Hume's Skepticism in the Treatise of Human Nature.

1988 ◽  
Vol 97 (2) ◽  
pp. 263
Author(s):  
Michael Williams ◽  
Robert J. Fogelin
Author(s):  
Marjorie Levinson ◽  
Marjorie Levinson

The reading of Coleridge’s “Frost at Midnight” at the center of this chapter opens up the cognitive and aesthetic stakes of seeing writing. It does so by analyzing the encounter with visible script, an experience that can be understood as a reworking of a previously unrecognized source, the scene of writing in David Hume’s A Treatise of Human Nature, Book 4. Just such an encounter is the activity in play with the figure of the window frost and with the entire poem. Broadly speaking, sentence formation is seen as analogous to frost formation. In this way, the discussion seeks to shift the sensory register of criticism of the poem from its traditional emphasis on the acoustic to a new appreciation of the visible.


Author(s):  
Christopher J. Berry

Examines Hume’s account of economic development as a subset of the history of civilisation, which is presented by him as a history of customs and manners. Since Hume believes that the subject matter of ‘economics’ is amenable to scientific analysis, the focus is on his employment of causal analysis and how he elaborates an analysis of customs as causes to account for social change. This is executed chiefly via an examination Hume’s Essays, though the History of England (as a test case) and the Treatise of Human Nature for its expression of Hume’s seminal analysis of causation are also incorporated.


2019 ◽  
pp. 39-76
Author(s):  
Peter S. Fosl

Chapter Two of Hume’s Scepticism charts the development of Academic scepticism from Cicero and Augustine, through the Middle Ages and the Renaissance, and into early modernity. The exposition is organized around sceptical ideas that anticipated or may have influenced David Hume, who describes himself an ‘academical’ sceptic. The chapter also sets out Cicero’s influence upon Hume, scepticism at the college in La Flèche where Hume wrote much of A Treatise of Human Nature, and Hume’s self-conception of Academic scepticism. Accounts of sceptical ideas in Marin Mersenne, Simon Foucher, John Locke, Pierre-Daniel Huet, and Pierre Bayle set the stage for Hume’s own Academicism. The chapter closes with a five-point General Framework defining Academic Scepticism.


2021 ◽  
pp. 81-103
Author(s):  
James A. Harris

‘Religion' discusses Hume’s various treatments of religion, particularly in the essay ‘Of Miracles’, Dialogues concerning Natural Religion, and ‘The Natural History of Religion’. Hume's earlier writings show some interesting implications for religion, including A Treatise of Human Nature and the essay ‘Of National Characters’. Looking at ‘Of Miracles’ shows that Hume’s theme was not the possibility of miracles as such, but rather the rational grounds of belief in reports of miracles. Considering the Dialogues emphasizes the distinction between scepticism and atheism. Meanwhile, ‘Natural History’ emphasizes Hume’s interest in the dangerous moral consequences of monotheism. What is the future for religion? Perhaps Hume was unlikely to have supposed that his writings would do anything to reduce religion’s hold on the vast majority of human beings.


2021 ◽  
pp. 29-52
Author(s):  
James A. Harris

‘Morality’ considers Hume’s moral thought as developed in Book Three of A Treatise of Human Nature, various of his essays, and, especially, An Enquiry concerning the Principles of Morals. Hume engages with the moral sense theory of Francis Hutcheson in the Treatise. He then turned to essay writing, in relation especially to the essays of Joseph Addison in The Spectator. This turn to essay writing sees Hume modify the purely ‘anatomical’ philosophy of the Treatise in favour of a more practical engagement with the morality of common life. In his work, Hume considered the damage done to natural moral sentiments by religion, and by Christianity in particular. Hume displayed a lack of confidence in moral progress, and showed a sense of the persistence and pervasiveness of human unhappiness. Hume also made an important contribution to aesthetics.


Sign in / Sign up

Export Citation Format

Share Document