Postlude

Author(s):  
Aleysia K. Whitmore

The Postlude examines how musicians, industry personnel, and audiences today reflect on the history of the industry and its future. New technologies and platforms offer exciting new tools for participating in the genre culture and for addressing the issues of (mis)representation and power asymmetries that world music has been grappling with for the last thirty years. New world music 2.0 actors are redefining world music and rejecting the label altogether. However, they also confront the same challenges as their predecessors. While they denounce “old” world music, power asymmetries, self-righteous attitudes, and colonialist associations, they too find themselves negotiating which sounds to record, how to sell them, and what values and identities these musics carry with them. This chapter argues that those working in world music 1.0 and 2.0 should speak with one another—collaborate—in order to productively negotiate these issues in the context of a changing genre culture.

1955 ◽  
Vol 11 (4) ◽  
pp. 517-539
Author(s):  
Richard M. Morse

Latin americanists have in recent years become increasingly concerned with constructing the basis for a unified history of Latin America. Frequently this enterprise leads them to contemplate the even larger design of a history of the Americas. While the New World may still be, in Hegel’s words, “a land of desire for all those who are weary of the historical lumber-room of old Europe,” it is now recognized as having an independent heritage; its history is no longer experienced as “only an echo of the Old World.”


Bothalia ◽  
1983 ◽  
Vol 14 (3/4) ◽  
pp. 845-848 ◽  
Author(s):  
W. H. Eshbaugh

The genus Capsicum (Solanaceae) includes approximately 20 wild species and 4-5 domesticated taxa commonly referred to as ‘chilies’ or ‘peppers’. The pre-Colombian distribution of the genus was New World. The evolutionary history of the genus is now envisaged as including three distinct lines leading to the domesticated taxa. The route of Capsicum to the Old World is thought to have followed three different courses. First, explorers introduced it to Europe with secondary introduction into Africa via further exploratory expeditions; second, botanical gardens played a major role in introduction; and third, introduction followed the slave trade routes. Today, pepper production in Africa is of two types, vegetable and spice. Statistical profiles on production are difficult to interpret, but the data available indicate that Nigeria, Egypt, Tunisia and Ghana are the leading producers. Production is mainly a local phenomenon and large acreage is seldom devoted to the growing of peppers. The primary peppers in Africa are C.  annuum and C.  frutescens.


Author(s):  
Sabrina Simon ◽  
Harald Letsch ◽  
Sarah Bank ◽  
Thomas R. Buckley ◽  
Alexander Donath ◽  
...  

2020 ◽  
Vol 4 (6) ◽  
Author(s):  
Stephen M Baca ◽  
Andrew E Z Short

Abstract Notomicrinae (Coleoptera: Noteridae) is a subfamily of minute and ecologically diverse aquatic beetles distributed across the Southeast Asia, Oceania, and the Americas. We investigate the evolution of Notomicrinae and construct the first species-level phylogeny within Noteridae using five nuclear and mitochondrial gene fragments. We focus on the genus Notomicrus Sharp (Coleoptera: Noteridae), sampling 13 of the 17 known Notomicrus species and an additional 11 putative undescribed species. We also include Phreatodytes haibaraensis Uéno (Coleoptera: Noteridae). Datasets are analyzed in Maximum Likelihood and Bayesian frameworks. With these, we 1) estimate divergence times among notomicrine taxa and reconstruct the biogeographical history of the group, particularly testing the hypothesis of Gondwanan vicariance between Old World and New World Notomicrus; 2) additionally, we assess ecological plasticity within Notomicrinae in the context of the phylogeny; and 3) finally, we test the monophyly of tentative species groups within Notomicrus and place putative new taxa. We recover a monophyletic Notomicrinae, with Phreatodytes sister to Notomicrus. We estimate the crown age of Notomicrinae to be ca. 110 Mya. The crown age of Notomicrus is recovered as ca. 75 Mya, there diverging into reciprocally monophyletic Old and New World clades, suggesting Gondwanan vicariance. Our phylogenetic estimate indicates a strong degree of ecological plasticity within Notomicrinae, with habitat switching occurring in recently diverging taxa. Finally, we recover five main species groups in Notomicrus, one Old World, Four New World, with tentative affirmation of the placement of undescribed species.


1959 ◽  
Vol 37 (1) ◽  
pp. 75-81 ◽  
Author(s):  
Premvati

A study of the comparative morphology and life history of S. fülleborni, S. cebus, and S. simiae in both the parasitic and free-living generations under different environmental conditions, and their comparison with the free-living stages from faeces of Old World and New World primates has led to the conclusion that the three species should be synonymized into one, for which the name Strongyloides fülleborni von Linstow (1905) has priority.


1882 ◽  
Vol 10 ◽  
pp. 134-202
Author(s):  
Hyde Clarke

Although the results in this paper may appear to be novel, and are largely derived from sources newly opened up, in reality they are only the sequence of previous investigations. Long since there were published by me in the Journal of the Palestine Exploration Fund, and of the Anthropological Institute, and also in the Transactions of this Royal Historical Society, a list of place names. These tables showed the identity of the ancient names of cities in the Old World from India to Britain, and of those in the New World in wide regions.


1962 ◽  
Vol 22 (3) ◽  
pp. 348-378 ◽  
Author(s):  
Ruth Pike

The turning point in the history of the Genoese merchants in Spain was the discovery of America and the subsequent opening of trading relations with the new continent. From then on, their ascent to economic predominance in Spain paralleled that nation's emergence as the dominant power of the sixteenth-century world. Fortune gave Spain two empires simultaneously, one in the Old World, the other in the New. Spain's unpreparedness for imperial responsibilities, particularly in the economic sphere, was the springboard for Genoese advancement. Strengthening and enlarging their colony in Seville —after 1503 the “door and port of the Indies” —the Genoese prepared to move across the Atlantic in the wake of Columbus.


Author(s):  
Peter A. Furley

Relentless population growth worldwide has significantly modified savanna landscapes. ‘Changing patterns in the landscape’ considers how landscape changes differ in Latin America, Africa, and Australasia. The appearance of many savannas has been greatly affected by evolving land use. Many of the landscapes in the New World have only been occupied for relatively short lengths of time and settled only in the most favourable locations. The Old World by contrast, from Africa through India and East Asia to Australia, has experienced a long history of nomadic movement and occupation. The growth of cities in the savanna and the greatly increased pace of urbanization have placed enormous pressures on this land.


1973 ◽  
Vol 7 (27) ◽  
Author(s):  
C. J. Malan

Die kerkvader Ambrosius het ’n periode in die geskiedenis van die Wes-Europese beskawing geleef, wat deur Muller as ‘one of the most important and most interesting ages in the history of mankind’ beskou word, vanweë die felt dat dit die ‘closing chapter in the history of the old world’ en ‘the introduction to a new epoch in the history of Christianity and the new world’ gevorm het.


1963 ◽  
Vol 16 (3) ◽  
pp. 255-262
Author(s):  
Edward E. Lowinsky

The first volume of Helmut Osthoff's work on Josquin Desprez (ca. 1440–1521) dealing with the Netherlandish master's biography and his Mass compositions marks an epoch in Josquin research. It is the first monograph devoted to the greatest musical figure of the Renaissance.Josquin's genius was mighty enough to encompass both old and new worlds of music, the old world of masterly contrapuntal construction and of mathematical symbolism of Netherlandish vintage, and the new world of euphonious harmony and of musical expression of Italian and of humanistic origin. As an artistic personality Josquin is a novelty in the world of music: he is the first composer in Western history of whom we can form some picture of personality and of whom we have a goodly number of anecdotes, all of which show him to be endowed with a penetrating sense of his artistic mission and a vast, almost condescending, yet at times melancholy, sense of humor toward the great patrons who commanded his services.


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