of 9 May, our “Europe Day”, and reflects on its meaning.


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