Teacher Participation and Pedagogical Research in the Educational Sphere

Author(s):  
Daniel Hugo Suárez

Narrative documentation of pedagogical experiences is an alternative and emergent focus of educational research that promotes teacher participation in the processes of research-training-action in the educational field and seeks to make the relationships it configures between power and knowledge more horizontal. Theoretical, methodological, and epistemic-political criteria inform the rules of composition and the validation of constructed pedagogical knowledge, and this methodological framework organizes narrative and autobiographical practices so that educators can reflect on and rename the pedagogical environments they inhabit. Additionally, educators can engage in a series of peer-critique reading-writing exercises that are focused on revising different versions of recounting pedagogical experiences. Moreover, the pedagogical field has a democratizing potential due to the public nature and specialized circulation of these narrative documents.

2017 ◽  
Vol 132 (6) ◽  
pp. 679-683 ◽  
Author(s):  
Cheryl Merzel ◽  
Perry Halkitis ◽  
Cheryl Healton

Public health education is experiencing record growth and transformation. The current emphasis on learning outcomes necessitates attention to creating and evaluating the best curricula and learning methods for helping public health students develop public health competencies. Schools and programs of public health would benefit from active engagement in pedagogical research and additional platforms to support dissemination and implementation of educational research findings. We reviewed current avenues for sharing public health educational research, curricula, and best teaching practices; we identified useful models from other health professions; and we offered suggestions for how the field of public health education can develop communities of learning devoted to supporting pedagogy. Our goal was to help advance an agenda of innovative evidence-based public health education, enabling schools and programs of public health to evaluate and measure success in meeting the current and future needs of the public health profession.


Author(s):  
Robin Holt

The chapter continues to discuss the association of judgment and sovereignty using Franz Kafka’s story Das Urteil (The Judgment). It does so in order to then introduce the public nature of spectating and how this has been played out in the thinking of Jurgen Habermas concerning speech situations, and in Hannah Arendt’s writings on the polis. Rather than pitch the public in contrast to the private, the chapter suggests spectating plays on the binary in ways that enrich both. This coming together of the private and public is then woven into the understanding of strategic inquiry as an organizational forming of self-presentation.


SAGE Open ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 215824402110326
Author(s):  
Waheed Hammad ◽  
Wajeha Al-Ani

The purpose of this article is to explore the perceptions of faculty members regarding research capacity building in the field of Education. It particularly seeks to identify the challenges and opportunities associated with this practice from the perspectives of these members. The study adopted a qualitative research design, using focus group interviews to collect data from a sample of faculty members in the College of Education at a national university in Oman. The results revealed the existence of some challenges that hampered educational research, including time constraints, the lack of a collaborative research culture, the lack of research training, and the absence of a clear research agenda. The analysis also identified a number of capacity building opportunities such as a research-supportive environment, the availability of research funding, and the role of research groups. The study concludes with some recommendations to improve educational research capacity both in Oman and in the Arab region in general.


2019 ◽  
Vol 42 (3) ◽  
pp. 176-195 ◽  
Author(s):  
Mark Groulx ◽  
LeeAnn Fishback ◽  
Amanda Winegardner

2021 ◽  
Author(s):  
Mark Sardella

In 1798, William Curtis published the sixth and last volume of Flora Londinensis, a beautifully coloured catalogue of over 400 plants that grew in London and in its nearby fields. Less than 300 copies were sold, and while the book was considered scientifically important, it was a financial failure (Field 106). Firstly, Flora Londinensis was prohibitively expensive because of its coloured plates, and secondly, the many illustrations of wild grasses and common plants included in the book failed to interest an audience outside of a small group of medical doctors and aristocratic hobby-botanists. The project, however, was not a complete failure for Curtis. While publishing Flora Londinensis, Curtis launched a considerably more successful, similarly formatted periodical for a slightly broader audience called Botanical Magazine. Botanical Magazine featured coloured plates of newly discovered exotic plants that satisfied the tastes of the public. It was published in thin issues containing only three plates each, and at a price of one shilling per monthly issue, Botanical Magazine was affordable enough for more readers to justify paying for the magazine’s exciting, colourfully illustrated content.


Author(s):  
James Jarrett

In the years since his death, some of the most important new areas of enquiry in Pinter studies have centred on the artistic works inspired by this major dramatist. One such endeavour is a new theatre production entitled Truth to Power Café. Truth to Power Café has been written and devised by the artist and producer Jeremy Goldstein. Goldstein’s work is a blend of poetry, performance and storytelling – an exploration of his own hidden history, and an articulation of his own ambivalent feelings. Even though Pinter contended that art and politics were irreconcilable, the argument of this paper is that Truth to Power Café represents an attempt by Goldstein to generate a synthesis between the artistic and the political: to reconcile the subjective character of art with the public nature of political activism; to mobilize the power of the theatre to enable the oppressed to break through the ritualistic ‘habits of lying’ that protect the powerful, and to discover a form of theatre where the audience can articulate themselves with ‘honesty’ and ‘precision’. Goldstein reconceptualizes the theatre as a ‘safe space’, where audience members can speak out against oppressive forces. Goldstein’s performance is a ‘call to action’. Each life testimony mediates between Goldstein’s lyrical psycho-biography, and the audience’s reception of his presentation, situating each regional performance of Truth to Power Café in its social, historical, and economic context. Goldstein achieves his objective by interweaving the personal, the private and the artistic with the public, the political and the historical.


Author(s):  
Angie Heo

“Public Order” engages the public nature of holy personhood by examining how the church and state regulate the publicity of miracles across the Christian-Muslim divide. Building on the overlap between Christian and Islamic worlds of holy visions and healing, it turns to the case of a Coptic woman whose dream led to controversy between Christians and Muslims along the Suez Canal. This chapter centers on the miracle-icon of the Virgin in Port Said and the efforts of Egyptian security officials to manage its public circulation. It shows how the policing of public order led to the polarizing segregration of Christians and Muslims, transforming the material circulation of holy power in the process. The containment of the icon, made into a “communal” image, continues to generate new suspicions, rendering open shrines into outposts of secrecy.


Author(s):  
Eleni Loukopoulou

The introduction offers a brief outline of the key issues in Joyce scholarship. It analyses the methodological framework of the book. It draws largely on the methodological models of New Modernist Studies scholarship, which advocates a return to the historical contingencies of the literary marketplace and to the ways modernist literature was formed against specific socio-economic modes of production and circulation. The book argues that the issues of influence and publicity interventions are crucial and that the examination of modernist networks of promotion and their publication outlets including magazines should not be segregated from the wider study of the public sphere.


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