The Child Who Cannot Ask: The Holocaust Poetry of Moisei Teif

2021 ◽  
pp. 217-231
Author(s):  
Anna Shternshis

The Soviet Jewish poet Moisei Teif, whose young son was murdered during the Holocaust, wrote a number of poems in Yiddish on the taboo subject of the massive loss of Jewish children during the Second World War—a trauma that almost every Soviet Jewish family experienced, but often lied or kept silent about. This chapter focuses on one poem in particular, “Kikhelekh and Zemelekh,” which was translated into Russian and incorporated into a play, and which, in the course of time, became an emblematic work for Soviet Jews who, for years, had lacked the language (or means) to commemorate their losses.

2019 ◽  
Vol 3 ◽  
pp. 00007
Author(s):  
B Dewi Puspitaningrum ◽  
Airin Miranda

<p class="Keyword">Nazi Germany used Endlösung to persecute Jews during the Second World War, leading them to the Holocaust, known as “death”. During the German occupation in France, the status of the Jews was applied. Polonski reacted to the situation by establishing a Zionist resistance, Jewish Army, in January 1942. Their first visions were to create a state of Israel and save the Jews as much as they could. Although the members of the group are not numerous, they represented Israel and played an important role in the rescue of the Jews in France, also in Europe. Using descriptive methods and three aspects of historical research, this article shows that the Jewish Army has played an important role in safeguarding Jewish children, smuggling smugglers, physical education and the safeguarding of Jews in other countries. In order to realize their visions, collaborations with other Jewish resistances and the French army itself were often created. With the feeling of belonging to France, they finally extended their vision to the liberation of France in 1945 by joining the French Forces of the Interior and allied troops.</p>


This chapter reviews the book The Story of an Underground: The Resistance of the Jews in Kovno in the Second World War (2014), by Dov Levin and Zvie A. Brown, translated by Jessica Setbon. The Story of an Underground is about the Jews of Kovno (Kaunas) who founded an underground movement during the Holocaust. The armed underground developed a plan to escape to the forests and join the partisans. The ghetto was liquidated in the summer of 1944. Many of the remaining Jews were sent to the Stutthof and Dachau concentration camps. The book highlights the dilemmas of Jewish armed resistance such as difficulties in obtaining weapons and training, some of the failures of the resistance, and some of the positive aspects of those who thought differently from members of the armed resistance.


2021 ◽  
pp. 153270862199758
Author(s):  
Eloise Florence

This article investigates the possibilities for experiential encounters with ruins in Berlin to complicate the dominant articulations of the cultural memory of Allied bombing attacks on German cities during the Second World War. Building on works that seek to disrupt normative models of cultural memory of the bombings, and entangling them with existing literature that uses new materialism to engage the sensorial nature of memory site-encounters, I examine my own fieldwork visits the ruins of Anhalter Bahnhof—a former train station—as an entanglement of both. Specifically, I investigate how encountering Anhalter through this entangled method allows the site to emerge as haunted. Encountering Anhalter as haunted might complicate the linear temporality that underpins enduring the narrative that the Allies’ actions during the war were completely ethical because they are largely framed as a response to— ergo following—the Holocaust.


2017 ◽  
pp. 197-210
Author(s):  
Dagmar Kročanová

The article discusses several Slovak plays with the theme of the Holocaust; namely Ticho (Silence) by Juraj Váh, Holokaust (Holocaust) by Viliam Klimáček, and Rabínka (The Woman Rabbi) by Anna Grusková. It also briefly refers to Návrat do života (Return to Life) and Antigona a tí druhí (Antigone and Those Others) by Peter Karvaš, both mediating traumas from concentration camps. Two plays (Ticho and Návrat do života) were written and staged immediately after the Second World War. Karvaš’s Antigona is a rare occurrence of the theme in Slovak drama during the Communism (in the early 1960s), whereas Klimáček’s and Grusková’s plays are recent, both staged in 2012. The article focuses on several aspects of these five plays: on dramatic characters representing “victims”, “witnesses” and “culprits” (Panas, quoted in Gawliński 2007: 19); on references about and/or representation of the Holocaust in dramatic texts; and on the type of the conflict(s) in the plays. It also mentions specific approaches of respective authors when dealing with the theme of the Holocaust, as well as with the relevance of their reflection of the theme for Slovak society in respective periods.


Author(s):  
Ivan Matkovskyy

The history of relations of the Sheptytskyj family and the Jewish people reaches back to those remote times when the representatives of the Sheptytskyi lineage held high and honorable secular and clerical posts, and the Jews, either upon invitation of King Danylo of Halych or King Casimir the Great, began to build up their own world in Halychyna. Throughout the whole life of Metropolitan Sheptytskyi and Blessed Martyr Klymentii, a thread of cooperation with the Jews is traceable. It should be noted that heroic deeds of the Sheptytskyi Brothers to save Jews during the Second World War were not purely circumstantial: they were preceded by a long-standing deep relationship with representatives of Jewish culture. In addition, the sense of responsibility of the Spiritual Pastor, as advocated by the Brothers, extended to all people of different religions and genesis with no exception. The world-view principles of Metropolitan Sheptytskyi are important for us in order to understand what was going on in the then society in attitude to the Jews. Also, of importance is the influence of the Metropolitan on Kasymyr Sheptytskyi, later Fr. Klymentii, because the Archbishop was not only his Brother, but also a church authority and the leader. And if from under the Metropolitan Sheptytskyi’s pen letters and pastorals were published, they were directives, instructions, edifications and explanations for the faithful and the clergy, and not at all, the products of His own reflections or personal experiences, which Archbishop Andrey wanted to share with the faithful. On the grounds of the available archive materials, an effort to reconstruct the chief moments of those relations was undertaken, aiming among others, to illustrate the fact that the saving of Jews during the Holocaust was not incidental, nor with any underlying reasons behind, but a natural manifestation of a good Christian tradition of «Love thy Neighbor», to which the Sheptytskyj were faithful. Keywords: Andrey Sheptytskyi, the Blessed Hieromartyr Klymentii Sheptytskyi, Jews, the Holocaust, Galicia, Righteous Among the Nations.


2018 ◽  
Vol 51 (3) ◽  
pp. 368-376
Author(s):  
Harold Behr

This article presents the writings of Gregory van der Kleij, group analyst and Catholic priest, whose experiences of the holocaust during the Second World War shaped his thinking, not only as a therapist but also as a campaigner against the nuclear arms race. The author re-visits two significant articles on the group matrix published in this journal in the 1980s and introduces the reader to a little-known monograph addressed to the Catholic community which examines the moral dilemma faced by Christians during the Cold War. The monograph contains an exhortation to rise up in protest against what Gregory considers to be ‘the madness’ of high-level thinking on the morality of the nuclear deterrent.


Author(s):  
Antony Polonsky

For many centuries Poland and Russia formed the heartland of the Jewish world: right up to the Second World War, the area was home to over 40 per cent of the world's Jews. Yet the history of their Jewish communities is not well known. This book recreates this lost world, beginning with Jewish economic, cultural and religious life, including the emergence of hasidism. By the late eighteenth century, other factors had come into play: with the onset of modernization there were government attempts to integrate and transform the Jews, and the stirrings of Enlightenment led to the growth of the Haskalah movement. The book looks at developments in each area in turn: the problems of emancipation, acculturation, and assimilation in Prussian and Austrian Poland; the politics of integration in the Kingdom of Poland; and the failure of forced integration in the tsarist empire. It shows how the deterioration in the position of the Jews between 1881 and 1914 encouraged a range of new movements as well as the emergence of modern Hebrew and Yiddish literature. It also examines Jewish urbanization and the rise of Jewish mass culture. The final part, starting from the First World War and the establishment of the Soviet Union, looks in turn at Poland, Lithuania, and the Soviet Union up to the Second World War. It reviews Polish–Jewish relations during the war and examines the Soviet record in relation to the Holocaust. The final chapters deal with the Jews in the Soviet Union and in Poland since 1945, concluding with an epilogue on the Jews in Poland, Lithuania, Belarus, Ukraine, and Russia since the collapse of communism.


2021 ◽  
Vol 35 (1) ◽  
pp. 79-94
Author(s):  
Philip Smith

Abstract This contribution addresses the challenges that face any attempt to render the Holocaust knowable through fiction, for children in particular: namely the need to balance truth with propriety, while giving form to an event that eludes depiction. Analyzing Gavriel Savit’s novel Anna and the Swallow Man, it argues that the text contains deliberate gaps and ambiguities. All of these gaps, to borrow Perry Nodelman’s term, suggest a “shadow text”—a version of the story unavailable to a younger reader, but hinted at throughout. This shadow text should prompt the child reader to approach an adult to learn more about the Second World War. Yet as Anna approaches her own more adult understanding, Savit reveals that the reality beyond the text remains essentially beyond articulation.


Author(s):  
Richard S. Esbenshade

THE long-accepted, fairly universal idea of a ‘great silence’ on the Holocaust in general, and in Hungary in particular, extending from the end of the Second World War until the Eichmann trial, has recently been challenged.1 The return or emergence from hiding of survivors quickly led to an explosion of Holocaust literature. Before the communist takeover, in the midst of difficult material and turbulent political conditions, Jenő Lévai and others published collections of documents;...


Sign in / Sign up

Export Citation Format

Share Document