Postlude
The Postlude examines how musicians, industry personnel, and audiences today reflect on the history of the industry and its future. New technologies and platforms offer exciting new tools for participating in the genre culture and for addressing the issues of (mis)representation and power asymmetries that world music has been grappling with for the last thirty years. New world music 2.0 actors are redefining world music and rejecting the label altogether. However, they also confront the same challenges as their predecessors. While they denounce “old” world music, power asymmetries, self-righteous attitudes, and colonialist associations, they too find themselves negotiating which sounds to record, how to sell them, and what values and identities these musics carry with them. This chapter argues that those working in world music 1.0 and 2.0 should speak with one another—collaborate—in order to productively negotiate these issues in the context of a changing genre culture.