2. Morality

2021 ◽  
pp. 29-52
Author(s):  
James A. Harris

‘Morality’ considers Hume’s moral thought as developed in Book Three of A Treatise of Human Nature, various of his essays, and, especially, An Enquiry concerning the Principles of Morals. Hume engages with the moral sense theory of Francis Hutcheson in the Treatise. He then turned to essay writing, in relation especially to the essays of Joseph Addison in The Spectator. This turn to essay writing sees Hume modify the purely ‘anatomical’ philosophy of the Treatise in favour of a more practical engagement with the morality of common life. In his work, Hume considered the damage done to natural moral sentiments by religion, and by Christianity in particular. Hume displayed a lack of confidence in moral progress, and showed a sense of the persistence and pervasiveness of human unhappiness. Hume also made an important contribution to aesthetics.

Author(s):  
David Fate Norton

Francis Hutcheson is best known for his contributions to moral theory, but he also contributed to the development of aesthetics. Although his philosophy owes much to John Locke’s empiricist approach to ideas and knowledge, Hutcheson was sharply critical of Locke’s account of two important normative ideas, those of beauty and virtue. He rejected Locke’s claim that these ideas are mere constructs of the mind that neither copy nor make reference to anything objective. He also complained that Locke’s account of human pleasure and pain was too narrowly focused. There are pleasures and pains other than those that arise in conjunction with ordinary sensations; there are, in fact, more than five senses. Two additional senses, the sense of beauty and the moral sense, give rise to distinctive pleasures and pains that enable us to make aesthetic and moral distinctions and evaluations. Hutcheson’s theory of the moral sense emphasizes two fundamental features of human nature. First, in contrast to Thomas Hobbes and other egoists, Hutcheson argues that human nature includes a disposition to benevolence. This characteristic enables us to be, sometimes, genuinely virtuous. It enables us to act from benevolent motives, whereas Hutcheson identifies virtue with just such motivations. Second, we are said to have a perceptual faculty, a moral sense, that enables us to perceive moral differences. When confronted with cases of benevolently motivated behaviour (virtue), we naturally respond with a feeling of approbation, a special kind of pleasure. Confronted with maliciously motivated behaviour (vice), we naturally respond with a feeling of disapprobation, a special kind of pain. In short, certain distinctive feelings of normal observers serve to distinguish between virtue and vice. Hutcheson was careful, however, not to identify virtue and vice with these feelings. The feelings are perceptions (elements in the mind of observers) that function as signs of virtue and vice (qualities of agents). Virtue is benevolence, and vice malice (or, sometimes, indifference); our moral feelings serve as signs of these characteristics. Hutcheson’s rationalist critics charged him with making morality relative to the features human nature happens at present to have. Suppose, they said, that our nature were different. Suppose we felt approbation where we now feel disapprobation. In that event, what we now call ‘vice’ would be called ‘virtue’, and what we call ‘virtue’ would be called ‘vice’. The moral sense theory must be wrong because virtue and vice are immutable. In response, Hutcheson insisted that, as our Creator is unchanging and intrinsically good, the dispositions and faculties we have can be taken to be permanent and even necessary. Consequently, although it in one sense depends upon human nature, morality is immutable because it is permanently determined by the nature of the Deity. Hutcheson’s views were widely discussed throughout the middle decades of the eighteenth century. He knew and advised David Hume, and, while Professor of Moral Philosophy at Glasgow, taught Adam Smith. Immanuel Kant and Jeremy Bentham, among other philosophers, also responded to his work, while in colonial America his political theory was widely seen as providing grounds for rebellion against Britain.


Author(s):  
Christian Maurer

Archibald Campbell was a Scottish moral philosopher and theologian. Like his more famous contemporary Francis Hutcheson, Campbell studied with the controversial theologian John Simson in Glasgow. In his moral philosophy, Campbell vigorously defends an egoistic view of human nature as solely motivated by self-love, and he rejects Hutcheson’s claims about the reality of disinterested benevolence and of a disinterested moral sense. However, much like Hutcheson, Campbell combines his assertion of the selfish hypothesis with an optimism regarding our naturally virtuous tendencies. This opposes Hobbes and Mandeville, as well as orthodox Calvinism. Campbell presents self-love as a morally innocent source of motives, and claims that in the form of the desire for esteem, it motivates us to morally virtuous actions. In his philosophy of religion, Campbell stresses the incapacity of natural reason to discover the fundamental truths of religion without supernatural revelation. Purportedly against the Deists, Campbell also argues for the reality of immutable moral laws of nature. In 1735/6, these claims, along with others, caused Campbell to be examined by a conservative orthodox Presbyterian Committee for Purity of Doctrine. Campbell’s case allows for crucial insights into the profound transformations of moral philosophy and theology at the dawn of the Scottish Enlightenment.


Author(s):  
Marjorie Levinson ◽  
Marjorie Levinson

The reading of Coleridge’s “Frost at Midnight” at the center of this chapter opens up the cognitive and aesthetic stakes of seeing writing. It does so by analyzing the encounter with visible script, an experience that can be understood as a reworking of a previously unrecognized source, the scene of writing in David Hume’s A Treatise of Human Nature, Book 4. Just such an encounter is the activity in play with the figure of the window frost and with the entire poem. Broadly speaking, sentence formation is seen as analogous to frost formation. In this way, the discussion seeks to shift the sensory register of criticism of the poem from its traditional emphasis on the acoustic to a new appreciation of the visible.


1988 ◽  
Vol 97 (2) ◽  
pp. 263
Author(s):  
Michael Williams ◽  
Robert J. Fogelin

1951 ◽  
Vol 44 (1) ◽  
pp. 35-53 ◽  
Author(s):  
A. Owen Aldridge

Although traditionally regarded as an austere clergyman, rigidly circumscribed by narrow doctrinalism, Jonathan Edwards has the distinction of being America's pioneer esthetician. In a Dissertation concerning the Nature of True Virtue he brings together nearly all the theories prevalent in the early eighteenth century concerning the relation of beauty to virtue, and discusses the moral aspects of human passions and conduct. Francis Hutcheson is the philosopher whose influence is most pronounced. In the Dissertation he is mentioned by name three times; the general plan of his theory of moral sense is constantly suggested for comparison, contrast or illustration; fundamental doctrines and corollary principles from his system are specifically stated and attacked; and others of his notions are cited in support of Edwards' own views. It has long been known that Edwards read Hutcheson's work, but the close parallels in his own treatise, making it literally a commentary on Hutcheson, have not been generally recognized. Evidence of the extent of Hutcheson's influence may be found by comparing Edwards' dissertation with his earlier work on The Mind, a discussion of the essence of beauty or harmony in the realms of spirit and of sense. Written while its author was engaged in studying Locke, the discussion contains nearly all of Edwards' original ideas on natural and divine beauty. In the expanded and polished treatise some of the original ideas are modified as a direct result of Hutcheson's concepts, and a complete ethical and aesthetic system is developed to supplant the systems of Hutcheson and other moralists popular at the time.


2011 ◽  
Vol 9 (2) ◽  
pp. 149-159 ◽  
Author(s):  
Douglas R. Paletta

Like all theories that account for moral motivation, Francis Hutcheson's moral sense theory faces two related challenges. The skeptical challenge calls into question what reasons an agent has to be moral at all. The priority challenge asks why an agent's reasons to be moral tend to outweigh her non-moral reasons to act. I argue a defender of Hutcheson can respond to these challenges by building on unique features of his account. She can respond to skeptical challenge by drawing a direct parallel between an agent's reasons to pursue natural, self-directed goods and her reasons to pursue moral goods. This parallel, however, makes establishing the significance of morality difficult. Given this difficulty, a separate aspect of Hutcheson's account, the additional weight given to benevolence in our assessment of mixed actions, can be used to respond to the priority challenge.


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