Why Xavière is a Threat to Françoise

Author(s):  
Jonathan Webber

This chapter argues that Simone de Beauvoir’s first publication, the novel She Came To Stay, presents an existentialist metaphysics of human freedom that is opposed to Sartre’s idea of radical freedom. The novel’s central plot dramatizes Beauvoir’s idea that freedom consists in the ability to commit to a project that gains its own inertia and influence over one’s cognition through one’s repeated affirmation of it in thought and action. This is an existentialist theory because it agrees that the reasons one encounters in experience reflect the values at the heart of one’s chosen projects. It is opposed to Sartre’s theory of radical freedom because the inertia of a sedimented project entails that it can be revised or replaced only through a temporally protracted process of sedimenting contrary values.

Author(s):  
Tatiana Kashina

The article attempts to compare the soteriological ideas of the play The Satin Slipper and the novel The Brothers Karamazov, two texts in which the authors express themselves most fully as theologians. For both texts, the theme of sin and atonement is central. The epigraphs to Paul Claudel’s play are two statements about the saving potential of sin. In Dostoevsky’s novel, it can be seen how sin becomes the most important starting point for further positive spiritual change of heroes. However, in his play, Claudel not only shows the possibility for sin to become the starting point for the conversion of protagonists, but also shows that in a certain sense the salvation of the world needs sin. For example, the main characters of the Satin Slipper make a kind of symbolic escape from paradise (Don Rodrigo leaves the Jesuit novitiate, Dona Prouhèze escapes from the “Garden of Eden” planted for her by her husband) and this allows them to reveal themselves in fullness and to realize their vocation, which is salvific for the world. Mitya Karamazov at the end of Dostoevsky’s novel says that the “new man” in him “would never have come to the surface” if certain things had not happened (and what happened includes a series of Mitya’s sins). This reminds of the idea of “happy guilt”, a term from the Latin hymn Exultet, which refers to the need for sin for the redemption. However, as Claudel shows, even by the very name of his play (Dona Prouhèze, before making her escape, donates her satin slipper as a gift to the Mother of God so that the Blessed Virgin would prevent her from taking the path of evil) suggests that sin becomes salvation only thanks to human freedom.


he great philosopher Jean-Jacques Rousseau asserts, “Man is born free, but he is everywhere in chains”. It is a fact, since the very beginning, humans have always been captives in the hands of their cultures, religions, laws, and norms. These constraints always confine human freedom. . Consequently, these ever injustices with humans pushed the philosophers of the 20th century to raise their voices against such injustices which snatch humans’ freedom. As a result, the Existentialist movement came about and started suggesting humans get freedom from all constraints in society. This research aimed to analyze the dominant perspectives of Existentialism in Bapsi Sidwa’s novel. The researcher had to analytically study existentialism in the novel and to study the contents of the novel under study through the lens of existentialist theory. The method in this study was qualitative in nature. The researcher has referred to the instances from the novel to bring forward the underlying theme in the novel. The text of the novel was taken by the researcher as a sample. The researcher has found that the novel is about the wretched lives of widows in the traditional Brahminical societies in India. Following their beliefs and traditions the traditional Brahminical societies, mal-treat their widows, and snatch their freedom even in modern times. Moreover, in the novel, the researcher discerned, that not only widows, women, but also men are doomed to sufferings, miseries, and traumas in the names of moribund, and obsolete norms and beliefs in such traditional societies.


2010 ◽  
Vol 34 (8) ◽  
pp. S33-S33
Author(s):  
Wenchao Ou ◽  
Haifeng Chen ◽  
Yun Zhong ◽  
Benrong Liu ◽  
Keji Chen

Author(s):  
Fabrice B. R. Parmentier ◽  
Pilar Andrés

The presentation of auditory oddball stimuli (novels) among otherwise repeated sounds (standards) triggers a well-identified chain of electrophysiological responses: The detection of acoustic change (mismatch negativity), the involuntary orientation of attention to (P3a) and its reorientation from the novel. Behaviorally, novels reduce performance in an unrelated visual task (novelty distraction). Past studies of the cross-modal capture of attention by acoustic novelty have typically discarded from their analysis the data from the standard trials immediately following a novel, despite some evidence in mono-modal oddball tasks of distraction extending beyond the presentation of deviants/novels (postnovelty distraction). The present study measured novelty and postnovelty distraction and examined the hypothesis that both types of distraction may be underpinned by common frontally-related processes by comparing young and older adults. Our data establish that novels delayed responses not only on the current trial and but also on the subsequent standard trial. Both of these effects increased with age. We argue that both types of distraction relate to the reconfiguration of task-sets and discuss this contention in relation to recent electrophysiological studies.


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