Ravenna Cosmographer (Anonymus Ravennas)

Author(s):  
Natalia Lozovsky

Ravenna Cosmographer is an anonymous author of a Latin compilation commonly dated to the late 600s to early 700s. The Cosmographer describes the inhabited world, beginning with some theoretical questions and a general overview of the twelve southern and twelve northern regions (Book 1). His extensive lists of locations (Books 2–5) include over 5,000 place names, many otherwise unattested. Following earlier Christian authors such as Orosius, the Cosmographer incorporates Greco-Roman knowledge about the Earth into the framework of Christian scholarship. He cites the Bible and Christian theologians, and he mentions many secular authorities whose names only occur in this text. Although the Cosmographer never acknowledges his use of maps or itineraries, the forms of place names and the arrangement of toponyms by routes in Books 2–5 indicate that he was familiar with these sources. The similarities and differences to the Peutinger Map displayed by the text suggest that these works belong to different branches of the tradition, which ultimately goes back to a common exemplar. The Cosmography preserves the rich legacy of Roman and early medieval geographical knowledge, and its challenging material calls for a fresh examination.

2000 ◽  
Vol 8 (3) ◽  
pp. 245-263 ◽  
Author(s):  
Rod Preece ◽  
David Fraser

AbstractA common contemporary view is that the Bible and subsequent Christian thought authorize humans to exploit animals purely as means to human ends. This paper argues that Biblical and Christian thought have given rise to a more complex ethic of animal use informed by its pastoralist origins, Biblical pronouncements that permit different interpretations, and competing ideas and doctrines that arose during its development, and influenced by the rich and often contradictory features of ancient Hebrew and Greco-Roman traditions. The result is not a uniform ethic but a tradition of unresolved debate. Differing interpretations of the Great Chain of Being and the conflict over animal experimentation demonstrate the colliding values inherent in the complex history of Biblical and Christian thought on animals.


2016 ◽  
Vol 72 (4) ◽  
Author(s):  
Wim Weren

This article discusses the relationship between the modern novel of Beard and John’s storiesabout Lazarus and Jesus, and wants to give answers to three questions: (1) how is the Lazarusstory in John interpreted by Beard?; (2) what meaning does John’s story have within its ownliterary and cultural setting?; (3) what similarities and differences are there between Beard’sinterpretation and the original meaning of the Johannine story? Questions 1 and 2 require anintratextual analysis, which focuses on the structure and meaning lines in each of the two texts.Then follows an intertextual analysis which in this article is particularly aimed at comparingthe contents of the concepts/ death/ and/ live/ in the Fourth Gospel with the ways in whichthese concepts are semantically coloured in Beard’s book. Studying echoes from the Bible inmodern literary contexts can explain how the rich potential of meaning of biblical texts isbeing unlocked in new texts, time and time again, but can also help us to read the Bible withnew eyes through the lens of modern culture.


2000 ◽  
Vol 8 (1) ◽  
pp. 245-263 ◽  
Author(s):  
Rod Preece ◽  
David Fraser

AbstractA common contemporary view is that the Bible and subsequent Christian thought authorize humans to exploit animals purely as means to human ends.This paper argues that Biblical and Christian thought have given rise to a more complex ethic of animal use informed by its pastoralist origins, Biblical pronouncements that permit different interpretations, and competing ideas and doctrines that arose during its development, and influenced by the rich and often contradictory features of ancient Hebrew and Greco-Roman traditions. The result is not a uniform ethic but a tradition of unresolved debate. Differing interpretations of the Great Chain of Being and the conflict over animal experimentation demonstrate the colliding values inherent in the complex history of Biblical and Christian thought on animals.


2014 ◽  
Vol 7 (2) ◽  
pp. 197-211
Author(s):  
James Crossley

Using the 400th anniversary of the King James Bible as a test case, this article illustrates some of the important ways in which the Bible is understood and consumed and how it has continued to survive in an age of neoliberalism and postmodernity. It is clear that instant recognition of the Bible-as-artefact, multiple repackaging and pithy biblical phrases, combined with a popular nationalism, provide distinctive strands of this understanding and survival. It is also clear that the KJV is seen as a key part of a proud English cultural heritage and tied in with traditions of democracy and tolerance, despite having next to nothing to do with either. Anything potentially problematic for Western liberal discourse (e.g. calling outsiders “dogs,” smashing babies heads against rocks, Hades-fire for the rich, killing heretics, using the Bible to convert and colonize, etc.) is effectively removed, or even encouraged to be removed, from such discussions of the KJV and the Bible in the public arena. In other words, this is a decaffeinated Bible that has been colonized by, and has adapted to, Western liberal capitalism.


Author(s):  
Paul A. Bramadat

Is it possible for conservative Protestant groups to survive in secular institutional settings? Here, Bramadat offers an ethnographic study of the Inter-Varsity Christian Fellowship (IVCF) at McMaster University, a group that espouses fundamentalist interpretations of the Bible, women's roles, the age of the earth, alcohol consumption, and sexual ethics. In examining this group, Bramadat demonstrates how this tiny minority thrives within the overwhelmingly secular context of the University.


2021 ◽  
Author(s):  
Courtney Catherine Barajas

Old English Ecotheology examines the impact of environmental crises on early medieval English theology and poetry. Like their modern counterparts, theologians at the turn of the first millennium understood the interconnectedness of the Earth community, and affirmed the independent subjectivity of other-than-humans. The author argues for the existence of a specific Old English ecotheology, and demonstrates the influence of that theology on contemporaneous poetry. Taking the Exeter Book as a microcosm of the poetic corpus, she explores the impact of early medieval apocalypticism and environmental anxiety on Old English wisdom poems, riddles, elegies, and saints' lives.


Author(s):  
Kathleen C. Oberlin

The typical story about creationist social movements centers on battles in the classroom or in the courtroom—like the Scopes Trial in 1925. But there is a new setting: a museum. “Prepare to Believe” is the slogan that greets visitors throughout the Creation Museum located in Petersburg, Kentucky. It carries the message that the organization Answers in Genesis (AiG) uses to welcome fellow believers as well as skeptics since opening in 2007. The Creation Museum seeks to persuade visitors that if one views both the Bible (a close, literal reading) and nature (observational, real world data) as sources of authority, then the earth appears to be much younger than conventionally understood in mainstream society. This book argues that the impact of the Creation Museum does not depend on the accuracy or credibility of its scientific claims, as many scholars, media critics, and political pundits would suggest. Instead, what AiG goes after by creating a physical site like the Creation Museum is the ability to foster plausibility politics—broadening what the audience perceives as possible and amplifying the stakes as the ideas reach more people. Destabilizing the belief that only one type of secular institution may make claims about the age of the earth and human origins, the Creation Museum is a threat to this singular positioning. In doing so, AiG repositions itself to produce longstanding effects on the public’s perception of who may make scientific claims. Creating the Creation Museum is a story about how a group endures.


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