Latina and Chicana Butch/Femme in Literature and Culture

2020 ◽  
Author(s):  
Stacy I. Macías
Keyword(s):  
20Th Century ◽  
Cultural Production ◽  
Female Gender ◽  
Gender And Sexuality ◽  
Late 20Th Century ◽  
Cultural Productions ◽  
Essential Components ◽  
Feminist Theories ◽  
Sexual Cultures ◽  
Literary Archive

Latina butch/femme literatures and cultural productions are essential components of the lesbian, gender, queer, and ethnic literary canons of the late 20th century. While butch/femme—a term that references particular lesbian sexual cultures and queer female gender practices—emerged within working-class and lesbian-of-color communities roughly in the 1940s, Latina lesbians in the 1980s and 1990s began to use the anthology form to pronounce boldly how their lesbian sexualities, erotic desires, and alternative gender expressions mutually informed their racial, ethnic, and class-based identities. While anthologies created the space to engage butch/femme and its racialized class meanings of butch/femme, the growth in women of color feminist theories further catalyzed writers to contextualize their earlier provisional embrace of Latina butch/femme, which feminist, lesbian, and ethnic nationalist ideologues variously derided. Still, while Latina lesbian cultural production and literary output increased, engagements with butch/femme were veiled, with some accounts paralleling the larger social unease with what many believed enforced the reproduction of oppressive heterosexual dynamics. While photographic images indelibly document the ubiquity of butch/femme lived practice, the literary archive of explicitly imagined and referenced Latina butch/femme is limited, and its overall force lies in its suggestive discursive qualities and a late 20th century iconic set of authors with which it is associated. Key writers of the period tended to meditate extensively on Latina butch gender and sexuality concerns, while it was not until the turn of the 21st century that the Latina femme garnered the same in-depth critical treatment. The decoupling of butch/femme also enables an expansion of discrete critical and creative femme and butch offerings, while writers settle into unequivocally evoking the erotic grammars of butch/femme gender and sexuality in forms of poetry, novel, and film.

The Oxford Handbook of Queer Cinema

2021 ◽  
Keyword(s):  
Cultural Production ◽  
The United States ◽  
Gender And Sexuality ◽  
Television Programs ◽  
Cultural Productions ◽  
Queer Cinema ◽  
Sexuality And Gender ◽  
History Of ◽  
Cross Dressing ◽  
And Gender

Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. Although many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement in the United States (dubbed by B. Ruby Rich the “new queer cinema”), films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms: cross-dressing, same-sex attraction, comedic drag performance; at some points, for example, in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing “history” not as dots on a progressive spectrum but as an uneven story of struggle, the writers in this volume stress that queer cinema did not appear miraculously at one moment but arrived on currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media-makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, foregrounding instead indigenous genders and sexualities or those forged in the Global South or those seeking alternative epistemologies. Finally, though “cinema” is in our title, many scholars in this collection see this term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as “queer cinema” shifts into new configurations.

Cultural Heritage Presentation and Interpretation

Anthropology ◽  
2021 ◽  
Author(s):  
John H. Jameson
Keyword(s):  
Cultural Heritage ◽  
20Th Century ◽  
Program Planning ◽  
Heritage Management ◽  
Conservation Education ◽  
Late 20Th Century ◽  
Archaeological Heritage ◽  
Public Interpretation ◽  
Heritage Sites ◽  
Essential Components

With conceptual roots going back to the first half of the 20th century, the public interpretation and presentation of cultural and archaeological heritage have become essential components in the conservation and protection of cultural heritage values and sites. By the early 21st century, the mechanisms and processes of public interpretation had reached a heightened level of sophistication and effectiveness. In the international arena, many leading organizations have emerged that are carrying the banner of interpretation principles for access, inclusion, and respect for multiple points of view. These principles emphasize the importance of dialogue facilitated by community engagement experts / laypersons, and participation in all phases of program planning, development, and delivery. Conventions and charters have been two of the most used categories of international documents to frame standards and guidelines for cultural and archaeological heritage management and presentation. International documents that specifically addressed the presentation and interpretation of archaeological heritage did not take shape until the late 20th century. The most important international document, to date, relating to interpretation and presentation of archaeological heritage sites is the International Council on Monuments and Sites (ICOMOS) Charter on the Interpretation and Presentation of Cultural Heritage Sites (2008). The charter lays out seven principles of interpretation and presentation about the conservation, education, and stewardship messages that represent the transcendent humanistic values of the resource. The concept of authenticity has become a central concern in the conservation and interpretation of cultural heritage. The Nara Document of 1994 (ICOMOS 1994, cited under Guidelines and Charters) built on the Venice Charter (ICOMOS 1965, cited under Guidelines and Charters), considering an expanding scope of cultural heritage concerns. It addresses the need for a broader understanding of cultural diversity and cultural heritage and underscores the importance of considering the cultural and social values of all societies. It emphasizes respect for other cultures, other values, and the tangible and intangible expressions that form part of the heritage of every culture. The Nara+20 text identifies five key interrelated issues highlighting prioritized actions to be developed and expanded within global, national, and local contexts by wider community and stakeholder involvement: (1) diversity of heritage processes, (2) implications of the evolution of cultural values, (3) involvement of multiple stakeholders, (4) conflicting claims and interpretations, and (5) the role of cultural heritage in sustainable development. The goal of more-inclusive interpretations requires an acceptance of divergent definitions of authenticity that depend on a level of tolerance of multiple definitions of significance with concomitant, objectively derived, assigned, and ascribed heritage values. We can hope that these efforts lead to the recognition of humanistic values that are reflected in cultural heritage narratives and heritage tourism practices as well as site commemoration and protection decisions by controlling authorities.

LGBT Movements in Taiwan, Hong Kong, and China

2021 ◽  
Author(s):  
Travis S. K. Kong ◽  
Hsiao-wei Kuan ◽  
Sky H. L. Lau ◽  
Sara L. Friedman
Keyword(s):  
Hong Kong ◽  
20Th Century ◽  
Political Activism ◽  
Chinese Family ◽  
Cultural Norms ◽  
Sexual Rights ◽  
Sexual Citizenship ◽  
Late 20Th Century ◽  
Cultural Productions ◽  
Confucian Values

Although Taiwan, Hong Kong, and China broadly share common social and cultural norms rooted in Confucian values and culturally Chinese family ideals, they have developed distinct political and economic trajectories since 1949 that have created very different possibilities for LGBT movements. Coming from the conservative political, social, and moral milieu of the 1950s through the 1970s, in the 1980s and 1990s, these societies witnessed a blooming of sexually alternative, even queer, cultural productions, commercial venues, and political activism, together with distinctive “gay,” “lesbian,” or tongzhi identities, among other self-identification labels. By the late 20th century, flows of people, ideas, concepts, and relationships grew increasingly salient for emerging terms of identification and modes of organizing in all three societies. The diverse combinations of democracy, socialism, authoritarianism, and postcolonialism have shaped the content and direction of sexuality-based identities and sexual rights movements in these three societies. How explicitly these communities pursued visibility and claimed sexually specific identities, however, varied significantly both internally and in comparison across the three societies. The shared histories have created significant commonalities across the region; yet the different degrees of physical and societal openness and the extent of access to domestic and foreign interlocutors in these three societies have produced striking differences in LGBT citizens’ ability to claim diverse rights and protections under multifaceted forms of sexual citizenship.

“Band Wagon and Gravy Train”: uses and abuses along the Silk Road

Afghanistan ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 171-194
Author(s):  
Warwick Ball
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Silk Road ◽  
Late 20Th Century ◽  
Ancient Trade ◽  
International Image ◽  
Academic Discussion ◽  
The Silk Road

The Silk Road as an image is a relatively new one for Afghanistan. It appeals to both the pre-Islamic and the perceived Islamic past, thus offering an Islamic balance to previous identities linked to Bamiyan or to the Kushans. It also appeals to a broader and more international image, one that has been taken up by many other countries. This paper traces the rise of the image of the Silk Road and its use as a metaphor for ancient trade to encompass all contacts throughout Eurasia, prehistoric, ancient and modern, but also how the image has been adopted and expanded into many other areas: politics, tourism and academia. It is argued here that the origin and popularity of the term lies in late 20th century (and increasingly 21st century) politics rather than any reality of ancient trade. Its consequent validity as a metaphor in academic discussion is questioned

scholarly journals Run to the hills: Forest growth responsiveness to drought increased at higher elevation during the late 20th century

2021 ◽  
Vol 772 ◽  
pp. 145286
Author(s):  
Marín Pompa-García ◽  
Marcos González-Cásares ◽  
Antonio Gazol ◽  
J. Julio Camarero
Keyword(s):  
20Th Century ◽  
Forest Growth ◽  
Late 20Th Century

scholarly journals Urban Policies and Large Projects in Central City Areas: The Example of Madrid (Spain)

Urban Science ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 42
Author(s):  
Dolores Brandis García
Keyword(s):  
Urban Planning ◽  
20Th Century ◽  
Large Scale ◽  
Central City ◽  
Global Market ◽  
Late 20Th Century ◽  
Public And Private ◽  
Urban Policies ◽  
Starting Point ◽  
The City

Since the late 20th century major, European cities have exhibited large projects driven by neoliberal urban planning policies whose aim is to enhance their position on the global market. By locating these projects in central city areas, they also heighten and reinforce their privileged situation within the city as a whole, thus contributing to deepening the centre–periphery rift. The starting point for this study is the significance and scope of large projects in metropolitan cities’ urban planning agendas since the final decade of the 20th century. The aim of this article is to demonstrate the correlation between the various opposing conservative and progressive urban policies, and the projects put forward, for the city of Madrid. A study of documentary sources and the strategies deployed by public and private agents are interpreted in the light of a process during which the city has had a succession of alternating governments defending opposing urban development models. This analysis allows us to conclude that the predominant large-scale projects proposed under conservative policies have contributed to deepening the centre–periphery rift appreciated in the city.

scholarly journals Place matters: geographical context, place belonging and the production of locality in Mediterranean Noirs

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri
Keyword(s):  
20Th Century ◽  
Crime Fiction ◽  
The Novel ◽  
Late 20Th Century ◽  
Literary Works ◽  
Geographical Discourse ◽  
Detective Stories ◽  
Narrative Medium ◽  
Geographical Context

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.

Focusing on India’s Look East Policy: India–China relationship from 1947 to 2020

2021 ◽  
pp. 223386592110183
Author(s):  
Kaushik Roy
Keyword(s):  
20Th Century ◽  
Industrial Revolution ◽  
International System ◽  
China Policy ◽  
Economic Competition ◽  
Intimate Contact ◽  
Late 20Th Century ◽  
Republic Of China ◽  
China And India ◽  
The World

Before the onset of the industrial revolution, China and India were the two biggest powers in Eurasia. Their total population comprised almost half of the world’s population. And the GNP of premodern China was half of the combined GNP of the world. Before circa 1600 CE, most of the textiles and iron in the world were manufactured in these two countries. China and India suffered a temporary eclipse during the age of colonialism. However, with the rise of the economic and military power of China and India from the late 20th century, it seems that these two countries are bound to reclaim their traditional positions as big powers in the international system. However, there is a caveat. In the premodern era, the Himalayas prevented any intimate contact between the ‘dragon’ and the ‘elephant’. But, from the mid-20th century, advances in technology, economic competition and the annexation of Tibet by the People’s Republic of China (PRC) among other factors resulted in China and India coming into direct contact with each other. The result has been cooperation–competition–conflict. And this has had consequences not only for these two countries but for the whole world. The present article attempts to trace the troubled trajectory of India’s China policy from the late 1940s (when these two countries became independent) up to the present day.

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