A Content Analysis of Therapist's Verbalizations During Group Music Therapy: Implications for the Training of Music Therapists

1998 ◽  
Vol 16 (1) ◽  
pp. 13-20
Author(s):  
D. E. Wolfe ◽  
A. S. O'Connell ◽  
K. S. Epps
Keyword(s):  
Content Analysis ◽  
Music Therapy ◽  
Music Therapists ◽  
Group Music Therapy

scholarly journals How does a music therapy student work to facilitate reminiscence and memory in dementia patients

2021 ◽  
Author(s):  
◽  
I-Chen Sun
Keyword(s):  
Music Therapy ◽  
Secondary Analysis ◽  
Clinical Work ◽  
Music Therapists ◽  
Student Work ◽  
Dementia Patients ◽  
Group Music Therapy ◽  
Social Abilities ◽  
Therapy Strategies

<p>This study was prompted in response to increased interest in, and demand for, music therapy provision in improving quality of care for dementia patients. It is an exploration of the strategies to facilitate memory and reminiscence in persons with dementia, and considers the need for those preparing for end of life to recall identities, connect with family and others, and express feelings. This research is a qualitative study involving secondary analysis of clinical data from my clinical practice and identifies the strategies, techniques and procedures that I applied in my clinical work to stimulate preserved memory ‘islands’. The findings show that familiarity is central in enabling a remembering process, and music can have unique ways of accessing memory in people with limited cognitive and social abilities. Eight core categories of music therapy strategies were found to be helpful in enabling memory and reminiscence. This study includes examples of both individual and group music therapy. The objective of this study was to examine my music therapy practice, and potentially provide some beneficial ideas and insights to other music therapists working on memory and reminiscence with dementia patients.</p>

scholarly journals How does a music therapy student work to facilitate reminiscence and memory in dementia patients

2021 ◽  
Author(s):  
◽  
I-Chen Sun
Keyword(s):  
Music Therapy ◽  
Secondary Analysis ◽  
Clinical Work ◽  
Music Therapists ◽  
Student Work ◽  
Dementia Patients ◽  
Group Music Therapy ◽  
Social Abilities ◽  
Therapy Strategies

<p>This study was prompted in response to increased interest in, and demand for, music therapy provision in improving quality of care for dementia patients. It is an exploration of the strategies to facilitate memory and reminiscence in persons with dementia, and considers the need for those preparing for end of life to recall identities, connect with family and others, and express feelings. This research is a qualitative study involving secondary analysis of clinical data from my clinical practice and identifies the strategies, techniques and procedures that I applied in my clinical work to stimulate preserved memory ‘islands’. The findings show that familiarity is central in enabling a remembering process, and music can have unique ways of accessing memory in people with limited cognitive and social abilities. Eight core categories of music therapy strategies were found to be helpful in enabling memory and reminiscence. This study includes examples of both individual and group music therapy. The objective of this study was to examine my music therapy practice, and potentially provide some beneficial ideas and insights to other music therapists working on memory and reminiscence with dementia patients.</p>

Group Music Therapy Reconsidered

2015 ◽  
Author(s):  
Mercedes Pavlicevic
Keyword(s):  
Service Delivery ◽  
Music Therapy ◽  
Group Work ◽  
Health Centers ◽  
Care Homes ◽  
Community Centers ◽  
Music Therapists ◽  
Group Music Therapy

Group music therapy, while acknowledged professionally as a powerful therapeutic format, remains relatively undocumented and untheorized in the literature. This historical scarcity is puzzling, given that music therapists do group work in a range of formats as part of their service delivery in schools, care homes, health centers, hospitals, cafes, and community centers. In this chapter a range of approaches to group work in music therapy will be presented. Four key texts providing information about group work in music therapy are reviewed and discussed in order to show how group work offers opportunities for differences, opportunities for attachment, for different kinds of simultaneous roles, relationships, and transferences, and different combinations of self-and-others, with larger groups, and with offering opportunities for the person to become themselves by contributing to the group.

Developmental Music Therapy

2015 ◽  
Author(s):  
Jane Edwards ◽  
Jason Noone
Keyword(s):  
Music Therapy ◽  
Developmental Stages ◽  
Human Life ◽  
Music Therapists ◽  
Cultural Frameworks ◽  
Theoretical Perspectives ◽  
Developmental Theories ◽  
Models Of Development ◽  
Group Music Therapy ◽  
Training Courses

Developmental music therapy (DMT) is a model that underpins music therapy practice with multiple client groups. The resonances of DMT can be found whenever music therapists use any or all of their understanding of developmental stages, family context, and social and cultural frameworks to consider needs and interactions within individual or group music therapy. Music therapy training courses teach developmental theories, and therefore most practising music therapists use these theoretical perspectives in their interactions with clients. Thus chapter will show how developmental music therapy refers to three major theoretical orientations: (1) Theories of stress, coping, and adaption; (2) Human life span development, including stage models of development, and musical milestones of development; and (3) Ecological perspectives such as Bronfenbrenner’s bioecological model of development (Bronfenbrenner 1979). Boxill consistently termed her approach developmental music therapy (Boxill 1989). Therefore, this chapter provides an overview of Boxill’s writings and theoretical positioning within DMT.

scholarly journals Qualitative Content Analysis of “Hello Songs” Composed for Children by Music Therapists in the Czech Republic and USA

2016 ◽  
Vol 2 (6) ◽  
pp. 124
Author(s):  
Jiří Kantor Kantor ◽  
Lenka Kružíková
Keyword(s):  
Qualitative Research ◽  
Content Analysis ◽  
Czech Republic ◽  
Music Therapy ◽  
Qualitative Content Analysis ◽  
Good Practice ◽  
American Music ◽  
Music Therapists ◽  
The Czech Republic ◽  
Musical Communication

<p>“Hello Songs” is a ritual musical expression of the non-musical communication occurring at the beginning and the end of a music therapy session with a client. 49 “Hello Songs” composed for children by 11 Czech and 8 American music therapists were examined during a qualitative research described in this paper. Through inductive content analysis seven categories were identified that characterise the content of the “Hello Songs”, and four findings described that relate to good practice in composition and application of the songs. Recommendations for music therapy practice were formulated based on the results.</p>

Ethical Issues in Private Practice: A Phenomenological Investigation of Music Therapy Business Owners

2021 ◽  
Author(s):  
Kyle Wilhelm ◽  
Lindsey Wilhelm
Keyword(s):  
Music Therapy ◽  
Private Practice ◽  
Phenomenological Study ◽  
Ethical Issues ◽  
Ethical Dilemmas ◽  
The United States ◽  
Business Owners ◽  
Snowball Sampling ◽  
Structured Interviews ◽  
Music Therapists

Abstract As a music therapy private practice is both a business and a healthcare service, it should adhere to ethical standards from both disciplines. However, this topic has rarely been examined in the music therapy literature. The purpose of this phenomenological study was to explore ethical dilemmas experienced by music therapy business owners (MTBOs) in their private practice and how MTBOs avoid or address ethical dilemmas. Utilizing convenience and snowball sampling techniques, 21 MTBOs in the United States were interviewed using semi-structured interviews. To answer the two areas of inquiry, we identified three themes and 12 subthemes: (1) Ethical issues related to client welfare, (2) Ethical issues related to business relationships and operation, and (3) Strategies to address or avoid ethical dilemmas. MTBOs also shared how they ensure ethical behavior in themselves, with their employees or independent contractors, and when interacting with professionals outside the private practice. These findings provide a better understanding of MTBOs’ lived experiences of ethics in their private practice and may benefit other music therapists who are in private practice or are wanting to go into private practice. Limitations and recommendations for further research are provided.

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