Epilogue

After Debussy ◽  
2020 ◽  
pp. 283-308
Author(s):  
Julian Johnson
Keyword(s):  
Critical Reflection ◽  
Philosophical Critique ◽  
Music And Language ◽  
Scientific Disciplines ◽  
The Senses

Grappling with music in language (music-ology) offers a critical reflection on both. It is here that a hundred years of the philosophical critique of language (from Mauthner, Wittgenstein, and Bergson through to Serres, Nancy, Derrida, and Wellmer) overlaps with a tradition of music after Debussy that, through a logic of the senses, resists the grammars of language. A key source here is Lyotard’s Discours/Figure. A recent convergence of work on the relation between music and language, across diverse scientific disciplines, suggests productive links with the kinds of ideas that emerge from the study of music ‘after Debussy’. The chapter concludes by considering how, at its boundaries, the range of practices we might call musical (playing, listening, composing) blur into something more broadly ecological and ethical.

KNOWING THE ARAB PATRIMONIAL CORPUSES’ INTRODUCTIONS BETWEEN TRANSLATION, CRITICISM, AND CREATIVITY

2021 ◽  
Vol 4 (1) ◽  
pp. 232-252
Author(s):  
Nedjela Nedjahi ◽  
Faiza Zitouni
Keyword(s):  
Phonetic Transcription ◽  
Scientific Disciplines ◽  
The Senses ◽  
Arab People ◽  
The Relationship ◽  
Great Knowledge

The heritage corpuses’ introductions have a great importance, since their authors consider them as media for showing their trends and ideas and their sides of creativity, which are the knowledge certainties setting their method of writing with several characteristics including their objective and subjective content’s styles and the formal methodological scientific disciplines. If we come back to the Soulaiman Elboustani’s translation of Homer’s Iliad’s introduction, we find that it’s a stand-alone writing, which consists of 197 pages, in which the author addresses the criticism principles and the poetic recognising rules with deep analysis, definite accuracy, great knowledge, and addressing several topics of a great importance, after identifying the epics gender and determining whether it’s known for the Arab people or not, identifying the Homeric epic and commending it, as well as confirming its affiliation to Homer. In this research, We’ve addressed the issue of the senses’ phonetic transcription through what’s tackled by Elboustani in reviewing detailly the relationship between the line breaks, the objectives, and meanings. It was the issue addressed by numerous Arab and western researchers since antiquity.

scholarly journals Aarup 1960 and the poetics of materials

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Liv Mildrid GJERNES
Keyword(s):  
Cognitive Processes ◽  
Critical Reflection ◽  
Artistic Expression ◽  
Creative Work ◽  
Original Works ◽  
The Senses

All design has its own conditional modes of expression; however, these are realised through the maker’s sense of the possibilities of materiality. This essay was inspired by a reclaimed piece of 1960s furniture designed in the modernist idiom, and is based upon autobiographical experiences, original works from own and contemporary aesthetic practices, and associated thoughts in the present. A completely new artistic expression was developed, which questioned the strict, use-defined style ideals and let shape reveal other values and statements than function. The intention of this essay is to put into words some of the cognitive processes in which creativity, critical reflection and the senses’ experience-based insights may bring up something new. In creative work, the goal is not to reach a single result; every little discovery made by examining something specific could open up new worlds.

scholarly journals Aarup 1960 and the poetics of materials

2021 ◽  
Vol 14 (4) ◽  
Author(s):  
Liv Mildrid Gjernes
Keyword(s):  
Cognitive Processes ◽  
Critical Reflection ◽  
Artistic Expression ◽  
Creative Work ◽  
Original Works ◽  
The Senses

All design has its own conditional modes of expression; however, these are realised through the maker’s sense of the possibilities of materiality. This essay was inspired by a reclaimed piece of 1960s furniture designed in the modernist idiom, and is based upon autobiographical experiences, original works from own and contemporary aesthetic practices, and associated thoughts in the present. A completely new artistic expression was developed, which questioned the strict, use-defined style ideals and let shape reveal other values and statements than function. The intention of this essay is to put into words some of the cognitive processes in which creativity, critical reflection and the senses’ experience-based insights may bring up something new. In creative work, the goal is not to reach a single result; every little discovery made by examining something specific could open up new worlds.

scholarly journals Teori Epistemologi Islam; Telaah Kritis Pemikiran Mulyadhi Kartanegara

SIASAT ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 1-8
Author(s):  
Deden Ridwan
Keyword(s):  
Science And Religion ◽  
History Of Thought ◽  
Scientific Disciplines ◽  
History Of ◽  
The Senses ◽  
The Mind

Mystic-philosophical, according to Mulyadi Kartanegara, is a space where there is a struggle between the senses, the mind and the heart which are interrelated to provide knowledge about humans. These three icons then form the foundation of Islamic epistemology, in this case mystico-philosophical. However, these three things have been said to have not yet run out in love in reconciling science between religion and philosophy, science and religion, religion and other scientific disciplines, even creating sharp abyss. Over the course of the history of thought, the gulf continues to be pursued to be synergized in unity and to eliminate the gulf, according to Mulyadhi Kartanegara, is mystico-philosophical.

Tadeusz Tomaszewski and His Theory of Action

1996 ◽  
Vol 1 (1) ◽  
pp. 51-55 ◽  
Author(s):  
Maria Materska
Keyword(s):  
Theory Of Action ◽  
Scientific Disciplines ◽  
History Of

Tadeusz Tomaszewski, born in 1910, graduate of the Jan Kazimierz University, Lvov, doctor honoris causa of Marja Sklodowska-Curie University, Lublin, is an exceptional figure in the history of Polish psychology. His scientific accomplishments and organizational talents, multipled by the achievements of his students, had a decisive impact on the shape and prestige of Polish psychology among other scientific disciplines and determined the rank of Polish psychology in the international arena.

Piéron on the Senses

1956 ◽  
Vol 1 (6) ◽  
pp. 177-177
Author(s):  
LEO M. HURVICH
Keyword(s):  
The Senses

Review of The Citadel of the Senses and Other Essays.

1986 ◽  
Vol 31 (10) ◽  
pp. 820-820
Author(s):  
No authorship indicated
Keyword(s):  
The Senses

The physiology of the senses.

1893 ◽  
Author(s):  
John Gray M'Kendrick ◽  
William Snodgrass
Keyword(s):  
The Senses
Sign in / Sign up

Export Citation Format

Share Document