Making Masters Moral: Household Subordinates and Upward Social Discipline in Late Medieval Basel

2021 ◽  
Author(s):  
Philip Grace
Keyword(s):  
Sixteenth Century ◽  
Social Status ◽  
Late Medieval ◽  
Strategic Option ◽  
Social Discipline ◽  
Household Members ◽  
Late Fifteenth ◽  
Municipal Court ◽  
Nuclear Household

Abstract This article examines how late medieval non-nuclear household relationships shaped the pursuit of honorable social status. It examines in detail several witness depositions from the Basel municipal court (Schultheissengericht) in the late fifteenth and early sixteenth century. Historians have long noted the concern of householders to regulate the morality of their servants and apprentices. However, the study will demonstrate that subordinates could and did defend their own household honor by policing the morality of their masters and other household members, both through verbal shaming and through the distinctive strategic option of refusing to work. The importance of subordinates as arbiters of honorable status was recognized and exploited by individual masters, guilds, and courts; in the region around Basel, it could even be formalized in the written genre of a Schelmbrief (shame-document). Social discipline was not simply a question of householder-masters controlling their subordinates, but also the reverse.

A Group of Late Medieval Inscribed Tiles from Bordesley Abbey

1998 ◽  
Vol 78 ◽  
pp. 307-322 ◽  
Author(s):  
J. Stopford ◽  
Susan M. Wright
Keyword(s):  
Sixteenth Century ◽  
Ceramic Tiles ◽  
Late Medieval ◽  
Black Letter ◽  
Late Fifteenth

A group of unusual, large, rectangular ceramic tiles excavated from the abbey church of Bordesley (Worcestershire) is presented. These tiles were handmade locally, using the sgraffiato technique, and have part of two inscriptions in English. The larger inscription, which combines Lombardie capitals with black letter, was commemorative. The stratigraphie context suggests that the tiles were originally laid in the retrochoir in the late fifteenth to early sixteenth century as part of a tiled setting over a grave. A review of examples of other special purpose tiles made using the sgraffiato technique illustrates the adaption of this technique for individual funerary memorials.

Wangara, Akan and Portuguese in the fifteenth and sixteenth centuries. I. The matter of Bitu

1982 ◽  
Vol 23 (3) ◽  
pp. 333-349 ◽  
Author(s):  
Ivor Wilks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Trade Agreements ◽  
Late Medieval ◽  
Modern Times ◽  
The World ◽  
Early Modern Times ◽  
Late Fifteenth

In late medieval and early modern times West Africa was one of the principal suppliers of gold to the world bullion market. In this context the Matter of Bitu is one of much importance. Bitu lay on the frontiers of the Malian world and was one of its most flourishing gold marts. So much is clear from sixteenth- and seventeenth-century writings, both African and European. A review of this body of evidence indicates that the gold trade at Bitu was controlled by the Wangara, who played a central role in organizing trade between the Akan goldfields and the towns of the Western Sudan. It is shown that Bitu cannot be other than Bighu (Begho, Bew, etc.), the abandoned Wangara town lying on the northwestern fringes of the Akan forest country, which is known (from excavation) to have flourished in the relevant period. In the late fifteenth century the Portuguese established posts on the southern shores of the Akan country, so challenging the monopolistic position which the Wangara had hitherto enjoyed in the gold trade. The Portuguese sent envoys to Mali, presumably to negotiate trade agreements. The bid was apparently unsuccessful. The struggle for the Akan trade in the sixteenth century between Portuguese and Malian interests will be treated in the second part of this paper.

scholarly journals Mac Giolla Phádraig Clerics 1394-1534 AD: Part I

2021 ◽  
Vol 2 ◽  
pp. 42-65
Author(s):  
Mike Fitzpatrick
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Fourteenth Century ◽  
First Century ◽  
Historical Records ◽  
Late Medieval ◽  
Twenty First Century ◽  
Late Fifteenth ◽  
The Relationship ◽  
Century Science

Mac Giolla Phádraig Clerics 1394-1534 AD is a three-part series, which provides an account of all known individual Mac Giolla Phádraig clerics in the late medieval era and details their temporalities, occupations, familial associations, and broader networks. The ultimate goal of the series is the full contextualisation of all available historical records relating to Mac Giolla Phádraig clerics alongside the genealogical record that can be extracted by twenty-first century science – that being the science of Y-DNA. The Papal Registers, in particular, record numerous occurrences of Mac Giolla Phádraig clerics, predominantly in the dioceses of Cill Dalua (Killaloe) and Osraí (Ossory), from the late fourteenth to the early sixteenth century. Yet, no small intrigue surrounds their emergence. Part I of Mac Giolla Phádraig Clerics 1394-1534 AD examines the context surrounding the earliest appointments of Mac Giolla Phádraig clerics, which is in neither Cill Dalua nor Osraí but the diocese of Luimneach (Limerick). Once that context is understood, a pattern of associations emerges. A ‘coincidental’ twenty-first century surname match from the Fitzpatrick Y-DNA project leads to a review of the relationship between the FitzMaurice of Ciarraí (Kerry) clerics and Jordan Purcell, Bishop of Cork and Cloyne (1429-1472). The ‘coincidence’ then leads to an examination of a close Y-DNA match between men of the surnames Purcell and Hennessey. That match, coupled with the understanding that Nicholas Ó hAonghusa (O’Hennessey), elected Bishop of Lismore and Waterford (1480-1483) but with opposition, is considered a member of Purcell’s household, transforms the ‘coincidence’ into a curiosity. Part I morphs into a conversation, likely uncomfortable for some, relating to clerical concubinage, illegitimacy, and the ‘lubricity’ of the prioress and her nuns at the Augustinian nunnery of St Catherine's O’Conyll. The nunnery was located at Mainistir na gCailleach Dubh (Monasternagalliaghduff), which lay just a stone’s throw from where Bishop Jordan Purcell and Matthew Mac Giolla Phádraig, the first Mac Giolla Phádraig cleric recorded in the Papal Registers, emerged. Part I makes no judgments and draws no firm conclusions but prepares the reader for Part II by ending with some questions. Do the Mac Giolla Phádraig clerics of Osraí, who rose to prominence in the late-fifteenth century, have their origins in Deasmhumhain (Desmond)? Could the paternal lineages of Mac Giolla Phádraig clerics be, at least from the mid-fourteenth century, with the house of the Geraldine FitzMaurice clerics of Ciarraí? And, could some of the modern-day descendants of the Mac Giolla Phádraig clerics be those Costigans, FitzGeralds, and Fitzpatricks who are found under haplotype R-A1488?

A Group of Late Medieval Inscribed Tiles from Bordesley Abbey

1998 ◽  
Vol 78 ◽  
pp. 307-322
Author(s):  
J. Stopford ◽  
Susan M. Wright
Keyword(s):  
Sixteenth Century ◽  
Ceramic Tiles ◽  
Late Medieval ◽  
Black Letter ◽  
Late Fifteenth

A group of unusual, large, rectangular ceramic tiles excavated from the abbey church of Bordesley (Worcestershire) is presented. These tiles were handmade locally, using the sgraffiato technique, and have part of two inscriptions in English. The larger inscription, which combines Lombardie capitals with black letter, was commemorative. The stratigraphie context suggests that the tiles were originally laid in the retrochoir in the late fifteenth to early sixteenth century as part of a tiled setting over a grave. A review of examples of other special purpose tiles made using the sgraffiato technique illustrates the adaption of this technique for individual funerary memorials.

scholarly journals Phonotactics, graphotactics and contrast: the history of Scots dental fricative spellings

2020 ◽  
pp. 1-29
Author(s):  
BENJAMIN MOLINEAUX ◽  
JOANNA KOPACZYK ◽  
RHONA ALCORN ◽  
WARREN MAGUIRE ◽  
VASILIS KARAISKOS ◽  
...  
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Medieval Period ◽  
Top Down ◽  
Late Medieval ◽  
Sound Pattern ◽  
The North ◽  
Late Medieval Period ◽  
History Of ◽  
Late Fifteenth

The spelling conventions for dental fricatives in Anglic languages (Scots and English) have a rich and complex history. However, the various – often competing – graphemic representations (<þ>, <ð>, <y> and <th>, among others) eventually settled on one digraph, <th>, for all contemporary varieties, irrespective of the phonemic distinction between /ð/ and /θ/. This single representation is odd among the languages’ fricatives, which tend to use contrasting graphemes (cf. <f> vs <v> and <s> vs <z>) to represent contrastive voicing, a sound pattern that emerged nearly a millennium ago. Close examinations of the scribal practices for English in the late medieval period, however, have shown that northern texts had begun to develop precisely this type of distinction for dental fricatives as well. Here /ð/ was predominantly represented by <y> and /θ/ by <th> (Jordan 1925; Benskin 1982). In the late fifteenth and early sixteenth centuries, this ‘Northern System’ collapsed, due to the northward spread of a London-based convention using exclusively <th> (Stenroos 2004). This article uses a rich body of corpus evidence for fifteenth-century Scots to show that, north of the North, the phonemic distinction was more clearly mirrored by spelling conventions than in any contemporary variety of English. Indeed, our data for Older Scots local documents (1375–1500) show a pattern where <y> progressively spreads into voiced contexts, while <th> recedes into voiceless ones. This system is traced back to the Old English positional preferences for <þ> and <ð> via subsequent changes in phonology, graphemic repertoire and letter shapes. An independent medieval Scots spelling norm is seen to emerge as part of a developing, proto-standard orthographic system, only to be cut short in the sixteenth century by top-down anglicisation processes.

Lutherans and the Suffering of Christ

2017 ◽  
Author(s):  
Bridget Heal
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Case Studies ◽  
Virgin Mary ◽  
Devotional Literature ◽  
Physical Pain ◽  
Late Medieval ◽  
Mining Region

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

Schools of Empiricism

2021 ◽  
Vol 62 (1) ◽  
pp. 261-289
Author(s):  
Andreas Friedolin Lingg
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Personal Experience ◽  
Economic Transformation ◽  
Mining District ◽  
Late Medieval ◽  
Scientific Observation ◽  
Useful Knowledge ◽  
Mining Town ◽  
Forms Of Knowledge

Abstract Recent research emphasizes that empiricist approaches already emerged long before the seventeenth and eighteenth century. While many of these contributions focus on specific professions, it is the aim of this article to supplement this discourse by describing certain social spaces that fostered empiricist attitudes. A particularly interesting example in this respect is the mining region of the Erzgebirge (Saxony) in the fifteenth and sixteenth century. The following article will use this mining district as a kind of historical laboratory, as a space not only for scientific observation but also as a structure within which specific forms of knowledge were socially tested, to show how the economic transformation of this region supported the rise of characteristic elements of empiricist thinking. It is common practice to link the appraisal of useful knowledge, (personal) experience and the distrust towards (scholastic) authorities in those days with only small minorities. By addressing not only the struggles of the commercial elites but also the challenges faced by the average resident of a mining town, this paper tries to add to this view by demonstrating how entire masses of people inhabiting the late medieval Erzgebirge were affected by and schooled to think in empiricist ways.

Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire

2006 ◽  
Vol 86 ◽  
pp. 179-205
Author(s):  
Mellie Naydenova
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Wall Paintings ◽  
Public And Private ◽  
Late Medieval ◽  
Public Statement ◽  
The Public ◽  
Parish Church ◽  
Public Persona ◽  
Private Devotion

This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the paintings. Attention is also given to part of the decoration previously thought to be contemporary with this fifteenth-century scheme but for which an early sixteenth-century date is now proposed on the basis of stylistic and other evidence.

Disciplining Song in Sixteenth-Century Geneva

2015 ◽  
Vol 32 (1) ◽  
pp. 1-39 ◽  
Author(s):  
Melinda Latour
Keyword(s):  
Sixteenth Century ◽  
Social Status ◽  
Social Reform ◽  
Social Disorder ◽  
Platonic View ◽  
Psalm 23 ◽  
Broad Program

Song was frequently disciplined in the sixteenth-century Consistory of Geneva as part of the broad program of social Reform led by Calvin. Between 1542 and 1552, more than one hundred cases involving illicit singing came before the Consistory court. These cases reveal the Consistory’s persistent attempt to control the singing of all members of Genevan society regardless of social status or situation. They also offer a new field of evidence for exploring the boundaries between proper (honneste) and improper (deshonneste) singing in Reformed communities. The bulk of the cases surveyed from this period involved charges of illicit singing alongside other immoral behaviors, such as gambling and fornication. These cases directly linked indecent singing to other forbidden acts—a connection that worked out a neo-Platonic view of music in juridical process and provided the rationalization for the entire project of disciplining song in the courts. Concerns over improper song leading to illicit behavior and ultimately to social disorder were dramatically illustrated in a cluster of Consistory cases related to the famous Bolsec affair that exploded in Geneva near the end of the year 1551. Bolsec’s contrafactum on the tune of Psalm 23 from the Geneva Psalter—written during Bolsec’s lengthy stay in prison—spread his dissenting theology to his supporters and enacted the dangerous potential of song to disrupt the unity of the Reformed city.

Sign in / Sign up

Export Citation Format

Share Document