Remaking Verse in the Eighteenth-Century Poetic Miscellany
The immensely popular eighteenth-century poetic miscellany was more than simply a collection of poems: the selection and presentation of texts constituted a deliberate, market-focused, editorial, and publishing policy that emphasized novelty and utility. Poems were edited, abridged, and repackaged in a variety of ways as they were appropriated to their editors’ ends. This chapter examines the scale and variety of poetic miscellany publication, the strategies of their creators, and the audience expectations they both generated and met, to show that they demonstrate the literary or market preoccupations of the editors and booksellers, often in a manner akin to the practice of commonplace books. Particular attention is paid to issues of sexuality and gender in relation to the re-presentation of the poems of Aphra Behn. The chapter draws evidence from a wide range of publications, including John Dryden and Jacob Tonson, Robert Dodsley, and Edward Bysshe’s Art of English Poetry.